In particular, she shows how the tradition of Western political thought, which extends from Plato and Aristotle to its culmination in Marx, failed to account for human action. The concluding section of the book, “Introduction into Politics,” examines an issue that is as timely today as it was when Arendt first wrote about it fifty years ago–the modern prejudice against politics. When politics is considered as a means to an end that lies outside of itself, argues Arendt, when force is used to create “freedom,” the very existence of political principles is imperiled.

    This classic book of inspiration has sold more than 190,000 copies and continues to give comfort and cheer to new readers year after year. Line drawings.

    Mary's Church in Greenville, South Carolina; the Holy Sepulcher in Jerusalem and G.K. Chesterton's favorite pub; the grave of a modern martyr in Warsaw, and the Sistine Chapel. Weaving together insights from history, literature, theology, and music, Weigel uses these touchstones to illuminate the beliefs that have shaped Catholicism for two thousand years.With clarity and conviction, Weigel examines the foundations of Catholic faith and explores the topics of grace, prayer, vocation, sin and forgiveness, suffering, and-most importantly-love. Putting a dramatic face on this invitation to Catholicism, Weigel introduces some of the figures who have shaped his faith and thought-Michelangelo and Fra Angelico; Evelyn Waugh and Cardinal John Henry Newman; Father Jerzy Popieuszko and Pope John Paul II; Edith Stein and Mother Teresa-as he also shares anecdotes from his own Catholic life. To a world that sometimes seems closed and claustrophobic, he suggests, Christian humanism offers a world with windows and doors-and a skylight.In these letters, George Weigel conveys the power of a faith that is at once personal and universal, timely and eternal. His book will inspire not only the young generation of Catholics whose World Youth Day celebrations have launched an era of renewal for the Church, but also the faithful, the doubtful, and the searchers of every age.

    Spanning evolutionary science from its inception to its latest findings, from discoveries and data to philosophy and history, this book is an authoritative introduction to evolutionary biology.

    This updated edition features new material.

    Here Mary Midgley does so, with her customary brilliance and clarity. Midgley's analysis proves that the capacity for real wickedness is an inevitable part of human nature. This is not however a blanket acceptance of evil. Out of this dark journey she returns with an offering to us: an understanding of human nature that enhances our very humanity.

    In this work, Feyerabend reviews that controversy, and extends his critique beyond the problem of scientific rules and methods, to the social function and direction of science today.In the first part of the book, he launches a sustained and irreverent attack on the prestige of science in the West. The lofty authority of the “expert” claimed by scientists is, he argues, incompatible with any genuine democracy, and often merely serves to conceal entrenched prejudices and divided opinions with the scientific community itself. Feyerabend insists that these can and should be subjected to the arbitration of the lay population, whose closes interests they constantly affect—as struggles over atomic energy programs so powerfully attest.Calling for far greater diversity in the content of education to facilitate democratic decisions over such issues, Feyerabend recounts the origin and development of his own ideas—successively engaged by Brecht, Ehrenhaft, Popper, Mill and Lakatos—in a spirited intellectual self-portrait.Science in a Free Society is a striking intervention into one of the most topical debates in contemporary culture and politics.

    A book that could be read (perhaps should be read) contemplatively rather than discursively, so that each sentence and word is allowed to work its way through the frantic motions of our brains into the quieter notions of our hearts, shaping a whole new and wonderful vision of the world. For it is all of creation, both visible and invisible, that Picard senses as emerging from the fertile womb of silence, about which adjectives like divine and holy and life-giving might properly be applied: 'it is a positive, a complete world unto itself.' Whether Picard is speaking of God or man, language or music, the world of nature or of human artifice, silence is the lingua franca which he develops in images both aural and (even more strikingly) visual: 'the branches of the trees are like dark lines that have followed the movements of the silence; the leaves thickly cover the branches as if the silence wanted to conceal itself. . .The forest is like a great reservoir of silence out of which the silence trickles in a thin, slow stream and fills the air with its brightness.' Picard's great prose poem, like the silence it depicts, 'does not fit into the world of profit and utility; it simply is. It seems to have no other purpose; it cannot be exploited.' Perhaps herein also lies our highest praise for this remarkable book.