It is here that Kazu’s life in Tokyo began, as a labourer in the run up to the 1964 Olympics, and later where he ended his days, living in the park’s vast homeless ‘villages’, traumatised by the destruction of the 2011 tsunami and enraged by the announcement of the 2020 Olympics.Akutagawa-award-winning author Yū Miri uses her outsider’s perspective as a Zainichi (Korean-Japanese) writer to craft a novel of utmost importance to this moment, a powerful rebuke to the Imperial system and a sensitive, deeply felt depiction of the lives of Japan’s most vulnerable people.

    and Mrs. Jha’s lives have been defined by cramped spaces, cut corners, gossipy neighbors, and the small dramas of stolen yoga pants and stale marriages. They thought they’d settled comfortably into their golden years, pleased with their son’s acceptance into an American business school. But then Mr. Jha comes into an enormous and unexpected sum of money, and moves his wife from their housing complex in East Delhi to the super-rich side of town, where he becomes eager to fit in as a man of status: skinny ties, hired guards, shoe-polishing machines, and all. The move sets off a chain of events that rock their neighbors, their marriage, and their son, who is struggling to keep a lid on his romantic dilemmas and slipping grades, and brings unintended consequences, ultimately forcing the Jha family to reckon with what really matters..

    Hilary, a wealthy housewife, is haunted by her struggle to have a child, something she believes could save her foundering marriage. Meanwhile, Margaret, once a happily married mother of three, questions her maternal identity in the wake of a shattering loss. As each woman struggles with her own demons, their lives collide in ways that have irreversible consequences for them all.

    But is their breeding sufficient to allow them to rise above their changed circumstance or deep down are they really just like everyone else?

    But when Japanese bombs fall on their beloved city, they set out on the journey of a lifetime, one that will take them through the Chinese countryside, in and out of the clutch of brutal soldiers, and across the Pacific to the shores of America.In 1937, Shanghai is the Paris of Asia, a city of great wealth and glamour, the home of millionaires and beggars, gangsters and gamblers, patriots and revolutionaries, artists and warlords. Thanks to the financial security and material comforts provided by their father’s prosperous rickshaw business, twenty-one-year-old Pearl Chin and her younger sister, May, are having the time of their lives. Though both sisters wave off authority and tradition, they couldn’t be more different: Pearl is a Dragon sign, strong and stubborn, while May is a true Sheep, adorable and placid. Both are beautiful, modern, and carefree . . . until the day their father tells them that he has gambled away their wealth and that in order to repay his debts he must sell the girls as wives to suitors who have traveled from California to find Chinese brides. As Japanese bombs fall on their beloved city, Pearl and May set out on the journey of a lifetime, one that will take them through the Chinese countryside, in and out of the clutch of brutal soldiers, and across the Pacific to the shores of America. In Los Angeles they begin a fresh chapter, trying to find love with the strangers they have married, brushing against the seduction of Hollywood, and striving to embrace American life even as they fight against discrimination, brave Communist witch hunts, and find themselves hemmed in by Chinatown’s old ways and rules.

    In Rashid's opium room the air is thick and potent. A beautiful young woman leans to hold a long-stemmed pipe over a flame, her hair falling across her dark eyes. Around her, men sprawl and mutter in the gloom, each one drifting with his own tide. Here, people say that you introduce only your worst enemy to opium.Outside, stray dogs lope in packs. Street vendors hustle. Hookers call for custom through the bars of their cages as their pimps slouch in doorways in the half-light. There is an underworld whisper of a new terror: the Pathar Maar, the stone killer, whose victims are the nameless, invisible poor. There are too many of them to count in this broken city.Narcopolis is a rich, chaotic, hallucinatory dream of a novel that captures the Bombay of the 1970s in all its compelling squalor. With a cast of pimps, pushers, poets, gangsters and eunuchs, it is a journey into a sprawling underworld written in electric and utterly original prose.

    Tran Dieu Lan, who was born in 1920, was forced to flee her family farm with her six children during the Land Reform as the Communist government rose in the North. Years later in Hà Noi, her young granddaughter, Hương, comes of age as her parents and uncles head off down the Ho Chí Minh Trail to fight in a conflict that will tear not just her beloved country but her family apart. Vivid, gripping, and steeped in the language and traditions of Viet Nam, The Mountains Sing brings to life the human costs of this conflict from the point of view of the Vietnamese people themselves, while showing us the true power of kindness and hope. This is celebrated Vietnamese poet Nguyen Phan Que Mai’s first novel in English.

    As the action spirals up through the floors of the building, the dramas of the residents' lives unfold: Mr. Jalal's obsessive search for higher meaning; Vinod Taneja's longing for the wife he has lost; the comic elopement of Kavita Asrani, who fancies herself the heroine of a Hindi movie.Suffused with Hindu mythology, this story of one apartment building becomes a metaphor for the social and religious division of contemporary India, and Vishnu's ascent of the staircase parallels the sours progress through the various stages of existence. As Vishnu closes in on the riddle of his own mortality, he begins to wonder whether he might not be the god Vishnu, guardian not only of the fate of the building and its occupants, but of the entire universe.

    Rupa Mehra, are both trying to find—through love or through exacting maternal appraisal—a suitable boy for Lata to marry. Set in the early 1950s, in an India newly independent and struggling through a time of crisis, A Suitable Boy takes us into the richly imagined world of four large extended families and spins a compulsively readable tale of their lives and loves. A sweeping panoramic portrait of a complex, multiethnic society in flux, A Suitable Boy remains the story of ordinary people caught up in a web of love and ambition, humor and sadness, prejudice and reconciliation, the most delicate social etiquette and the most appalling violence.

    Settling into a luxurious serviced apartment in Shanghai, Wei, Lina, and their daughter, Karen, join an elite community of Chinese-born, Western-educated professionals who have returned to a radically transformed city.One morning, in the eighth tower of Lanson Suites, Lina discovers that a childhood keepsake, an ivory bracelet, has gone missing. The incident contributes to a wave of unease that has begun to settle throughout the Zhen household. Wei, a marketing strategist, bows under the guilt of not having engaged in nobler work. Meanwhile, Lina, lonely in her new life of leisure, assumes the modern moniker taitai--a housewife who does no housework at all. She spends her days haunted by the circumstances surrounding her arranged marriage to Wei and her lingering feelings for his brother, Qiang. Lina and Wei take pains to hide their anxieties, but their housekeeper, Sunny, a hardworking girl with secrets of her own, bears witness to their struggles. When Qiang reappears in Shanghai after decades on the run with a local gang, the family must finally come to terms with the past.From a silk-producing village in rural China, up the corporate ladder in suburban America, and back again to the post-Maoist nouveau riche of modern Shanghai, WHAT WE WERE PROMSED explores the question of what we owe to our country, our families, and ourselves.

    As an adolescent she becomes increasingly distanced from life at home with her mother and sister. When she finally discovers her father's address and seeks him out, in the free and unconventional atmosphere of 1970s Chelsea, she conceals her identity, beginning an illicit affair that can only end in disaster.

    With almost everyone they know suddenly erased from the face of the earth, the girls set out for the convent where they attend school. They are abducted almost immediately and sold to a Mumbai brothel owner, beginning a hellish descent into the bowels of the sex trade.Halfway across the world, Washington, D.C., attorney Thomas Clarke faces his own personal and professional crisis-and makes the fateful decision to pursue a pro bono sabbatical working in India for an NGO that prosecutes the subcontinent's human traffickers. There, his conscience awakens as he sees firsthand the horrors of the trade in human flesh, and the corrupt judicial system that fosters it. Learning of the fate of Ahalya and Sita, Clarke makes it his personal mission to rescue them, setting the stage for a riveting showdown with an international network of ruthless criminals.

    Together with another patient, Poppy plots to gain freedom. But in a world where everything's upside-down, is she crazy enough to upset the system?

    For some, America is a bewildering and alienating place where coworkers can’t pronounce your name but will eagerly repeat the Sanskrit phrases from their yoga class. Harit, a lonely Indian immigrant in his midforties, lives with his mother who can no longer function after the death of Harit’s sister, Swati. In a misguided attempt to keep both himself and his mother sane, Harit has taken to dressing up in a sari every night to pass himself off as his sister. Meanwhile, Ranjana, also an Indian immigrant in her midforties, has just seen her only child, Prashant, off to college. Worried that her husband has begun an affair, she seeks solace by writing paranormal romances in secret. When Harit and Ranjana’s paths cross, they begin a strange yet necessary friendship that brings to light their own passions and fears.Reminiscent of Angela Flournoy’s The Turner House, Ayad Akhtar’s American Dervish, and Jade Chang’s The Wangs vs. the World, No One Can Pronounce My Name is a distinctive, funny, and insightful look into the lives of people who must reconcile the strictures of their culture and traditions with their own dreams and desires.

    Twenty years. One unexpected journey. Inseparable throughout college, Eva, Benedict, Sylvie, and Lucien graduate in 1997, into an exhilarating world on the brink of a new millennium. Hopelessly in love with playboy Lucien and eager to shrug off the socialist politics of her upbringing, Eva breaks away to work for a big bank. Benedict, a budding scientist who's pined for Eva for years, stays on to complete his PhD in physics, devoting his life to chasing particles as elusive as the object of his affection. Siblings Sylvie and Lucien, never much inclined toward mortgages or monogamy, pursue more bohemian existences-she as an aspiring artist and he as a club promoter and professional partyer. But as their twenties give way to their thirties, the group struggles to navigate their thwarted dreams. Scattered across Europe and no longer convinced they are truly the masters of their fates, the once close-knit friends find themselves filled with longing for their youth- and for one another. Broken hearts and broken careers draw the foursome together again, but in ways they never could have imagined. A dazzling depiction of the highs and lows of adulthood, Invincible Summer is a story about finding the courage to carry on in the wake of disappointment, and a powerful testament to love and friendship as the constants in an ever-changing world.