Adam Kaminski, with a delegation to Philadelphia's sister city, is meant to be a polite observer only. But a good man doesn't walk away when he sees wrong being done, and he's not about to start now.Visiting his family's homeland, Adam's been warned by his superiors to be on his best behavior. In a country that has known centuries of wars and occupation, politics are complex and layered with old prejudices and loyalties impossible for foreigners to understand. But when Adam meets a Polish cousin in Warsaw who believes his daughter was murdered, Adam is troubled by the indifference of the police… and by the strange behavior of the delegation's Polish liaison.Adam begins uncovering clues that point to the killer, clues that lead him inexorably into an investigation of the intricate web of Polish politics and the legacy of the Secret Police. But the past isn't always black and white, as Adam is forced to accept as he learns more about the killer and about his own family legacy. Will looking into the murder only beget more murder?

    The tragedy left her family with a fractured life—a mother out to numb the pain, a father losing a battle with his own private demons, and a sister desperate for closure. But now another teenage girl has gone missing. It’s ripping open old wounds for the Willards, dragging them back into a painful past, and leaving them unprepared for where it will take them next.Bureau of Criminal Investigation agent Mark Foster has stumbled on uncanny parallels in the lives of the two missing girls that could unlock clues to a serial killer’s identity. That means breaking down the walls of the Willards’ long-guarded secrets and getting to a truth that is darker than he bargained for. Now, to rescue one missing girl, he must first solve the riddles that disappeared with another: Kelsey Willard herself. Dead or alive, she is his last hope.

    Each presses a button for their floor, but the elevator proceeds, non-stop, to the top. Once there, it stops for a few seconds, and then plummets.Right to the bottom of the shaft.It appears to be a horrific, random tragedy. But then, on Tuesday, it happens again, in a different Manhattan skyscraper. And when Wednesday brings yet another high-rise catastrophe, one of the most vertical cities in the world—and the nation’s capital of media, finance, and entertainment—is plunged into chaos.Clearly, this is anything but random. This is a cold, calculated bid to terrorize the city. And it’s working. Fearing for their lives, thousands of men in women working in offices across the city refuse leave their homes. Commerce has slowed to a trickle. Emergency calls to the top floors of apartment buildings go unanswered.Who is behind this? Why are they doing it? What do these deadly acts of sabotage have to do with the fingerless body found on the High Line? Two seasoned New York detectives and a straight-shooting journalist must race against time to find the answers before the city’s newest, and tallest, residential tower has its Friday night ribbon-cutting.

    I know what she did.

    There must be a victim. A suspect. A detective. The rest is just shuffling the sequence. Expanding the permutations. Grant McAllister, a professor of mathematics, once sat down and worked them all out – calculating the different orders and possibilities of a mystery into seven perfect detective stories he quietly published. But that was thirty years ago. Now Grant lives in seclusion on a remote Mediterranean island, counting the rest of his days.Until Julia Hart, a sharp, ambitious editor knocks on his door. Julia wishes to republish his book, and together they must revisit those old stories: an author hiding from his past, and an editor, keen to understand it.But there are things in the stories that don’t add up. Inconsistencies left by Grant that a sharp-eyed editor begins to suspect are more than mistakes. They may be clues, and Julia finds herself with a mystery of her own to solve.

    Her brothers have given her the task of deciding what to do with their parents’ farm, which is slowly falling into disrepair. Imogen will not be rushed into passing judgement on the place. When she starts to carry out some research into the history of Kilduggan Farm, she inadvertently sets off a chain of events that ends in tragedy. Suddenly, Imogen and her psychologist husband, Hugh, find themselves faced with a seemingly insoluble puzzle. How can it be possible that an unexplained death in the present day can match, in every detail, an unsolved case from 40 years ago?As the past begins to catch up with Imogen, she realises that she must strive to discover the truth about her family, even if it means that nothing will ever be the same again…This is an intricately plotted novel, cleverly interwoven with subtle clues and the occasional red-herring. It will keep you guessing and the pages turning, right up until its final, shocking conclusion.Aoife's Chariot is the first novel in the Imogen and Hugh Croft Mysteries Series. It is an absorbing family saga, full of mystery and suspense. Husband and wife sleuths Imogen and Hugh Croft are first introduced to readers in this tense genealogical mystery with deathly consequences.

    One other thing they couldn’t share was the love of their dad. He had his favorite for reasons best not mentioned.The family is torn apart when their dad is found murdered with all the traits of a particular twisted MO. A robbery gone wrong, jealous partner in a love triangle, warring neighbors, or someone closer to home? For Logan, the lead detective at the time and now head of LAPD homicide, the answer was and is simple. Jessica was guilty. That’s despite the case having never gone to trial, now gathering dust after fifteen years as his only cold case file of an otherwise illustrious career.When a murder takes place with a similar MO, detective Jason Stone is allocated the case. He’s a young man on a one–man mission to make a name for himself, and one who will break the rules to get there. Stone believes a mysterious person he dubs the Night Girl holds the key to unraveling the case. But just as he is close to cracking the case, his suspect list grows.Taken off the case, he goes undercover to continue his investigation. Infatuated, he places Jessica under surveillance to get close. Too close. Someone should tell him to stop chasing a dream, or could end up as the serial killer’s next target.

    The phone rings.The man on the other end says his daughter is missing.Your daughter. The baby you gave away over fifteen years ago. What do you do? Nora Watts isn't sure that she wants to get involved. Troubled, messed up, and with more than enough problems of her own, Nora doesn't want to revisit the past. But then she sees the photograph. A girl, a teenager, with her eyes. How can she turn her back on her? But going in search of her daughter brings Nora into contact with a past that she would rather forget, a past that she has worked hard to put behind her, but which is always there, waiting for her . . . In Eyes Like Mine, Sheena Kamal has created a kick-ass protagonist who will give Lisbeth Salander a run for her money. Intuitive, not always likeable, and deeply flawed, Nora Watts is a new heroine for our time.

    Charlie makes a living of sorts teaching self-defence to women. It's a skill she picked up out of necessity having been kicked out of the army for reasons she prefers not to go into.So, when Susie Hollins is found dead after she mistakenly tussles with Charlie at the New Adelphi Club, Charlie knows it's only a matter of time before the police come calling. What they don't tell her is that the unlucky Hollins is the latest victim of a homicidal rapist stalking the local area.Charlie finds herself inadvertently drawn into the investigation when the New Adelphi's enigmatic owner, Marc Quinn, offers her a job. Viewed as an outsider by the existing all-male security team, her suspicion that there's a link between the club and the serial killer doesn't exactly endear her to anyone. Charlie has always taught her students that it's better to run away than to stand and fight. But, when the killer starts taking a very personal interest, it becomes clear that he isn't going to give her that option.

    It starts with a body—a young woman found dead in an Iowa cornfield, on one of the few family farms still managing to compete with the giants of Big Agriculture.When Sergeant Riley Fisher, newly promoted to head of investigations for the Black Hawk County Sheriff’s Office, arrives on the scene, an already horrific crime becomes personal when she discovers the victim was a childhood friend, connected to a dark past she thought she’d left behind.The investigation grows complicated as more victims are found. Drawn deeper in, Riley soon discovers implications far beyond her Midwest town.

    They seem made for each other, but the truth is ugly. Consumed by professional and personal betrayals and financial woes, the two both love and hate each other. As tensions mount, Sutton disappears, leaving behind a note saying not to look for her.Ethan finds himself the target of vicious gossip as friends, family and the media speculate on what really happened to Sutton Montclair. As the police investigate, the lies the couple have been spinning for years quickly unravel. Is Ethan a killer? Is he being set up? Did Sutton hate him enough to kill the child she never wanted and then herself? The path to the answers is full of twists that will leave the reader breathless.

    That's all it takes.She stabbed little Robbie Harris. To change a life -She's living under a new name.For ever.She's reformed. So they say . . . Joanna is going to regret the day she ever said a word.

    A flourishing company founded with her husband, John; a happy marriage; and a daughter, Ashlyn. The picture-perfect family. Until John left for another woman. Tish is half his age. Ambitious. She’s cultivated a friendship with Ashlyn. Tish believes she’s won.She’s wrong.Tish Nelson has it all. Youth, influence, a life of luxury, and a new husband. But the truth is, there’s a lot of baggage. Namely, his first wife—and suspicions of his infidelity. After all, that’s how she got John. Maybe it’s time for a romantic getaway, far from his vindictive ex. If Kate plans on getting John back, Tish is one step ahead of her.She thinks.But what happens next is something neither Kate nor Tish saw coming. As best-laid plans come undone, there’s no telling what a woman will do in the name of love—and revenge.

    What made him choose four innocent strangers, a family picnicking, as his victims? Why did he need to kill? Forensic psychologist Karen Taylor comes to probe the mind of this psychopath.

    His brother, Manav, is quiet and intuitive. He is also brilliant at solving cases. When Shravya Chandra, wife of Arun Chandra the film star, goes missing – Ashish and Manav have their own hunches. Ashish is out to prove Arun Chandra’s guilt. But Manav wants to know more about Shravya’s old friend, Anchal because he’s certain that she is hiding something big. They both can’t be right, of course.Ashish doesn’t want to be wrong; he’s never wrong. And Manav would give anything to snatch a victory from under his brother’s nose. Who’s right? And at what cost are they going to win? Since everyone’s looking only for what they want to see, will they ever actually find out what happened to Shravya Chandra?And so begins the battle of egos, the endless search for a killer and the unravelling of secrets…