"The Rejection Collection" brings together some of "The New Yorker's "brightest talents--Roz Chast, Gahan Wilson, Sam Gross, Jack Zeigler, David Sipress, and more--and reveals their other side. Their dark side. Their juvenile side. Their sick side. Their naughty side. Their outrageous side.And what a treat. Ventriloquist dummy cartoons. Operating room cartoons. Bring your daughter to work day cartoons (the stripper, the prison guard on death row). Lots of couples in bed, quite a few coffins, wise-cracking animals--an obsessive's plumbing of the weird, the scary, the off-the-wall, and done so without restraint.Every week "The New Yorker" receives 500 cartoon submissions, and rejects a great majority--mostly, of course, for not being funny enough. There's no question why these were rejected, and it's not for lack of laughs. One can almost hear Eustace Tilley sniffing, "We are not amused."

    Crumb's Kafka is a vibrant biography that examines this Czech writer and his works in a way that a bland texbook never could! R. Crumb's Kafka goes far beyond being explication or popularization or survey. It's a work of art in its own right, a very rare example of what happens when one very idiosyncratic artist absorbs another into his worldview without obliterating the individuality of the absorbed one. Crumb's art is filled with Kafka's insurmountable neuroses. They are all there: Gregor Samsa's sister, the luscious Milena Jesenska, the Advacate's "nurse" Leni, Olda and Frieda, and the ravishing Dora Diamant-drawn in that mixture of self-commandtantalizing knowingness, and sly sexuality, that amazonian randines and thick-limbed physicality that is Crumb.Crumb's idiosyncratic illustrations add a new dimension to the already idiosyncratic world of Kafka. Includes adaptations of "The Judgment," "The Trial," "The Castle," "A Hunger Artist," and "The Metamorphosis."

    where master chefs rule the town like crime lords and people literally kill for a seat at the best restaurants, a bloody culinary war is raging.On one side, the Internationalists, who blend foods from all over the world into exotic delights. On the other, the "Vertical Farm," who prepare nothing but organic, vegetarian, macrobiotic dishes. Into this maelstrom steps Jiro, a renegade and ruthless sushi chef, known to decapitate patrons who dare request a California Roll, or who stir wasabi into their soy sauce. Both sides want Jiro to join their factions. Jiro, however has bigger ideas, and in the end, no chef may be left alive!Anthony Bourdain, top chef, acclaimed writer (Kitchen Confidential, Medium Raw) and star of the hit travel show, No Reservations, co-writes with Joel Rose (Kill Kill Faster Faster, The Blackest Bird) this stylized send-up of food culture and society, with detailed and dynamic art by Langdon Foss.

    A first collection of the website cartoonist's observations on the war on terrorism and other contemporary issues critiques such subjects as the anthrax mailings, Enron, the Office for Homeland Security, and the Palestinian-Israeli conflict.

    Sitting alone in the local coffee place. He’s been set up by his friend Tim on a blind date with someone named Natalie, and now he’s just feeling set up. She’s nine minutes late and counting. Who was he kidding anyway? Divorced, middle-aged, newly unem­ployed, with next to no prospects, Marshall isn’t ex­actly what you’d call a catch. Twenty minutes pass.A half hour. Marshall orders a scotch. (He wasn’t going to drink!) Forty minutes.Then, after nearly an hour, when he’s long since given up hope, Natalie appears — breathless, apologiz­ing profusely that she went to the wrong place. She takes a seat, to Marshall’s utter amazement. She’s too good to be true: attractive, young, intel­ligent, and she seems to be seriously engaged with what Marshall has to say. There has to be a catch. And, of course, there is.During the extremely long night that follows, Marshall and Natalie are emotionally tested in ways that two people who just met really should not be. Not, at least, if they want the prospect of a second date.A captivating, bittersweet, and hilarious look at the potential for human connection in an increasingly hopeless world, Mister Wonderful more than lives up to its name.

    It is an unforgettable story of survival and a disarming look at the legacy of trauma.

    They meet during the Depression -- she working as a chambermaid, he as a milkman -- and we follow them as they encounter, and cope with, World War II, the advent of radio and t.v., telephones and cars, the atomic bomb, the moon landing. Briggs's portrayal of his parents as they succeed, or fail, in coming to terms with their rapidly shifting world is irresistably engaging -- full of sympathy and affection, yet clear-eyed and unsentimental.The book's strip-cartoon format is deceptively simple; it possesses a wealth of detail and an emotional depth that are remarkable in such a short volume. Briggs's marvelous illustrations and succinct, true-to-life dialogue create a real sense of time and place, of what it was like to experience such enormous changes. Almost as much a social history as it is a personal account, Ethel & Ernest is a moving tribute to ordinary people living in an extraordinary time.

    Meet Marzi. She's an introvert who often finds herself in awkward situations. Marzi used to feel strange about her introverted tendencies. Not anymore! Now she knows that there are tons of introverts out there just like her--introverts who enjoy peace and quiet, need time alone to recharge their battery, and who prefer staying in with their pet and a good book to awkward social interactions. Just like Marzi, these introverts can often be found in libraries, at home watching Netflix, brainstorming excuses to miss your next party, or doodling cute cartoons. Being an introvert in an extrovert world isn't always easy, but it certainly is an adventure. In Introvert Doodles, follow Marzi through all of her most uncomfortable, charming, honest, and hilarious moments that everyone--introvert, extrovert, or somewhere in between--can relate to.

    It is one of the fastest growing comics online, having sextupled in readership since 2008. SMBC appeals to many different groups, as evidenced by the fact it has been featured on a variety of important websites and blogs, including The Economist, Glamour, BoingBoing, Bad Astronomy, Blastr, Blues News, Joystiq, The Washington Post, Freakonomics, and more. SMBC has never released a book, which is almost unheard of for a comic with such an extensive archive, making this first-ever collection highly anticipated. BreadPig donates its profits to DonorsChoose.org, a not-for-profit organization that aims to improve public education by empowering every teacher to be a change-maker and enabling any citizen to be a philanthropist.

    Featuring fifty classic nursery rhymes illustrated and interpreted in comics form by fifty of today’s preeminent cartoonists and illustrators, this is a groundbreaking new entry in the canon of nursery rhymes treasuries. From New Yorker cartoonist Roz Chast’s “There Was a Crooked Man” to Bad Kitty author Nick Bruel’s “Three Little Kittens” to First Second’s own Gene Yang’s “Pat-a-Cake,” this is a collection that will put a grin on your face from page one and keep it there. Each rhyme is one to three pages long, and simply paneled and lettered to ensure that the experience is completely accessible for the youngest of readers. Chock full of engaging full-color artwork and favorite characters (Jack and Jill! Old Mother Hubbard! The Owl and the Pussycat!), this collection will be treasured by children for years to come.

    Based on the wildly popular eponymous Tumblr, Deep Dark Fears explores our odd, creepy, and hilariously singular fears. Animator, illustrator, and cartoonist Fran Krause brings these fears to life in vividly illustrated comics based on real fears submitted by readers (plus a few of his own). These "deep dark fears" run the gamut from unlikely but plausible to completely ridiculous, highlighting both our deeply human similarities and our peculiar uniquenesses.

    Somewhere in the night, a raven caws, an author's pen scratches, and thunder claps. The author wants to write fiction: stories about frail women in white nightgowns, mysterious bumps in the night, and the undead rising to collect old debts. But he keeps getting interrupted by the everyday annoyances of talking ravens, duels to the death, and his sinister butler.Shane Oakley beautifully illustrates New York Times bestselling author Neil Gaiman's satirical tale.

    Under Swarte s own exacting supervision, Is That All There Is? will collect virtually all of his alternative comics work from 1972 to date, including the RAW magazine stories that brought him fame among American comics aficionados in the 1980s. Especially great pains will be taken to match Swarte s superb coloring, which includes stories executed in watercolor, comics printed in retro duotones, fiendishly clever use of Zip-a-Tone screens, and much more. (There s even a story about how to color comics art using those screens, with Makassar as the teacher.) Other noteworthy stories include Swarte s take on an episode from Herge s early days, a Fats Domino story, a tribute to the legendary Upside-Downs strip, and a story titled simply Modern Art.

    Originally published in 1995, KILL YOUR BOYFRIEND is an over-the-top black comedy of rebellion and teen romance topped with a heady mix of random violence and dark humor.A British schoolgirl yearning for excitement joins up with an angry rebel boy intent on tearing down middle-class England. Through their violent, anti-authority joyride – filled with sex, drugs, and anarchy – Morrison offers a scathing, often-hilarious take on the British suburban landscape, where edgy behavior provides an escape from sanity. This new printing also includes Morrison's 1998 afterword to the story and the origami "fortune teller," with bizarre messages specially created by Morrison.

    Working as an investigative reporter for the newspaper The Word, Spider attacks the injustices of his surreal 23rd Century surroundings. Combining black humor, life-threatening situations, and moral ambiguity, this book is the first look into the mind of an outlaw journalist and the world he seeks to destroy.