A murder will bring them together. The truth very well might drive them apart.Before they were mortal enemies, they were much more…FACT: Someone has been murdered in London’s Regent’s Park. The police have no leads.FACT: Miss James “Mori” Moriarty and Sherlock “Lock” Holmes should be hitting the books on a school night. Instead, they are out crashing a crime scene.FACT: Lock has challenged Mori to solve the case before he does. Challenge accepted.FACT: Despite agreeing to Lock’s one rule—they must share every clue with each other—Mori is keeping secrets.OBSERVATION: Sometimes you can’t trust the people closest to you with matters of the heart. And after this case, Mori may never trust Lock again.

    After all, she heard strange voices that drove her to commit suicide. But Sophie doesn’t believe that Nell would take her own life, and she’s convinced that Nell’s doctor knows more than he’s letting on.As Sophie starts to piece together Nell’s last days, every lead ends in a web of lies. And the deeper Sophie digs, the more danger she’s in—because now she’s hearing the same haunting whispers. Sophie’s starting to think she’s going crazy too. Or worse, that maybe she’s not….

    Yet she rarely understands the cryptic words she‘s compelled to utter. Blessed—or cursed—with the power of an Oracle who cannot decipher her own predictions, she does her best to avoid anyone and everyone.   But Aria can no longer hide when Jade, one of the few girls at school who ever showed her any kindness, disappears. Any time Aria overhears a question about Jade, she inadvertently reveals something new, a clue or hint as to why Jade vanished. But like stray pieces from different puzzles, her words never present a clear picture.   Then there’s Alex, damaged and dangerous, but the first person other than Jade to stand up for her. And Will, who offers a bond that seems impossible for a girl who’s always been alone. Both were involved with Jade. Aria may be the only one who can find out what happened, but the closer she gets to solving the crime, the more she becomes a target. Not everyone wants the truth to come out.

    Until she woke up in a coffin.Ushers die young. Ushers are cursed. Ushers can never leave their house, a house that haunts and is haunted, a house that almost seems to have a mind of its own. Madeline’s life—revealed through short bursts of memory—has hinged around her desperate plan to escape, to save herself and her brother. Her only chance lies in destroying the house.In the end, can Madeline keep her own sanity and bring the house down? The Fall is a literary psychological thriller, reimagining Edgar Allan Poe’s classic The Fall of the House of Usher.

    But they believe in her. After spending years participating in her mother's elaborate ruse as a fraudulent medium, Violet is about as skeptical as they come in all matters supernatural. Now that she is being visited by a very persistent ghost, one who suffered a violent death, Violet can no longer ignore her unique ability. She must figure out what this ghost is trying to communicate, and quickly because the killer is still on the loose.Afraid of ruining her chance to escape her mother's scheming through an advantageous marriage, Violet must keep her ability secret. The only person who can help her is Colin, a friend she's known since childhood, and whom she has grown to love. He understands the true Violet, but helping her on this path means they might never be together. Can Violet find a way to help this ghost without ruining her own chance at a future free of lies?

    But another girl, nine-year-old Madeline Snow, has vanished, too, and Nick becomes increasingly convinced that the two disappearances are linked. Now Nick has to find her sister, before it's too late.

    Your arms are the weakest.Rule Four—Hit to kill. The first blow should be the last, if at all possible.Rule Five—The letters are the law.Kit takes her role as London’s notorious “Perfect Killer” seriously. The letters and cash that come to her via a secret mailbox are not a game; choosing who to kill is not an impulse decision. Every letter she receives begins with “Dear Killer,” and every time Kit murders, she leaves a letter with the dead body. Her moral nihilism and thus her murders are a way of life—the only way of life she has ever known.But when a letter appears in the mailbox that will have the power to topple Kit’s convictions as perfectly as she commits her murders, she must make a decision: follow the only rules she has ever known, or challenge Rule One, and go from there.Katherine Ewell’s Dear Killer is a sinister psychological thriller that explores the thin line between good and evil, and the messiness of that inevitable moment when life contradicts everything you believe.

    At least, that’s what she tells the police.Now that she’s Lucy Black, she's able to begin again. She's even getting used to the empty bedroom where her brother should be. And her fresh start has attracted the attention of one of the hottest guys in school, a boy who will do anything to protect her. But when someone much more dangerous also takes notice, Lucy's forced to confront the dark secrets she thought were safely left behind.One thing is clear: The damage done can never be erased. It’s only just beginning. . . .

    Not long after, the murders happened. Those two girls were killed by the man next door. The police shot him, so no one will ever know why he did it. Monica’s sister was the last cheerleader to die. After her suicide, Sunnybrook High disbanded the cheer squad. No one wanted to be reminded of the girls they lost.That was five years ago. Now the faculty and students at Sunnybrook High want to remember the lost cheerleaders. But for Monica, it’s not that easy. She just wants to forget. Only, Monica’s world is starting to unravel. There are the letters in her stepdad’s desk, an unearthed, years-old cell phone, a strange new friend at school. . . . Whatever happened five years ago isn’t over. Some people in town know more than they’re saying. And somehow Monica is at the center of it all.There are no more cheerleaders in Sunnybrook, but that doesn’t mean anyone else is safe.

    . . .Anna is everything her identical twin is not. Outgoing and athletic, she is the opposite of quiet introvert Jess. The same on the outside, yet so completely different inside--it's hard to believe the girls are sisters, let alone twins. But they are. And they tell each other everything.Or so Jess thought.After Anna falls to her death while sneaking out her bedroom window, Jess's life begins to unravel. Everyone says it was an accident, but to Jess, that doesn't add up. Where was Anna going? Who was she meeting? And how long had Anna been lying to her?Jess is compelled to learn everything she can about the sister she thought she knew. At first it's a way to stay busy and find closure . . . but Jess soon discovers that her twin kept a lot of secrets. And as she digs deeper, she learns that the answers she's looking for may be truths that no one wants her to uncover.Because Anna wasn't the only one with secrets.

    But the discovery of an unidentified dead girl on the side of a dirt road sends the town--and Becca--into a tailspin. Unable to make sense of the violence of the outside world creeping into her backyard, Becca finds herself retreating inward, paralyzed from moving forward for the first time in her life. Short chapters detailing the last days of Amelia Anne Richardson's life are intercut with Becca's own summer as the parallel stories of two young women struggling with self-identity and relationships on the edge twist the reader closer and closer to the truth about Amelia's death.

    Best friends Meg and Minnie are looking forward to two days of boys, booze, and fun-filled luxury. But what starts out as fun turns twisted after the discovery of a DVD with a sinister message: Vengeance is mine. And things only get worse from there.With a storm raging outside, the teens are cut off from the outside world . . . so when a mysterious killer begins picking them off one by one, there’s no escape. As the deaths become more violent and the teens turn on one another, can Meg find the killer before more people die? Or is the killer closer to her than she could ever imagine?

    When Juliet dies, Aila and her younger brother Miles are sent to live in Sterling, a rural town far from home--and the place where Juliet grew up.Sterling is a place with mysteries of its own. A place where the experiences that weave life together--scents of flowers and food, reflections from mirrors and lakes, even the ability to dream--vanish every seven years.No one knows what caused these “Disappearances,” or what will slip away next. But Sterling always suspected that Juliet Quinn was somehow responsible--and Aila must bear the brunt of their blame while she follows the chain of literary clues her mother left behind. As the next Disappearance nears, Aila begins to unravel the dual mystery of why the Disappearances happen and who her mother truly was. One thing is clear: Sterling isn’t going to hold on to anyone's secrets for long before it starts giving them up.

    Bones break, skin tears, bruises bloom.The accident season has been part of seventeen-year-old Cara's life for as long as she can remember. Towards the end of October, foreshadowed by the deaths of many relatives before them, Cara's family becomes inexplicably accident-prone. They banish knives to locked drawers, cover sharp table edges with padding, switch off electrical items - but injuries follow wherever they go, and the accident season becomes an ever-growing obsession and fear.But why are they so cursed? And how can they break free?

    Before Britt can explore her feelings for Calvin, an unexpected blizzard forces her to seek shelter in a remote cabin, accepting the hospitality of its two very handsome occupants—but these men are fugitives, and they take her hostage.Britt is forced to guide the men off the mountain, and knows she must stay alive long enough for Calvin to find her. The task is made even more complicated when Britt finds chilling evidence of a series of murders that have taken place there…and in uncovering this, she may become the killer’s next target.But nothing is as it seems, and everyone is keeping secrets, including Mason, one of her kidnappers. His kindness is confusing Britt. Is he an enemy? Or an ally?