A child is found wandering in an ancient woodland, her hands covered in blood. But it is not her own.Unwilling, or unable, to speak, the only person she seems to trust is the young officer who rescued her, Detective Sergeant Lucy Black. Soon afterwards, DS Black is baffled to find herself suddenly moved from a high-profile case involving the kidnapping of another girl, a prominent businessman's teenage daughter. Black's problems are not only professional: she's caring for her increasingly unstable father, and trying to avoid conflict with her frosty mother - who also happens to be the Assistant Chief Constable. As she struggles to identify the unclaimed child, Black begins to realise that her case and the kidnapping may be linked by events that occurred during the grimmest days of the country's recent history - events that also defined her own troubled childhood.Little Girl Lost is a devastating crime thriller about corruption, greed and vengeance, and a father's love for his daughter.

    Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim. Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.

    Detective Superintendent Katie Maguire is used to bloodshed, but this ivory litter of human remains is unimaginable butchery."Of other worlds apart from this..."In isolated darkness not far away, an American tourist is at the mercy of a serial killer. His tools are a boning knife, twine, and a doll fashioned from nails and fishhooks. The murder of his victims is second only to the pleasure of their pain."Darker places inhabited by evil monstrosities..."As an eighty-year-old mystery unfolds, so does a modern-day ritual that's marked Katie Maguire as its next victim. For what happened once in this small picturesque village is happening again. It's more than a series of horrifying crimes. It's tradition."Take me there."

    Because no one will hear you scream…’ A family is gunned down in the snow but one of the children survives. Three years on, that child takes revenge and the Snow Killer is born. But then, nothing - no further crimes are committed, and the case goes cold.Fifty years later, has the urge to kill been reawakened? As murder follows murder, the detective team tasked with solving the crimes struggle with the lack of leads. It’s a race against time and the weather – each time it snows another person dies. As an exhausted and grizzled DI Barton and his team scrabble to put the pieces of the puzzle together, the killer is hiding in plain sight. Meanwhile, the murders continue… The first in a new series, Ross Greenwood has written a cracking, crackling crime story with a twist in its tale which will surprise even the most hardened thriller readers. Perfect for fans of Mark Billingham and Stuart MacBride. Praise for The Snow Killer: 'Move over Rebus and Morse; a new entry has joined the list of great crime investigators in the form of Detective Inspector John Barton. A rich cast of characters and an explosive plot kept me turning the pages until the final dramatic twist.' author Richard Burke‘With The Snow Killer, master of the psychological thriller genre Ross Greenwood once again proves his talent for creating engrossing and gritty novels that draw you right in and won’t let go until you’ve reached the shocking ending.’ Caroline Vincent at Bitsaboutbooks blog'Ross Greenwood doesn’t write clichés. What he has written here is a fast-paced, action-filled puzzle with believable characters that's spiced with a lot of humour.' author Kath Middleton What readers think of The Snow Killer: 'Absolutely brilliant!!''A crime novel with a social conscience.'' It grabbed me a few pages in and wouldn't let go''Great stuff dripping with tension and intrigue.''it was so easy to get inside each characters head and it felt almost like I was part of the story''Ross Greenwood takes us on a journey that is both full of thrills and emotion. I absolutely loved it.''It was a story which gripped me from the off and kept me glued to the page right''The book had a feeling of authenticity about it, and was full of surprises and genuine emotion'

    The only suspects in her brutal murder were the four young men who found her: Alex Gilbey and his three best friends. With no evidence but her blood on their hands, no one was ever charged.Twenty five years later, the Cold Case file on Rosie Duff has been reopened. For Alex and his friends, the investigation has also opened old wounds, haunting memories-and new fears. For a stranger has emerged from the shadows with his own ideas about justice. And revenge.When two of Alex's friends die under suspicious circumstances, Alex knows that he and his innocent family are the next targets. And there's only way to save them: return to the cold-blooded past and uncover the startling truth about the murder. For there lies the identity of an avenging killer...

    She thinks it’s the perfect arrangement. She’s always dreamed of seeing the real London, not just the tourist spots. She’ll be able to accompany her husband, Brad, on his out-of-town work as a trouble-shooter for his company. It will also give her a chance to keep an eye on Brenda, Brad’s assistant, who seems to be getting a little too chummy with her boss. But things don’t turn out the way Nicole expects. Within a couple of days, she discovers that Freddy and Muriel Lowry, the Londoners, failed to arrive in L.A. and appear to be missing. Then people start following her and making threats, demanding information she doesn’t have. Nicole realizes she’s in serious trouble. But she can’t get Brad—busy working—or the police to believe her. Somehow, it’s up to her to extricate herself from the mess the Lowrys have left behind.

    When Elly Swift, an agitated passenger beside her on a train, leaves a locket in Anna’s bag before jumping onto the tracks, Anna starts asking awkward questions. But everything points to suicide and the police close the case. Anna, however, believes Elly’s fears for Toby, her young nephew, missing since being snatched from St Stephen’s church six months ago, fail to explain the true reason behind Elly’s distress. Through a series of cryptic clues Elly left behind, Anna starts asking awkward questions, embarking on a dangerous crusade to track down Toby and find Elly’s killer. But nothing is as it seems and Anna opens a can of worms that throws into question the death of her husband, five years earlier - before the threads of the mystery converge in an astonishing conclusion.

    A rich, attractive femme fatale. A missing husband. A rollicking ride to a dark and daring ending. Reed Ferguson’s first case is a daring adventure, complete with a dose of film noir, and a lot of humor. With a great supporting cast of the Goofball Brothers, Reed’s not too bright neighbors, and Cal, Reed’s computer geek friend, This Doesn’t Happen In The Movies is detective noir at its best. Follow Reed as he solves crime akin to his cinematic hero, Humphrey Bogart. Great for fans who love a fast-paced, humorous read, without a lot of swearing or sex.

    She’s locked in a bitter struggle with her ex-husband and teenage daughter, and her reckless new partner is anything but trustworthy.Still, she has a job to do: there’s a killer at large, and a pregnant woman has gone missing. Once Devlin and her partner get to work, they quickly unearth secrets involving Birmingham’s most esteemed citizens. Each new layer of the investigation brings Devlin closer to the killer and the missing woman, who starts looking more like a suspect than a victim.But just as answers come into view, the case twists, expands, and slithers into Devlin’s personal life. There’s a much more sinister game at work, one she doesn’t even know she’s playing—and she must unravel the truth once and for all to stop the killer before she loses everything.

    A day of dark impulses. A day to snatch a child from the streets ...The abduction of five-year-old Matthew Farraday provokes a national outcry and a desperate police hunt. And when a picture of his face is splashed over the newspapers, psychotherapist Frieda Klein is left troubled: one of her patients has been relating dreams in which he has a hunger for a child. A child he can describe in perfect detail, a child the spitting image of Matthew.Detective Chief Inspector Karlsson doesn't take Frieda's concerns seriously until a link emerges with an unsolved child abduction twenty years ago and he summons Frieda to interview the victim's sister, hoping she can stir hidden memories. Before long, Frieda is at the center of the race to track the kidnapper.But her race isn't physical. She must chase down the darkest paths of a psychopath's mind to find the answers to Matthew Farraday's whereabouts.And sometimes the mind is the deadliest place to lose yourself.

    Detective Sergeant Manon Bradshaw tries to sleep after yet another soul-destroying Internet date – the low murmuring of her police radio her only solace.Over the airwaves come reports of a missing woman – door ajar, keys and phone left behind, a spatter of blood on the kitchen floor. Manon knows the first 72 hours are critical: you find her, or you look for a body. And as soon as she sees a picture of Edith Hind, a Cambridge post-graduate from a well-connected family, she knows this case will be big.Is Edith alive or dead? Was her ‘complex love life’ at the heart of her disappearance, as a senior officer tells the increasingly hungry press? And when a body is found, is it the end or only the beginning?

    Driven off the force by her treacherous partner and lover, she’s flat broke and struggling with a gambling addiction. All Nicole has left is the dream of a warm bed at a homeless shelter and the haunting memories of three-year-old Kelsey Chase—whose murder case ended her career.As Nicole obsesses over the old facts, she realizes everything about that case felt off: a disinterested mom, a suicidal pedophile, and too many questions left unanswered. When the little girl’s grieving father begs Nicole for help, she’s drawn back into the investigation…and given one shot at redemption.But the deeper Nicole digs, the more evil she uncovers, including betrayals that hit painfully close to home. Will a shocking discovery be the key to finally getting justice for Kelsey and resurrecting her own life?

    But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only one of the children. He is gripping a tree trunk in terror, wearing blood-filled sneakers and unable to recall a single detail of the previous hours.Twenty years later, the found boy, Rob Ryan, is a detective on the Dublin Murder Squad and keeps his past a secret. But when a 12-year-old girl is found murdered in the same woods, he and Detective Cassie Maddox (his partner and closest friend) find themselves investigating a case chillingly similar to the previous unsolved mystery. Now, with only snippets of long-buried memories to guide him, Ryan has the chance to uncover both the mystery of the case before him and that of his own shadowy past.A gorgeously written novel that marks the debut of an astonishing new voice in psychological suspense.

    Together they must solve one of the most notorious crimes in Irish history......or else they’ll be history.A Man With One of Those Faces is the first book in Caimh McDonnell's Dublin Trilogy, which melds fast-paced action with a distinctly Irish acerbic wit.

    Nowadays twenty-two-year-old Siobhán O’Sullivan runs the family bistro named for her mother, along with her five siblings, after the death of their parents in a car crash almost a year ago.   It’s been a rough year for the O’Sullivans, but it’s about to get rougher. One morning, as they’re opening the bistro, they discover a man seated at a table, dressed in a suit as if for his own funeral, a pair of hot pink barber scissors protruding from his chest.   With the local garda suspecting the O’Sullivans, and their business in danger of being shunned—murder tends to spoil the appetite—it’s up to feisty redheaded Siobhán to solve the crime and save her beloved brood.