The speech, included in this volume, aptly summarises the deep-seated hostility of Brahminic India towards the Dalit Bahujan. Similarly, the other essays and speeches collected in this volume, written and delivered by a number of writers, academics, students, and activists (referred to as the Ambedkar Age Collective in this book), unfurl before you a critical tapestry dissecting the hegemonic brahminic discourse which works towards delegitimizing the radical legacy of Amebdkarite thought. The most stark example of these efforts, from the 'left' and the 'right' of the Indian political spectrum, is the Navayana edition of Babasaheb's AoC with an 'introduction' by Arundhati Roy. The works collected here emerged as spontaneous reactions to the Roy-Navayana project from multiple locations and in multiple languages. The varied interventions, which began online, and the discursive terrains it opened up offer us a glimpse of the ways through which the marginalised resist continued attempts made at hegemonising their knowledge and lives by the brahminic oppressors irrespective of their political leanings. Authors include: Anu Ramdas, Kuffir, Gurinder Azad, Bojja Tharakam Adv. Dr. Suresh Mane, Anoop Kumar, U. Sambashiva Rao, Shakyamuni, Dr Sangeeta Pawar, Sunny Kapicadu, O.K. Santhosh, Dr B. Ravichandran, Dalit Camera: Through Un-Touchable Eyes, Karthik Navayan, Joopaka Subhadra Dr. K Satyanarayana, Vaibhav Wasnik, Nilesh Kumar, Asha Kowtal, Nidhin Shobhana, Gee Imaan Semmalar, Syam Sundar, Murali Shanmugavelan, Praveena Thaali, Dr Karthick RM, Huma Dar, Joby Mathew, James Michael, Akshay Pathak, Vinay Bhat, Yogesh Maitreya, Thongam Bipin, K K Baburaj, Sruthi Herbert, Gaurav Somwanshi, Kadhiravan, Rahul Gaikwad, Joe D'Cruz

    It revolves around a limited number of characters, confines itself in time and space, and has a well-plotted narrative that drives its central theme. Within the traditional framework, however, creativity flowers and a fresh and imaginative story emerges. This volume is chock-full with such stories, written by authors well known in their regional languages as well as those who have made a name for themselves in English literary circles. Carefully selected by India's literary giant, the late Khushwant Singh, these pieces represent the best of Indian writing from around the country.

    It contains Nashtaneer (The Broken Nest), Malancha (The Garden) and Dui Bon (Two Sisters).

    The poet Donald Davie writes: 'Vikram Seth's poems should have an impact far beyond much noisier pieces; for when did we last see a volume in which the poet's eye is on what is objectively before him, rather than on the intricacies of his own sensibility?'

    What seems like a good deed however has a cruel payback andin a single moment, Kamran loses everything dear to him. This is whenMirza, in gratitude, takes Kamran under his wing and the young man getsdrawn into the mafia boss’s dangerous world of cops and rival gangsters,eventually taking over from him.Kamran also inherits Mirza’s philosophy that all of life’s problems can besolved through Ghalib¹s poetry.Soon, the innocent taxi driver has cops, criminals and even cabinetministers at his beck and call.And he has a new name—Ghalib Danger.

    But the rain can’t stop me. No one can…I’ll go out and play tonight. I will kill only four. No more, no less. Just four.' In the midst of one of the worst monsoons in Mumbai, a man is found brutally murdered, his body posed like a kite on the tallest cell tower in the city. As one corpse after another turns up in the unlikeliest of places, each gruesomely killed and carefully arranged in a grotesque manner, the Mumbai Police realize they have more on their hands than they can deal with. Enter Chandrakant Rathod, a maverick investigator the police turn to in times of need, who plays by his own rules and lives for the thrill of the chase. Pitting his sharp instincts against the machinations of the sadistic, ruthless killer, the detective succeeds in nabbing the psychopath and putting him behind bars. Then, three months later, the killings begin again. A deadly game is afoot – a game that will challenge Rathod to the utmost, for it is a game that he cannot hope to win...

    the only hurdle in its path is Guru Dronacharya’s son, the mighty but accursed warrior Ashwatthama, who lost all his powers following Lord Krishna’s curse and who unwittingly finds himself drawn into the quest of the lost bow of Lord Rama, the Kodanda. As ghosts of the distant past return to haunt him and the line between friends and enemies blurs, Ashwatthama must fight his inner demons to emerge victorious. He undertakes a perilous journey—across the vast plains of the Ganges, to the snow-capped peaks of the Himavant where the price of failure is a fate worse than death and death is a privilege not granted to Ashwatthama. Is this all part of Lord Krishna’s great plan? Will Ashwatthama be able to regain his lost glory?

    Over 21 days five murder cases were discovered that led to the unravelling of a spine-chilling tale of cold-blooded crime. Half-naked bodies; missing suspects; a desperate manhunt; connections with the underworld, police and Bollywood; and a seductress who lured victims - all led to a man named Vijay Palande.Palande, who targeted dreamers, mainly Bollywood aspirants in Mumbai, had an uncomplicated modus operandi - he would befriend the target, gauge his wealth, murder him, hack his body into pieces, and abandon the remains in the Western Ghats. Equipped with the sophistication of Charles Sobhraj, the nonchalance of serial-killer Raman Raghav and the cruelty of Jack the Ripper, Palande had the country hooked.In The Front Page Murders, Puja Changoiwala, who covered the story as it came to light, recounts in gripping detail one of the most sensational cases in India’s recent history and the personalities involved in it. In doing so, she delves into the functioning of daily crime reporting and police investigations, providing startling insights into the worlds of journalism and crime

    But after a minute or two, they too walked away, because looking at the two any longer became unbearable.’A woman who won’t let the shadow of death disrupt her love life, another who falls irrevocably in love with a dead police officer, a devoted wife who steps out twice a week for Narcotics Anonymous meetings, friends who should have been lovers, the woman who offers all her pent-up love to a railway announcer’s voice … Annie Zaidi’s stories are at once warm and distant, violent and gentle – and, above all, untroubled by cynicism. This is a look at love, straight in the eye, to understand the alluring nature of the beast.

    There's West. And then there's Maya…Maya, her mother Nalini, and her brother Satchin have left a carefree life in India to come to England. But when Maya's father disappears, leaving only deceit and debt behind, they are left to fend for themselves in a strange, damp land.Maya, though, doesn't know of her father's betrayal. Nalini, determined to preserve her children's pride, tells them that their father died in an accident and, as their struggle to make a life begins, whole realities are built on this lie. While Nalini cooks exotic pickles which enchant all who eat them, Maya begins to adapt to her new home – the unfamiliar food, the language, the music – and then to explore and make bold plans, plans that her mother does not understand.But even a white lie cannot remain hidden forever – and when the truth resurfaces, it changes everything…

    Mounting it, he puts one foot on the pedal, the other on the threshold, and waits for Teresa. This was how he used to wait for her at the station two years ago. He used to be in love with her then… Sahitya Akademi-awardee Damodar Mauzo is one of the most prominent, prolific and feted figures in contemporary Konkani literature. His writing spans an enormous range, straddling both urban and rural geographies, and runs the gamut of human emotion—the paralyzing helplessness of the small farmer in the face of implacable nature; the eternal ebbs and flows of the man-woman relationship; and the many humiliations, small and large, of raising a differently abled child. In the title story, an ineffectual husband finally reaches his boiling point; ‘Coinsanv’s Cattle’ is a heart-breaking depiction of how a farmer couple must make the impossible choice—send their beloved animals to slaughter or face starvation; and, in the quietly humorous ‘A Writer’s Tale’, a senior author becomes the unwitting subject of a woman’s fiction. Compiled with care, and smoothly, felicitously translated by Xavier Cota, Teresa’s Man and Other Stories from Goa brings to readers tales which are as compellingly local in their flavour as they are universal in the ideas and emotions they evoke. This volume is a must-read.

    Not long arrived in this exotic colony is pretty Sophi Hardcastle, newly married but already disillusioned enough with her soldier husband to have fallen under the spell of a dashing and mysterious lieutenant, Bruce Farquhar. But a brutal awakening lies in store for the complacent British: one May night, after 30 years of abuse, the East India Company's native soldiers rise against their British officers. Thus begins the most savage episode in our imperial history.In the chaos that follows the uprising, Sophie's infant son Stephen becomes one of a dwindling band of lost children wandering the war-torn plains in the care of the Hardcastles' desperate native maid, Lavanya. As Sophie and her friend Catherine search for their children they find themselves bearing appalled witness to atrocities on both sides, including the massacre of British women and children in Cawnpore and the hideous reprisals that follow.Moving, sombre and thrilling, Rathbone's tale is told on a grand scale, ranging from the Cannings in Government House to the heroism of the humblest soldiers and peasants. It is as exhilarating as any Victorian adventure story, and yet, with its unflinching examination of religious fanaticism and the horrors of war, The Mutiny also carries a powerful message for the modern world.

    Ananthamurthy's (b.1932) lifelong preoccupation with moving beyond caste and class interests in a modern society. Set in contemporary India, 'Bharathipura' revolves around the life of an 'enlightened' modern Indian, Jagannatha, who in order to get rid of his personal burdens commits a 'scandalous' act. His attempt to take 'untouchables' into the local Manjunatha temple exposes the complexities of the caste system and the myth of social justice in modern India. Further, the novel brings to light how the contemporary world recreates and reconstructs the past to protect hierarchical structures prevalent across societies, and also portrays the altering destinies of individuals and communities. In Susheela Punitha's hands, the translation retains the cultural and linguistic ambience of the Kannada society. The detailed Introduction by N. Manu Chakravarthy sets the work in the context of twentieth-century India. The in-depth interview of the author by Chakravarthy, a special feature of this volume, opens a window to Ananthamurthy's art and worldview.

    "A sort of frost seems to have descended on the souls of the human agents ... Every confrontation - and the play is a series of confrontations - instead of thawing the ice, leaves it a bigger iceberg.' -R.L.Nigam, in 'Enact'

    Despite his untouchable status, he quickly rises to the post of karyavah. Ahead of the demolition of Babri Masjid in 1992, he becomes the district office chief of Bhilwara. He hates Muslims with a passion without having met one. He joins thousands of karsevaks to Ayodhya. He mocks Mulla-Yam Singh. He participates in riots. He goes to jail. He finds Hindutva intoxicating. He is ready to die for the Hindu Rashtra.And yet he remains a lesser Hindu. He turns into a critic of the Sangh, becomes an Ambedkarite and makes it his life’s mission to expose the hypocrisies of Hindutva.In this explosive memoir, translated by Nivedita Menon from the Hindi, Bhanwar Meghwanshi tells us what it meant to be an untouchable in the RSS. And what it means to become Dalit.