"He brings to life characters and situations as vivid and compelling as any in contemporary literature."--Michael Dorris, The Washington Post Book World.

    Andrew and James are looking forward to meeting their favorite author, but when a homeless woman, who claims to be the author’s “biggest fan,” begins to stalk the two friends, they have to wonder if this creepy old woman is who she appears to be, and why the sound of bells follows her wherever she goes.

    It was this city that served as a catalyst for Burroughs as a writer, the backdrop for one of the most radical transformations of style in literary history.Burroughs's life during this period is limned in a startling collection of short stories, autobiographical sketches, letters, and diary entries, all of which showcase his trademark mordant humor, while delineating the addictions to drugs and sex that are the central metaphors of his work. But it is the extraordinary "WORD," a long, sexually wild and deliberately offensive tirade, that blends confession, routine, and fantasy and marks the true turning point of Burroughs as a writer-the breakthrough of his own characteristic voice that will find its full realization in Naked Lunch. James Grauerholz's incisive introduction sets the scene for this series of pieces, guiding the reader through Burroughs's literary evolution from the precise, laconic, and deadpan writer of Junky and Queer to the radical, uncompromising seer of Naked Lunch. Interzone is an indispensable addition to the canon of his works.

    Her imagination runs wild and then fixates on Ian Baird. He'll be working at the Langston Museum for a short stint as a consulting curator. He's Scottish. He believes sex is fun to be had. He's the perfect choice for a fling. She only has to get him break his rule about sleeping with co-workers. Seducing a man was on her bucket list...Ian is no one's fool and knows exactly what Jocelyn wants—him. If she didn't work for the Langston Museum, he'd be more than happy to oblige any and every fantasy she desired, but she's the curator. She's sweet, inexperienced and well liked by everyone including the museum owner and director. Ian can't risk losing such an important contact for his consulting business. Not even when everything within in him craves a taste of her.When Jocelyn sets her sights on him, there's no way Ian can deny her. They agree their affair will end in thirty days. No emotions, no entanglements, just sex. The closer the end date looms, they start to question if it's possible to walk away. They'll either have to come to terms of what they've become or stick to their original agreement.

    THE MOTHS AND OTHER STORIES, Helena Maria Viramontes' stories exploring women's struggles to overcome the dictates of family, culture, and church, is in a new edition. Prejudice and the social and economic status of Chicanos often form the backdrop for these haunting stories, but their central, unifying theme deals with the social and cultural values which shape women's lives and which they struggle against with varying degrees of success.

    The shattering consequences of this confrontation echo backwards and forwards in time, even to the present day.At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

    Now his wife, Galatea is expected to be obedience and humility personified, but it is not long before she learns to use her beauty as a form of manipulation. In a desperate bid by her obsessive husband to keep her under control, she is locked away under the constant supervision of doctors and nurses. But with a daughter to rescue, she is determined to break free, whatever the cost...

    Bingham Prize“Written by the hand of a poet, the prose in this collection is consistently beautiful.”—Elizabeth Nunez, author of Prospero’s Daughter and Boundaries“I love the tender beautiful writing; I love the characters, and in many ways it felt as if I had met them before….I just love this book.”—Uwem Akpan, author of Say You’re One of Them, an Oprah Book Club selectionInternationally renowned and award-winning poet Lorna Goodison brings us By Love Possessed, her long-anticipated collection of short fiction. Making dazzling use of the Creole patois of Jamaica, Goodison limns the beauty and despair of the human condition and explores the unique power of love to both uplift and destroy. Goodison’s powerfully moving stories explore the pain, the struggle, and the triumph of Jamaicans—particularly women—those still living on their Caribbean island and those who have emigrated elsewhere. By Love Possessed is a rare and beautiful gift from an extraordinary writer who was mentored by the legendary Derek Walcott and who stands with Edwidge Danticat as a brave and breathtaking voice in contemporary literature.

    . . Will stand by itself as one of our funniest, most telling anatomies of human love and vulnerability.” —The New York Times Book Review, cover).These eight masterly stories reveal Lorrie Moore at her most mature and in a perfect configuration of craft, mind, and bewitched spirit, as she explores the passage of time and summons up its inevitable sorrows and hilarious pitfalls to reveal her own exquisite, singular wisdom.In “Debarking,” a newly divorced man tries to keep his wits about him as the United States prepares to invade Iraq, and against this ominous moment, we see—in all its irresistible wit and darkness—the perils of divorce and what can follow in its wake . . .In “Foes,” a political argument goes grotesquely awry as the events of 9/11 unexpectedly manifest themselves at a fund-raising dinner in Georgetown . . . In “The Juniper Tree,” a teacher visited by the ghost of her recently deceased friend is forced to sing “The Star-Spangled Banner” in a kind of nightmare reunion . . . And in “Wings,” we watch the inevitable unraveling of two once-hopeful musicians, neither of whom held fast to their dreams nor struck out along other paths, as Moore deftly depicts the intricacies of dead-ends-ville and the workings of regret . . .Here are people beset, burdened, buoyed; protected by raising teenage children; dating after divorce; facing the serious illness of a longtime friend; setting forth on a romantic assignation abroad, having it interrupted mid-trip, and coming to understand the larger ramifications and the impossibility of the connection . . . stories that show people coping with large dislocation in their lives, with risking a new path to answer the desire to be in relation—to someone . . .Gimlet-eyed social observation, the public and private absurdities of American life, dramatic irony, and enduring half-cracked love wend their way through each of these narratives in a heartrending mash-up of the tragic and the laugh-out-loud—the hallmark of life in Lorrie-Moore-land.--jacket

    He also reflects on everything that has slipped away, including a boyfriend, close acquaintances, success, and allure. But sketch by sketch, he sometimes feels the enormity of all that is possible.Justin Torres’s Crewelwork is part of Currency, a compounding collection of stories about wealth, class, competition, and collapse. If time is money, deposit here with interest. Read or listen in a single sitting.

    The second section, “Tales of the Out & the Gone,” reveals Amiri Baraka’s increasing literary adventurousness, combining an unpredictable language play with a passion for abstraction and psychological exploration.Throughout, Baraka’s unique and constantly changing literary style will educate readers on the evolution of one of America’s most accomplished literary masters of the past four decades.

    At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

    But the neighbours are becoming concerned. Eileen Jameson and the boys haven't been seen for quite some time...When a gruesome discovery points the finger, quite literally, at the Professor's house, Inspector Max Carruthers and Detective Sergeant Lucas Matthews come knocking at the door. It's a day they will never forget ...

    Perfect to curl up with on a winter’s evening.