It tells the astonishing story of sex in the West from the ancients to the moderns in a precise account of developments in reproductive anatomy and physiology. We cannot fail to recognize the players in Thomas Laqueur's story--the human sexual organs and pleasures, food, blood, semen, egg, sperm--but we will be amazed at the plots into which they have been woven by scientists, political activists, literary figures, and theorists of every stripe.Laqueur begins with the question of why, in the late eighteenth century, woman's orgasm came to be regarded as irrelevant to conception, and he then proceeds to retrace the dramatic changes in Western views of sexual characteristics over two millennia. Along the way, two "master plots" emerge. In the one-sex story, woman is an imperfect version of man, and her anatomy and physiology are construed accordingly: the vagina is seen as an interior penis, the womb as a scrotum, the ovaries as testicles. The body is thus a representation, not the foundation, of social gender. The second plot tends to dominate post-Enlightenment thinking while the one-sex model is firmly rooted in classical learning. The two-sex story says that the body determines gender differences, that woman is the opposite of man with incommensurably different organs, functions, and feelings. The two plots overlap; neither ever holds a monopoly. Science may establish many new facts, but even so, Laqueur argues, science was only providing a new way of speaking, a rhetoric and not a key to female liberation or to social progress. Making Sex ends with Freud, who denied the neurological evidence to insist that, as a girl becomes a woman, the locus of her sexual pleasure shifts from the clitoris to the vagina; she becomes what culture demands despite, not because of, the body. Turning Freud's famous dictum around, Laqueur posits that destiny is anatomy. Sex, in other words, is an artifice.This is a powerful story, written with verve and a keen sense of telling detail (be it technically rigorous or scabrously fanciful). Making Sex will stimulate thought, whether argument or surprised agreement, in a wide range of readers.

    She invites us to explore the paradoxical union of domesticity and sexual desire, and explains what it takes to bring lust home.In her 20 years of clinical experience, Perel has treated hundreds of couples whose home lives are empty of passion. They describe relationships that are open and loving, yet sexually dull. What is going on?In this explosively original book, Perel explains that our cultural penchant for equality, togetherness, and absolute candor is antithetical to erotic desire for both men and women. Sexual excitement doesn't always play by the rules of good citizenship. It is politically incorrect. It thrives on power plays, unfair advantages, and the space between self and other. More exciting, playful, even poetic sex is possible, but first we must kick egalitarian ideals and emotional housekeeping out of our bedrooms.While Mating in Captivity shows why the domestic realm can feel like a cage, Perel's take on bedroom dynamics promises to liberate, enchant, and provoke. Flinging the doors open on erotic life and domesticity, she invites us to put the "X" back in sex.©2006 Esther Perel (P)2006 HarperCollins Publishers

    

    So now is the time to make each moment of your ordinary, everyday, beautiful existence count. It’s time to own your life.Sally Clarkson’s Own Your Life is a breath of fresh air into the life and soul of a busy woman. Like a faithful friend, Sally journeys with you to explore what it means to live meaningfully, follow God truly, and bring much-needed order to your chaos. Each page offers deeply personal, authentic, and practical guidance to help you build an intentional life. Discover what it means to own your life, and dare to trust God’s hands as He richly shapes your character, family, work, and soul.

    In this classic volume of sexual learning, Anne Hooper creates a new classic that encourages an emphasis on pressure points, manners, artistic freedom, and most of all finding and pursuing a loving sexual relationship.

    Using her own dramatic life story, Caine shows how God rescued her from a life where she was unnamed, unwanted, and unqualified. She tells how she overcame abuse, abandonment, fears, and other challenges to go on a mission of adventure, fueled by faith and filled with love and courage. Her personal stories inspire readers to hear their name called, just as Christine heard her own—“You are beloved. You are the hope. You are chosen”—to go into a dark and troubled world, knowing each of us possess all it takes to bring hope, create change, and live completely for Christ. Part inspirational tale, part manifesto to stir readers to lives of adventure, Undaunted shows the way with spiritual wisdom and insight.

    This book is a compendium of the techniques and exercises she has developed, as well as tips and insights from the polyamory community's top educators, therapists and authors. These accessible, simple techniques are designed to be easily implemented in the event of an intense jealousy crisis. They are even more useful if undertaken over a period of time before a jealousy crisis happens, to build a skill set that will be at hand to help managing jealousy when and if it does occur.

    Described by the London Review of Books as one of “the most brilliant critics writing in America today,” Gary Indiana is a true radical whose caustic voice has by turns haunted and influenced the literary and artistic establishments. With I Can Give You Anything but Love, Gary Indiana has composed a literary, unabashedly wicked, and revealing montage of excursions into his life and work—from his early days growing up gay in rural New Hampshire to his escape to Haight-Ashbury in the post–summer-of-love era, the sweltering 1970s in Los Angeles, and ultimately his existence in New York in the 1980s as a bona fide downtown personality. Interspersed throughout his vivid recollections are present-day chapters set against the louche culture and raw sexuality of Cuba, where he has lived and worked occasionally for the past fifteen years. Connoisseurs will recognize in this—his most personal book yet—the same mixture of humor and realism, philosophy and immediacy, that have long confused the definitions of genre applied to his writing. Vivid, atmospheric, revealing, and entertaining, this is an engrossing read and a serious contribution to the genres of gay and literary memoir.

    Like most of us, John was an ordinary man who calmly accepted the problems of his life and career without any real hope or insight. Then a miracle happened. He met a strange, wise businessman named Gideon. It was a brief encounter, filled with mystery. But for John, it was the beginning of a soul-searching journey a joyous awakening of self-understanding, inner truth and the power of universal love that lives within us all. It is a journey you can share too.

    The stories in this book reaffirm that godwinks happen to everyone. We just need to learn how to see them, allow them to unfold, and accept them as direct, person-to-person communications from God to each of us. As you’ll see, those so-called coincidences that you’d been dismissing so easily really do mean something. And you need to pay attention. They are like unopened gifts that have been placed upon your doorstep. You will be amazed to read how every joy, every hurt, and every worry that happens to you has already been written about in the Bible. Godwink Stories simply draws upon the parallel between the stories of real people and God’s wisdom in the scriptures. Godwink Stories can be read in various ways. You can read the book cover to cover. Or follow along each week for a year. It’s also perfect to read for a pick-me-up story that fits your need of the day. Whether you’re looking for encouragement in a time of need or a story that speaks of joy, there’s a godwink story just for you. *** Godwink Stories offers weekly readings of godwinks and miracles to encourage and inspire you in every situation. These true stories— from ordinary people—provide Messages of “don’t give up” Heartfelt need for love and guidance Hope in the midst of medical crises “Just in time” moments Peace in times of sorrow Tender love stories Amazing answers to prayer

    She had questions: Was she a monster? Would she ever be able to grow sideburns? And most importantly, where was her penis?The problem was, it was the 1970s, so there were no answers yet.Here, Lorka tells the story—by turns hilarious and poignant—of her romp through the first fifty years of her life searching for sex, love, acceptance, and answers to her questions. With a sharp wit, endearing innocence, and indelible sense of optimism, she struggles through the awkward years (spoiler: that’s all of them) and discovers that what she thought were mistakes are actually powerful tools to launch her into a magical—and ridiculous—life.Oh, and she discovers that she can buy a penis at the store, too.

    Hay expands her philosophies of loving the self through:- learning to listen and trust the inner voice;- loving the child within;- letting our true feelings out;- the responsibility of parenting;- releasing our fear about growing older;- allowing ourselves to receive prosperity;- expressing our creativity;- accepting change as a natural part of life;- creating a world that is ecologically sound where it's safe to love each other;- and much more.She closes the book with a chapter devoted to meditations for personal and planetary healing.

    Considering the fusion of existing sitcom traditions, references and tropes, this Inkling analyses the nuance of the show and its surrounding cultural and societal impact as a queer revolution.By discussing how the show reshapes LGBTQ+ narratives from the crafting of the town itself, and celebratory influences including Cabaret, to how writer-creator Dan Levy utilised and subverted expectations throughout his work, Emily Garside will showcase how one TV show became a watershed moment in queer representation and gay relationships on screen.Part analysis of Schitt’s Creek’s importance, part homage to a cultural landmark, this is a show that – in the words of David Rose himself – needs to be celebrated. This book is that celebration.This book is unofficial, and unaffiliated with Schitt’s Creek and its brand.

    She entered the sex industry at age 18, and has worked as a stripper, porn and as an escort. She currently works as an escort under the alias Gia James. She has written for magazines like Frankie, Vice and Penthouse Australia, and had a monthly sex and dating column for Sneaky magazine. She had her first solo photographic exhibition "Gemini" in 2016 at Goodspace Gallery in Sydney. The exhibit played on the juxtaposition of light and dark, and was centered around themes of sexuality, kink, femininity and fantasy. She is also the author of 4 self published zines - Zero Vol. 1 + 2, Heartbreaker and Fantasy. The zines focus on short stories about her life as a sex worker and discuss relationships, love, grief, mental health and sex. She distributes the zines through her Instagram and website. Rita is currently undertaking her Bachelor of Philosophy and working towards a career as an academic, specializing in the field of Gender Studies with a focus on sex work.

    In Bite Hard, poet Justin Chin explores his identity as an Asian, a gay man, an artist, and a lover. He rails against both his own life experiences and society's limitations and stereotypes with scathing humor, bare-bones honesty, and unblinking detail. Whether addressing "what really goes on in the kitchen of Chinese restaurants" or a series of ex-boyfriends, all named Michael, Chin displays his remarkable emotional range and voice as a poet.His raw, incantatory, stream-of-consciousness poems confront issues of race, desire, and loss with a compelling urgency that reflects his work as a performance artist, speaking directly to an audience. Throughout this collection, Chin showcases his ability to convey thought-provoking viewpoints on a variety of controversial subjects. As R. Zamora Linmark of Rolling the R's says, "He plugs the stage microphone into the page and lyrically blasts the heart of our fears, rage, and import-export nightmarish dreams".