Tortured by the unsolved slayings of his wife and young daughter, he is a man consumed by guilt, regret, and the desire for revenge. When his former partner asks him to track down a missing girl, Parker finds himself drawn into a world beyond his imagining: a world where thirty-year-old killings remain shrouded in fear and lies, a world where the ghosts of the dead torment the living, a world haunted by the murderer responsible for the deaths in his family—a serial killer who uses the human body to create works of art and takes faces as his prize. But the search awakens buried instincts in Parker: instincts for survival, for compassion, for love, and, ultimately, for killing.Aided by a beautiful young psychologist and a pair of bickering career criminals, Parker becomes the bait in a trap set in the humid bayous of Louisiana, a trap that threatens the lives of everyone in its reach. Driven by visions of the dead and the voice of an old black psychic who met a terrible end, Parker must seek a final, brutal confrontation with a murderer who has moved beyond all notions of humanity, who has set out to create a hell on earth: the serial killer known only as the Traveling Man.In the tradition of classic American detective fiction, Every Dead Thing is a tense, richly plotted thriller, filled with memorable characters and gripping action. It is also a profoundly moving novel, concerned with the nature of loyalty, love, and forgiveness. Lyrical and terrifying, it is an ambitious debut, triumphantly realized.

    . . until now.But the journals of resident Kate Holland, recovered from the town’s bloody wreckage, capture a tale too harrowing—and too earth-shattering in its implications—to be forgotten. In these pages, Max Brooks brings Kate’s extraordinary account to light for the first time, faithfully reproducing her words alongside his own extensive investigations into the massacre and the legendary beasts behind it. Kate’s is a tale of unexpected strength and resilience, of humanity’s defiance in the face of a terrible predator’s gaze, and inevitably, of savagery and death. Yet it is also far more than that. Because if what Kate Holland saw in those days is real, then we must accept the impossible. We must accept that the creature known as Bigfoot walks among us—and that it is a beast of terrible strength and ferocity. Part survival narrative, part bloody horror tale, part scientific journey into the boundaries between truth and fiction, this is a Bigfoot story as only Max Brooks could chronicle it—and like none you’ve ever read before.

    Inside this folder are the letters, memos and transcripts for a young soldier named George Smith, a quiet young man with a terrible past and a shocking secret. As Outerbridge conducts George's therapy, he gradually discovers the truth about George's traumatic childhood, his twisted romance with an older woman named Anna, and the unusual obsession George keeps hidden from the world. With the masterful touch that earned him the Hugo and Nebula awards, Theodore Sturgeon creates a character capable both of unsettling violence and irresistible humanity.

    666 takes the reader into the world of evil that lies unsuspected behind the door of an ordinary-looking house: a house that reappears from time to time near any city, waiting invitingly, innocently, for someone to rent it, a house in which a dreadful, bloody, orgiastic crime recurs again and again, bringing its victims screaming to the very brink of hell—and into the hands of the devil himself.

    But an innocent walk home after an evening with friends changes her life forever. When she intervenes in the senseless beating of a homeless man, his attackers turn on her, dragging her into an alley. Raven is only semi-conscious when their assault is interrupted by a cacophony of growls followed by her attacker’s screams. Mercifully, she blacks out, but not before catching a glimpse of a shadowy figure who whispers to her…Cassita vulneratus.When Raven awakes, she is inexplicably changed. She returns to the Uffizi, but no one recognizes her and more disturbingly, she discovers that she’s been absent an entire week. With no recollection of the events leading up to her disappearance, Raven also learns that her absence coincides with one of the largest robberies in Uffizi history – the theft of a set of priceless Botticelli illustrations. When the baffled police force identifies her as its prime suspect, Raven is desperate to clear her name. She seeks out one of Florence’s wealthiest and elusive men in an attempt to uncover the truth about her disappearance. Their encounter leads Raven to a dark underworld whose inhabitants kill to keep their secrets…

    The old brownstone apartment she simply had to have. The grotesque blind priest who watched down on her day and night from an upper-story window. The pair of perverted creatures who wanted her to join their circle. The mad little old man who gave her tea and sympathy. The cool, calculating, supremely rational lover who first mocked her fears.And the secret you will never be able to forget, even if you try...

    Reissue.

    It also has a very, very old one.   Pepper is a rambunctious big man, minor-league troublemaker, working-class hero (in his own mind), and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He’s not mentally ill, but that doesn’t seem to matter. He is accused of a crime he can’t quite square with his memory. In the darkness of his room on his first night, he’s visited by a terrifying creature with the body of an old man and the head of a bison who nearly kills him before being hustled away by the hospital staff. It’s no delusion: The other patients confirm that a hungry devil roams the hallways when the sun goes down. Pepper rallies three other inmates in a plot to fight back: Dorry, an octogenarian schizophrenic who’s been on the ward for decades and knows all its secrets; Coffee, an African immigrant with severe OCD, who tries desperately to send alarms to the outside world; and Loochie, a bipolar teenage girl who acts as the group’s enforcer. Battling the pill-pushing staff, one another, and their own minds, they try to kill the monster that’s stalking them. But can the Devil die?  The Devil in Silver brilliantly brings together the compelling themes that spark all of Victor LaValle’s radiant fiction: faith, race, class, madness, and our relationship with the unseen and the uncanny. More than that, it’s a thrillingly suspenseful work of literary horror about friendship, love, and the courage to slay our own demons.

    From dark fantasy and pure suspense to classic horror tales of vampires and zombies, 999 showcases the extraordinary scope of fantastical fright fiction. The stories in this anthology are a relentless tour de force of fear, which will haunt you, terrify you, and keep the adrenaline rushing all through the night.Amerikanski dead at the Moscow morgue / Kim Newman --The ruins of contracoeur / Joyce Carol Oates --The owl and the pussycat / Thomas M. Disch --The road virus heads north / Stephen King --Keepsakes and treasures: a love story / Neil Gaiman --Growing things / T.E.D. Klein --Good Friday / F. Paul Wilson --Excerpts from the records of the New Zodiac and the diaries of Henry Watson Fairfax / Chet Williamson --An exaltation of termagants / Eric Von Lustbader --Itinerary / Tim Powers --Catfish gal blues / Nancy A. Collins --The entertainment / Ramsey Campell --ICU / Edward Lee --The shadow, the darkness / Thomas Ligotti --Rio Grande Gothic / David Morrell --Des Saucisses, Sans doute / Peter Schneider --Angie / Ed Gorman --The ropy thing / Al Sarrantonio --The tree is my hat / Gene Wolfe --Styx and bones / Edward Bryant --Hemophage / Steven Spurill --The book of irrational numbers / Michael Marshall Smith --Mad dog summer / Joe R. Lansdale --The Theater / Bentley Little --Rehearsals / Thomas F. Monteleone --Darkness / Dennis L. McKiernan --Elsewhere / William Peter Blatty

    A yawning, bottomless crack spreads through the earth, out of which creeps a fog that resembles no other. Whatever it is, it must be controlled.

    One, there's never been an actual authenticated haunted house. Two, it's not the house that's haunted, but the person.Callie is a young architectural student who marries Mateo, a wine importer, and moves to a grand old house in Southern Spain. Hyperion House is flooded with light, it also has a mute gardener, a sinister housekeeper and a sealed, dark servants' quarters that nobody has the keys for. And although initially happy, and taking care of Mateo's daughter, Callie can't help being drawn to the dark empty rooms at the back of the house, and becomes convinced that someone is living in there.Uncovering the house's history, she discovers the shocking truth. As Callie's fear of the darkness returns, she comes to understand the true nature of evil.

    Also included are a discussion of Stoker's working notes for the novel and "Dracula's Guest," the original opening chapter to Dracula. Reviews and Reactions reprints five early reviews of the novel. "Dramatic and Film Variations" focuses on theater and film adaptations of Dracula, two indications of the novel's unwavering appeal. David J. Skal, Gregory A. Waller, and Nina Auerbach offer their varied perspectives. Checklists of both dramatic and film adaptations are included.Criticism collects seven theoretical interpretations of Dracula by Phyllis A. Roth, Carol A. Senf, Franco Moretti, Christopher Craft, Bram Dijkstra, Stephen D. Arata, and Talia Schaffer.A Chronology and a Selected Bibliography are included.

    Two of the houses at Beldame are still used. The third house, filling with sand, is empty...except for the vicious horror which is shaping nightmares from the nothingness that hangs in the dank, fetid air.The McCrays and Savages, two fine Mobile families allied by marriage, have been coming to Beldame for years. This summer, with a terrible funeral behind them and a messy divorce coming up, even Luker McCray and little India down from New York are looking forward to being alone at Beldame.But they won't be alone. For something there, something they don't like to think about, is thinking about them...and about all the ways to make them die.

    At the time it seems like the perfect place to do it, so quiet, so secluded. But they have no way of knowing that they've moved into what was once a sacred site of an old religion. And that the old god is not dead--only waiting. Already the god's dark power has begun to spread, changing and polluting all that it touches. A hideous evil pervades the small town. Soon the dead no longer stay dead. When the power awakens the rotting crew of a ship that sank decades earlier, a nightmare of bloodshed and violence begins for the Stainforths, a nightmare that can end only with the ultimate sacrifice--death.

    Consider yourself warned. HOW WRONG COULD IT GO? CASSIE knew exactly what she was looking for when she trawled the world of mobile dating to find the perfect man for an afternoon of rough, kinky fantasy. She only did this once a year, and this time it was going to be extra special. But, there was just one problem... RICH thinks he’s hit the jackpot when he meets a hot older woman on a dating app. She’s gorgeous and doesn’t want any long term commitments, just an afternoon of no-strings-attached kinky fun — what could be better? But can he be man enough to tie her up and play the role of aggressor in her dark, twisted and violent fantasy? BUT NEITHER of them knew that things would all go so terribly, darkly, disturbingly wrong.