Written in a period of conservative reaction in Britain, the novel recalls the earlier radical era of the 1790s. Encouraged by her mother to pursue an interest in radical social ideas, Adeline Mowbray innocently puts her theories of idealized love into practice. Her attempt to live with the philosopher Frederic Glenmurray outside marriage is condemned by both her mother and society. Adeline and Glenmurray's relationship becomes the focal point for Opie's satire on society's attitudes to education, women, marriage, masculine and feminine codes of honour, filial loyalty and the struggle to justify individual choice. This Oxford World's Classics volume is currently the only critical edition of Adeline Mowbray available.

    This vivid, original book tells the story of its builder, Sarah Losh, strong-willed, passionate, and unusual in every way.Sarah Losh is a lost Romantic genius—an antiquarian, an architect, and a visionary. Born into an old Cumbrian family, heiress to an industrial fortune, Losh combined a zest for progress with a love of the past. In the church, her masterpiece, she let her imagination flower—there are carvings of ammonites, scarabs, and poppies; an arrow pierces the wall as if shot from a bow; a tortoise-gargoyle launches itself into the air. And everywhere there are pinecones in stone. The church is a dramatic rendering of the power of myth and the great natural cycles of life, death, and rebirth.Losh's story is also that of her radical family, friends of Wordsworth and Coleridge; of the love between sisters and the life of a village; of the struggles of the weavers, the coming of the railways, the findings of geology, and the fate of a young northern soldier in the First Afghan War. Above all, it is about the joy of making and the skill of unsung local craftsmen. Intimate, engrossing, and moving, The Pinecone, by Jenny Uglow, the Prize-winning author of The Lunar Men, brings to life an extraordinary woman, a region, and an age.

    Having been trained in typewriting and shorthand, she obtains employment at a law office, only to find that she cannot bear to work with her unpleasant colleagues and employer. Juliet possesses some of the characteristics of the infamous "New Woman": she has attended Girton College, she smokes cigarettes, and she travels the countryside on her bicycle. After various adventures, Juliet finds a new opportunity as a type-writer girl for a publishing company. She falls in love with her employer, and he with her, but complications inevitably ensue. At the end of the nineteenth century, the Canadian-born Grant Allen was a prolific professional author of popular science texts on evolution as well as a fiction writer. The Type-Writer Girl (1897) is one of only two novels he wrote under a female pseudonym, possibly to lend credibility to his first-person female narrator. The Type-Writer Girl invokes tensions typical of the fin de siècle concerning evolution, technology, and the role of women. This Broadview edition provides a reliable text at a very reasonable price. It contains textual notes but no appendices.Excerpt: ... THE TYPEWRITER .GIRL, Chapter' i: INTRODUCES A LATTER-DAY HEROINE. I Was twenty-two, and without employment. I would not say by this that I was without occupation. In the world in which we live, set with daisies and kingfishers and undeciphered faces of men and women, I doubt I could be at a loss for something to occupy me. A swallow's back, as he turns in the sunshine, is so full of meaning. If you dwell in the country, you need but pin on a hat and slip out into a meadow, and there, in some bight of the hedgerow, you shall see spring buds untwisting, sulphur butterflies coquetting; hear nightingales sing as they sang to Keats, and streamlets make madrigal as they wimpled for Marlowe. Nay, even Lhere m London, where life is rarer, how can I cruise down the Strand without encountering strange barks--mysterious argosies that attract and intrigue me? That living stream is so marvelous! Whence come they, these shadows, and whither do they go?--innumerable, silent, each wrapped in his own thought, yet each real to himself as I to my heart. To me, they are shooting stars, phantoms that flash athwart .the, bribit of my life one second, and .then.vanish.-. But io themselves they are the: ceirCre of *a Wdrld--of the world; and I am but one of the meteors that dart across their horizon. I cannot choose but wonder who each is, and why he is here. For one after another I invent a story. It may not be the true story, but at least it amuses me. Every morning I see them stream in from the Unknown, by the early 1 rains, and disperse like sparks that twinkle on the thin soot of the chimney-back--men with small black bags, bound for mysterious offices. What happens in those offices I have no idea: they may lend money, or buy shares, or...

     Before Jack the Ripper terrorized London, Police Inspector Samuel Ravenscroft patrolled the grimy streets of Whitechapel – but he’s no Inspector Abberline. Malvern, 1887. Clever and hard-working, Ravenscroft nonetheless has the worst record in the force. He lets a murderer escape during a chase and is banished to the spa town of Malvern for a water treatment to cure his asthma. MURDER FOLLOWS THE INSPECTOR Ravenscroft accepts a dinner invitation from a new acquaintance, Jabez Pitzer. Before the dinner gong can sound, the maid finds Pitzer slumped over his desk – dead. Ravenscroft sees two glasses on a small side table. One has a powdery residue at the bottom and the faint smell of bitter almonds. A BODY IN THE LIBRARY Ravenscroft immediately recognizes the signs – Pitzer has been poisoned. But the local authorities are reluctant to believe there is a murderer in Malvern. He may be recovering his strength, but Ravenscroft has all his wits intact. He finds himself pulled into the investigation. Hungry to prove himself, Ravenscroft is determined to solve the case. But the bodies mount up. Someone is killing local luminaries. WHO WILL BE NEXT? A mysterious woman in black was witnessed speaking to each of the victims. Who is she and why does death seem to follow her? And does a local cartel of businessmen have anything to do with it? RAVENSCROFT IS OUT OF THE SMOKE BUT MALVERN HAS ITS OWN DEADLY FIRES THE MALVERN MURDERS is packed with delicious dialogue, sly humour and Victorian atmosphere.

    In The Trumpet-Major, the tale of a woman courted by three competing suitors during the Napoleonic wars, he explores the subversive effects of ordinary human desire and conflicting loyalties on systematized versions of history. This edition restores Hardy's original punctuation and removes the bowdlerisms forced upon the text on its initial publication.

    To everyone's great surprise, this playboy prince sobered up and became an extremely effective leader and the founder of England's modern monarchy. For readers of Sally Bedell Smith's Elizabeth the Queen and Robert K. Massie's Catherine the Great."This is not only the best biography of King Edward VII; it's also one of the best books about royalty ever published." So began the London Independent's review of this wonderfully entertaining biography of Britain's playboy king-a Prince Charles of the Victorian age, only a lot more fun-who waited for nearly six decades to get his chance to rule. A notorious gambler, glutton and womanizer (he was dubbed "Edward the Caresser"), the world was his oyster as this aging Prince of Wales took advantage of his royal entitlements to travel, hunt, socialize, over-indulge-he smoked a dozen cigars a day-and bed a string of mistresses and married women in addition to his own wife. His mother Queen Victoria despaired: "Bertie, I grieve to say, shows more and more how totally, totally unfit he is for ever becoming king." And yet by the time he died in 1910, after only nine years on the throne, he had proven to be a hard working, effective king and an ace diplomat, at home and abroad.A bestseller in the UK, this "exhaustively researched, richly colorful and wittily observed biography" (the London Sunday Times) is a tremendously entertaining read for history buffs and royal watchers.

    The highly acclaimed New York Times Book Review Notable Book of 1998 and Booker Prize Nominee that reinvents the historical novel.A misadventure in a brothel links the destiny of the enigmatic George Hardy, a surgeon and amateur photographer, to a foundling who becomes his obsessively devoted maid, a wily street boy who takes advantage of his sexual ambiguity, and his alternately philosophical and libidinous brother-in-law in this terse, searing novel that takes them from the comfortable parlors of Victorian Liverpool to the horrific battlefields of the Crimean War.

    Oscar's mother, Lady Jane Wilde, rose to prominence as a political journalist, advocating in 1848 a rebellion against colonialism. Proud, involved and challenging, she became a salon hostess and opened the Wilde's Dublin home at No. 1 Merrion Square to the public. Known as the most scintillating and stirring hostess of her day, she passed on her infectious delight in the art of living to Oscar, who imbibed it greedily. His father was Sir William Wilde, one of the most eminent men of his generation. Acutely conscious of injustices in the social order, Sir William laid the foundations for the Celtic renaissance in the belief that culture would establish a common ground between the privileged and the poor, Protestant and Catholic. But Sir William was also a philanderer, and when he stood accused of sexually assaulting a young female patient, the scandal and trial sent shock waves through Dublin society. After his death the Wildes moved to London where Oscar burst irrepressibly upon the scene. The one role that didn't suit him was that of the Victorian husband, as his wife, Constance, was to discover. For beneath the swelling forehead was a self-destructive itch: a lifelong devourer of attention, Oscar was unable to recognise when the party was over. The Fall of the House of Wilde for the first time places Oscar Wilde as a member of one of the most dazzling Anglo-Irish families of Victorian times, and also in the broader social, political and religious context. A remarkable and perceptive account, this is a major repositioning of our first modern celebrity, a man whose own fall from grace in a trial as public as his father's marked the end of fin de siecle decadence.

    Did Charlotte Brontë take opium? Did the Reverend Brontë carry a loaded pistol? What, precisely, does ‘wuthering’ mean?  Distinguished literary critic John Sutherland takes an idiosyncratic look at the world of the Brontës, from the bumps on Charlotte’s head to the nefarious origins of Mr Rochester’s fortune, by way of astral telephony, letter-writing dogs, an exploding peat bog, and much, much more.  Also features ‘Jane Eyre abbreviated’ by John Crace, author of the Guardian’s ‘Digested Reads’ column – read Charlotte Brontë’s masterpiece in five minutes!

    Generations of innovators tried and failed to develop speedier messaging devices. But in the mid-1800s, a few extraordinary pioneers at last succeeded. Their invention--the electric telegraph--shrank the world more quickly than ever before.A colorful tale of scientific discovery and technological cunning, The Victorian Internet tells the story of the telegraph's creation and remarkable impact, and of the visionaries, oddballs, and eccentrics who pioneered it. By 1865 telegraph cables spanned continents and oceans, revolutionizing the ways countries dealt with one another. The telegraph gave rise to creative business practices and new forms of crime. Romances blossomed over the wires. Secret codes were devised by some users, and cracked by others. The benefits of the network were relentlessly hyped by its advocates and dismissed by its skeptics. And attitudes toward everything from news gathering to war had to be completely rethought. The telegraph unleashed the greatest revolution in communications since the development of the printing press. Its saga offers many parallels to that of the Internet in our own time--and is a fascinating episode in the history of technology.

    On 7th November 1843, Harriet Monckton, 23 years old and a woman of respectable parentage and religious habits, was found murdered in the privy behind the dissenting chapel she had regularly attended in Bromley, Kent. The community was appalled by her death, apparently as a result of swallowing a fatal dose of prussic acid, and even more so when the autopsy revealed that Harriet was six months pregnant. Drawing on the coroner's reports and witness testimonies, the novel unfolds from the viewpoints of each of the main characters, each of whom have a reason to want her dead. Harriet Monckton had at least three lovers and several people were suspected of her murder, including her close companion and fellow teacher, Miss Frances Williams. The scandal ripped through the community, the murderer was never found and for years the inhabitants of Bromley slept less soundly. This rich, robust novel is full of suggestion and suspicion, with the innocent looking guilty and the guilty hiding behind their piety. It is also a novel that exposes the perilous position of unmarried women, the scandal of sex out of wedlock and the hypocrisy of upstanding, church-going folk.

    4, Euston Square was a well-kept, respectable boarding house. But beneath this genteel Victorian London veneer lay murderous intrigue. On 9 May 1879, the body of a former resident, Matilda Hacker, was discovered by chance in the coal cellar. The ensuing investigation – led by Inspector Charles Hagen, rising star of the recently formed CID – stripped bare the dark side of Victorian domesticity.In this true-crime story, Sinclair McKay meticulously evaluates the evidence in first-hand sources. His gripping account sheds new light on a mystery that eluded Scotland Yard.‘With the gusto of a penny dreadful, Murder at No. 4 Euston Road dodges any stodgy courtroom testimony that can weigh down true crime stories and sticks to the juicy details. It is hard to avoid the comparison with Kate Summerscale’s The Suspicions of Mr Whicher and it has similar historical richness and plot twisting…’ The Spectator 'Sinclair McKay is an accomplished and talented author with a rare skill... True crime fans and history buffs will enjoy this book, coming away with an enthralling true crime story and a new knowledge and understanding of Victorian London.' Crime Traveller ‘Gripping, gothic and deeply poignant’ Mail on Sunday ‘A meticulously researched book’ - Brian Viner, Daily Mail

    This edition offers the original story with all its atmospheric Victorian trimmings. The story of Todd's murderous partnership with pie-maker Margery Lovett--at once inconceivably unpalatable and undeniably compelling--has subsequently set the table for a seemingly endless series of successful dramatic adaptations, popular songs and ballads, novellas, radio plays, graphic novels, ballets, films, and musicals. Both gleeful and ghoulish, the original tale of Sweeney Todd, first published under the title The String of Pearls, combines the story of Todd's grisly method of robbing and dispatching his victims--by way of Mrs. Lovett's meat pies--with a romantic sub-plot involving deception, disguise, and detective work, set against the backdrop of London's dark and unsavory streets. Editor Robert Mack 'fleshes' out the story with a fascinating introduction touching on the origins of the tale, the growth of the legend, and a history of its many retellings. Mack also includes explanatory notes that point out interesting aspects, plus a full chronology of the many versions of Sweeney Todd.Since Sweeney Todd first entered the public imagination in the mid-nineteenth-century, his exploits have chilled and fascinated audiences around the world. This new edition allows modern readers to savor the ghastly original in all its gruesome glory.

    Reflecting his lifelong interest in Arthurian themes, his primary sources were Malory's Morte d'Arthur and the Welsh Mabinogion. For him, the Idylls embodied the universal and unending war between sense and soul, and Arthur the highest ideals of manhood and kingship; an attitude totally compatible with the moral outlook of his age. Poetically, Tennyson was heir to the Romantics, and Keats's influence in particular can be seen clearly in much of his work. Yet Tennyson's style is undoubtedly his own and he achieved a delicacy of phrase and subtlety of metrical effect that are unmatched. This edition, based on the text authorized by Tennyson himself, contains full critical apparatus.

    Short, bald, and extremely nearsighted, Sir Nigel's unprepossessing appearance belies his warrior's heart and his chivalrous nature. The rollicking adventures of his company during the Hundred Years War center around Sir Nigel's loyal squire, Alleyne Edricson. Raised in the sheltered confines of a monastery, young Alleyne comes of age amid the rough-and-tumble of armed conflict and the bewildering ways of courtly love.Best known as the creator of Sherlock Holmes, Sir Arthur Conan Doyle was also a passionate historian. The White Company was his favorite among his own works; here, he offers flavorful, realistic depictions of life during the 14th century — from its weapons and apparel to its religious practice, and the close connection between the cycles of human existence, and the rhythm of the seasons. Readers of all ages will thrill to this spirited tale and its evocative portrait of the Middle Ages.