The Baniszewski household was overrun with children. There were few rules and ample freedom. Sadly, the environment created a dangerous hierarchy of social Darwinism where the strong preyed on the weak. What transpired in the following three months was both riveting and chilling. In October 1965, the body of Sylvia Likens was found in the basement of the Baniszewski home, where she had been imprisoned. She was starved, beaten, burned and had the words "I am a prostitute and proud of it" carved into her stomach. Gertrude Baniszewski oversaw and facilitated the torture and eventual murder of Sylvia Likens. While she played an active role in Sylvia's death, the majority of the abuse was carried out by her children and other neighbourhood youths. The case shocked the entire nation and would later be described as "The single worst crime perpetuated against an individual in Indiana's history". *CAUTION: This book contains descriptive accounts of abuse and violence. If you are especially sensitive to this material, it might be advisable not to read any further

    With podcasts like My Favorite Murder and In the Dark, bestsellers like I’ll Be Gone in the Dark and Furious Hours, and TV hits like American Crime Story and Wild Wild Country, the cultural appetite for stories of real people doing terrible things is insatiable.Acclaimed author of The Real Lolita and editor of Women Crime Writers: Eight Suspense Novels of the 1940s & 50s (Library of America) and Troubled Daughters, Twisted Wives (Penguin), Sarah Weinman brings together an exemplary collection of recent true crime tales. She culls together some of the most refreshing and exciting contemporary journalists and chroniclers of crime working today.  Michelle Dean’s “Dee Dee Wanted Her Daughter To Be Sick” went viral when it first published and is the basis for the TV show The Act and Pamela Colloff’s “The Reckoning,” is the gold standard for forensic journalism.  There are 13 pieces in all and as a collection, they showcase writing about true crime across the broadest possible spectrum, while also reflecting what makes crime stories so transfixing and irresistible to the modern reader.

    Rich, cheating financier Frank Howard wants his wife dead, and he's willing to pay Billie Earl Johnson whatever it takes, to the tune of $750,000. When his bullet misses the mark, Billie Earl and Frank will turn on each other in a fight for their lives . . . MOTHER OF ALL MURDERS. Dee Dee Blancharde is a local celebrity. Television reports praise her as a single mother who tirelessly cares for her wheelchair-bound, chronically ill daughter. But when the teenaged Gypsy Rose realizes she isn't actually sick and Dee Dee has lied all these years, Gypsy Rose exacts her revenge . . .

    Each chapter provides a biography of one killer, describing the formative experiences that turned them into monsters, their hidden lives and gruesome crimes. It explains how each was caught, including descriptions of psychological profiles and crime investigation procedures, and their ultimate fate. Timelines and victim panels detail their atrocities and horrific death tolls. Dramatic black and white photography shows each killer at their sinister worst.

    Part memoir, part woman-in-prison story, part prognostication, part political expose, in Karla, Williams lets Karla and the key players speak for themselves. What they have to say is surprising, horrifying and enlightening. Karla: A Pact with the Devil also asks and answers two essential questions: Who is Karla Homolka and how did she come to have a future? Given the fact she is out among us enjoying that future right now makes those answers essential information today. Karla: A Pact with the Devil is, as, one reviewer put it “almost unique in our literature. It is an extraordinary act of the imagination brought to bear on the facts.” (Includes pictures from the original Canadian print edition) Karla: A Pact with the Devil has not been previously available in the United States."People want me in max so my life with be hard but it really isn't. There are absolutely no responsibilities here. Everything is provided. We can spend the day sleeping, sun-tanning or doing whatever we want all day every day."- Karla Homolka in a letter to author Stephen Williams"Well, they say 'never say never' and they're right," Karla wrote in her startling first letter to Stephen Williams. "Never in a million years did I think I would ever write a letter to someone from the media, let alone you who has condemned me so harshly."Thus began one of the most controversial correspondences in criminal history.Karla picks up where Williams' first book on the case, Invisible Darkness, left her, painting her nails in her cell in solitary confinement in the gothic tower of Kingston's Prison for Women. After testifying against her ex-husband in 1995, Karla's life in prison was soon going to take a very different, dramatic turn.