A man of harsh sensibilities, he carves Caroline out of the deal because she has the nerve to be less than enthusiastic about her father's generosity. While Larry Cook deteriorates into a pathetic drunk, his daughters are left to cope with the often grim realities of life on a family farm—from battering husbands to cutthroat lenders. In this winner of the 1992 Pulitzer Prize for Fiction, Smiley captures the essence of such a life with stark, painful detail.

    This novel, in the words of its title character, is set in "the hermetic world of the old-fashioned black bourgeoisie--a group largely unknown to other Americans, which has carried on with cautious pomp for years in eastern cities and suburbs, using its considerable funds to attempt poignant imitations of high society, acting with genuine gallantry in the struggle for civil rights, and finally producing a generation of children educated in newly integrated schools and impatient to escape the outworn rituals of their parents."

    Ana Castillo's groundbreaking first novel, The Mixquiahuala Letters, received an American Book Award from the Before Columbus Foundation and is widely studied as a feminist text on the nature of self-conflict.

    Later, as the terrible events of wartime Germany swirled around her, she risked death to smuggle food, medicine, and emotional support to hundreds of political prisoners, ultimately saving them from mass execution by the Nazis. Walls is her story. For her wartime work, Zassenhaus was nominated for the Nobel Peace Prize in 1974. Walls was named on of the 25 best books of 1974 for young adults by the American Library Association and received a Christopher Award in 1975.

    He is privileged, would seem to have the world at his feet, even. Then why does the sight of a few redneck teenagers disconcert him? Why is he reluctant to pick up a disheveled girl hitchhiking along the desert highway? And why is he the first person the police suspect when she is found dead in Arizona a few days later?Dorothy B. Hughes ranks with Raymond Chandler and Patricia Highsmith as a master of mid-century noir. In books like In a Lonely Place and Ride the Pink Horse, she exposed a seething discontent underneath the veneer of twentieth-century prosperity. With The Expendable Man, first published in 1963, Hughes upends the conventions of the wrong-man narrative to deliver a story that engages readers even as it implicates them in the greatest of all American crimes.

    Her mother, to whom she hasn't spoken for many years, comes to see her. Her unexpected visit forces Lucy to confront the tension and longing that have informed every aspect of her life: her impoverished childhood in Amgash, Illinois, her escape to New York and her desire to become a writer, her faltering marriage, her love for her two daughters. Knitting this powerful narrative together is the brilliant storytelling voice of Lucy herself: keenly observant, deeply human, and truly unforgettable. In My Name Is Lucy Barton, one of America's finest writers shows how a simple hospital visit illuminates the most tender relationship of all-the one between mother and daughter.

    But after Pearl Harbor, everything changes. In Ella Leffland’s beautifully wrought story of a young girl’s coming of age during WWII, the fighting in Europe looms behind the tranquility of family, friends, and neighbors—until the darkness of the war becomes suddenly, irrevocably real.

    The book has been translated into numerous languages and was chosen by QBR Black Book Review as one of Africa's 100 best books of the twentieth century. No African woman had ever been so frank, in an autobiography, or written so poignantly, about the intimate details of her life—a distinction that, more than two decades later, still holds true. Abandoned by her mother and sent to live with relatives in Dakar, the author tells of being educated in the French colonial school system, where she comes gradually to feel alienated from her family and Muslim upbringing, growing enamored with the West. Academic success gives her the opportunity to study in Belgium, which she looks upon as a "promised land." There she is objectified as an exotic creature, however, and she descends into promiscuity, alcohol and drug abuse, and, eventually, prostitution. (It was out of concern on her editor's part about her candor that the author used the pseudonym Ken Bugul, the Wolof phrase for "the person no one wants.") Her return to Senegal, which concludes the book, presents her with a past she cannot reenter, a painful but necessary realization as she begins to create a new life there. As Norman Rush wrote in the New York Times Book Review, "One comes away from The Abandoned Baobab reluctant to take leave of a brave, sympathetic, and resilient woman." Despite its unflinching look at our darkest impulses, and at the stark facts of being a colonized African, the book is ultimatelyinspirational, for it exposes us to a remarkable sensibility and a hard-won understanding of one's place in the world.CARAF Books: Caribbean and African Literature Translated from French

    Black humor mingles with magic, injustice bleeds into betrayal, and through it all, bonds of love and family marry the elements into a tightly woven whole that pulses with the drama of life.Filled with humor, magic, injustice and betrayal, Erdrich blends family love and loyalty in a stunning work of dramatic fiction.

    No other work of fiction so faithfully conveys both the sharp physical realities and the mythic sweep of the transformation of the American frontier—and the transformation of the people who settled it. Cather's heroine is Alexandra Bergson, who arrives on the wind-blasted prairie of Hanover, Nebraska, as a girl and grows up to make it a prosperous farm. But this archetypal success story is darkened by loss, and Alexandra's devotion to the land may come at the cost of love itself.At once a sophisticated pastoral and a prototype for later feminist novels, O Pioneers! is a work in which triumph is inextricably enmeshed with tragedy, a story of people who do not claim a land so much as they submit to it and, in the process, become greater than they were.

    As she helps guide her family through its discontent, Lucille discovers in herself a woman rich in wisdom, rich in humor, and rich in love.

    I would figure out this or that way and run it down through my head until it got easy." So begins the tale of Ellen Foster, the brave and engaging heroine of Kay Gibbons's first novel, which won the Sue Kaufman Prize from the American Academy of Institute of Arts and Letters. Wise, funny, affectionate, and true, Ellen Foster is, as Walker Percy called it, "The real thing. Which is to say, a lovely, sometimes heartwrenching novel. . . . [Ellen Foster] is as much a part of the backwoods South as a Faulkner character—and a good deal more endearing."

    Clarence Day's reminiscences of growing up in a turn-of-the-century New York household which keeps wriggling out from under the thumb of a blustering Wall Street paterfamilias are classics of American humor, lively and nostalgic sketches that still manage to evoke the enduring comedy of family life. Father's explosive encounters with horse and cook, servants and shopkeepers, wife and children—to say nothing of his vigorous pursuit of ice!—retain their hilarious appeal in no small part because the younger Day never seems put out by the older man's actions, never describes him with less than affectionate amusement. As a result, Life with Father remains as a contemporary critic described it: "A delightful book alive with energy and collisions and the running water of happiness."A bestseller when it was first published in 1935, Life with Father was the inspiration for one of the longest-running hits in Broadway history and was later adapted successfully for both film and television.Clarence Day was born in 1874. After graduation from Yale, he followed his father to Wall Street, but his business career was cut short by illness. Turning to writing and drawing, he became an early contributor to The New Yorker and authored several books, the most famous of which was Life with Father. Day died in December 1935, just a few months after Life with Father was published. Life with Mother appeared posthumously."A delightful book alive with energy and collisions and the running water of happiness."—The New Republic"One of the most chuckling books of our time."—The Atlantic"The only reason for reading Life with Father is the fun of it."—New York Times"Such a rich and rounded character as Father has not appeared in literature for many a year. A novelist would be ranked as a genius for inventing him; Clarence Day didn't need to."Books"It won't be so much fun reading Life with Father unless you have someone at hand to whom you can read snatches whenever enjoyment becomes too great to be self-contained any longer."—Boston Transcript

    The story of young, sensitive, and idealistic Francie Nolan and her bittersweet formative years in the slums of Williamsburg has enchanted and inspired millions of readers for more than sixty years. By turns overwhelming, sublime, heartbreaking, and uplifting, the daily experiences of the unforgettable Nolans are raw with honesty and tenderly threaded with family connectedness -- in a work of literary art that brilliantly captures a unique time and place as well as incredibly rich moments of universal experience.

    Struggling to find a voice above the boom of her brothers and to understand her place on this side of the border and that, Lala is a shrewd observer of family life. But when she starts telling the Awful Grandmother's life story, seeking clues to how she got to be so awful, grandmother accuses Lala of exaggerating. Soon, a multigenerational family narrative turns into a whirlwind exploration of storytelling, lies, and life. Like the cherished rebozo, or shawl, that has been passed down through generations of Reyes women, Caramelo is alive with the vibrations of history, family, and love.