Includes: Accident Waiting to Happen * Bride's Lament * Cold Feets * I Am Aldolpho * I Remember Love * Show Off * Toledo Surprise * and more.

    Enormously likable and a habitual screw-up, Eric Mercer has settled into a sometimes raucous, underachieving life in his one-stoplight hometown—a life cobbled together from his part-time activities as bartender at the American Legion, assistant mortician, and father to his beloved 5-year-old daughter, Tess. Tess seems to be the main reason smart, talented, twenty-four-year-old Eric is staying in town, though her mom, a centerfold-quality beauty, would have it otherwise. When Jill, the lost love of his life, returns to Pinely in the same week that the town goes nuts in preparation for the high school football team's Big Game, life unexpectedly shifts into high gear, and Eric must blunder his way toward enlightenment—fast. Authentic and refreshingly unpredictable, Small Town Odds is written with an acute sense of place and character reminiscent of Richard Russo.

    His career has spanned more than half a century, his lyrics have become synonymous with musical theater and popular culture, and in Finishing the Hat—titled after perhaps his most autobiographical song, from Sunday in the Park with George—Sondheim has not only collected his lyrics for the first time, he is giving readers a rare personal look into his life as well as his remarkable productions.Along with the lyrics for all of his musicals from 1954 to 1981—including West Side Story, Company, Follies, A Little Night Music and Sweeney Todd—Sondheim treats us to never-before-published songs from each show, songs that were cut or discarded before seeing the light of day. He discusses his relationship with his mentor, Oscar Hammerstein II, and his collaborations with extraordinary talents such as Leonard Bernstein, Arthur Laurents, Ethel Merman, Richard Rodgers, Angela Lansbury, Harold Prince and a panoply of others. The anecdotes—filled with history, pointed observations and intimate details—transport us back to a time when theater was a major pillar of American culture. Best of all, Sondheim appraises his work and dissects his lyrics, as well as those of others, offering unparalleled insights into songwriting that will be studied by fans and aspiring songwriters for years to come. Accompanying Sondheim’s sparkling writing are behind-the-scenes photographs from each production, along with handwritten music and lyrics from the songwriter’s personal collection. Penetrating and surprising, poignant, funny and sometimes provocative, Finishing the Hat is not only an informative look at the art and craft of lyric writing, it is a history of the theater that belongs on the same literary shelf as Moss Hart’s Act One and Arthur Miller’s Timebends. It is also a book that will leave you humming the final bars of Merrily We Roll Along, while eagerly anticipating the next volume, which begins with the opening lines of Sunday in the Park with George.

    This sidesplitting play, a testimony to David’s great writing talent, is also his first time on Broadway—in fact, his first time acting on stage since eighth grade. In Fish in the Dark Larry David stars as Norman Drexel, a man in his fifties who is average in most respects except for his hyperactive libido. As Norman and his family try to navigate the death of a loved one, old acquaintances and unsettled arguments resurface with hilarious consequences.Fish in the Dark has its world premiere at the Cort Theatre on Broadway on March 5, 2015, starring Larry David.

    Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

    

    For the past five years, she had been in love with the man of her dreams. A man who had given her the world. Because of that love, Charlie had a free ride to college, nice cars, an expensive home, and she owned her own business. In her eyes, life was as good as it could possibly be. She had the love of her life, and success. Now if she could just survive the next four years while he finished a bid for yet another parole violation. As hard as it made life, and as lonely as she was, Charlie loved her man, and was going to get through it. Calvin “Hawk” Cason Hawk was in the streets, but he wasn’t like your typical hustler. Hawk was about his money and loved his woman. So much so that everything he gave Charlie was hers. He never wanted her to feel like the things that he did were because he was buying Charlie’s affection or because he wanted to control her. Charlie owned the title to everything Hawk purchased for her, so with or without him, her life would always be financially stable. Hawk knew that Charlie loved him and not the things that he did, so he had no problem helping to secure her future. The perfect union, right? Sometimes things aren’t always what they seem. Hawk paid his way out of a five-year bid after only doing one year, and was coming home. The problem being, who is he coming home to? His secret life has caught up with him, and it’s time to make a decision. A decision that will possibly rock Charlie to the core. Yazmine Carter Yaz is your typical hood certified chick. She refused to work for anything, but feels like she’s owed everything. That attitude created a love hate relationship between Yaz and Charlie. Yaz claims Charlie as her best friend but secretly hates everything about her. With friends like that, who needs enemies? Yaz doesn’t understand how Charlie is always winning, while she has to struggle for every dime. Even when it comes to Charlie’s relationship with Hawk. Yaz feels like it should have been her. When Yaz finds out that the one person that she really wants has eyes for Charlie instead, Yaz is fed up. She makes some decisions that could cancel years of friendship, and after a one night stand with a man who Yaz doesn’t know but quickly finds out is a powerful ally, Yaz decides that sometimes you have to just go for yours. Will that one decision cost her not only her friendship with Charlie but also her life? Delvin “Fray” Simmons Fray is all about his money. Fray puts nothing before it, which is why he has a reputation of being a savage. It’s nothing for him to take the life of those who are disloyal or try to get in his way. Being the top solider on Hawk’s team, it just made sense that he would be the one to take charge when Hawk got sentenced to a five year bid. Fray was the type to just do what was necessary, and made no apologies for it. For that reason, while Hawk placed him in charge, Fray decided to make sure that when Hawk came home, Fray could walk and still be in charge. Not only did he build Hawk’s business, but he began building his own. Fray understood that money changed everything, and there was no way that he was going to go from running it all to being second in command when Hawk returned. It wasn’t a respect thing, it was simply code of the streets. Things eventually get even more complicated when Hawk asks Fray for a favor that would put him right in the middle of a tug of war between Charlie and Hawk. Not only was Fray preparing to be Hawk’s biggest competitor in the streets, he would now find himself being Hawk’s biggest competitor for Charlie’s heart.

    

    Portraying the two critical moments in Oscar Wilde’s late life –– when he decides to stay in England and face imprisonment and the night after his release, two years later –– David Hare’s The Judas Kiss presents the consequences of taking an uncompromisingly moral position in a world defined by fear, expedience, and conformity.

    Boom tells the story of an elderly woman and her property agent son in Singapore, who are struggling over the potential en bloc sale of their home. Their destinies become interwoven with that of an idealistic civil servant, Jeremiah, who is facing the greatest challenge of his career—persuading a reluctant corpse to yield its memories. Boom is a quirky yet poignant tale about the relocation of both dead and living, and how personal stories get left behind in the inexorable march of progress.Written by economist-turned-playwright Jean Tay, Boom was conceptualised at the Royal Court Theatre in London in 2007, and developed and staged by the Singapore Repertory Theatre in September 2008. It was nominated for Best Original Script for The Straits Times’ Life! Theatre Awards in 2009 and is now an O- and N-Level Literature text in Singapore schools.“Jean Tay is one of the most gifted playwrights I have come across in years.” —Gaurav Kripalani, Artistic Director, Singapore Repertory Theatre

    He visits an old flame, buys a gun and goes on a blistering road trip through the new home front.'I don't blame the war. The war was alright. I miss it. It's just you come back to this.'Written during the London bombings of 2005, Motortown is a fierce, violent and controversial response to the anti-war movement - and to the war itself. Chaotic and complex, powerful and provocative, Simon Stephen's new play portrays a volatile and morally insecure world.Motortown premieres at the Royal Court Theatre on 21 April 2006. It follows the critically acclaimed On the Shore of the Wide World (Manchester Royal Exchange/National Theatre), winner of the Olivier Award for Best New Play (2005).

    His hero-worshipping friend Warren has just impulsively stolen $15,000 from his father, an abusive lingerie tycoon. When Jessica, a mixed-up prep school girl, shows up for a date, Warren pulls out a wad of bills and takes her off, awkwardly, for a night of seduction. A wildly funny, bittersweet, and moving story, This Is Our Youth is as trenchant as it was upon its acclaimed premiere in 1996.

    In a woods, a field and a barn, they play, fight, fantasize and swagger. Their aggressions, fears, hostilities and rivalries are a microcosm of adult interaction. Easy going Willie tags along as burly Peter bullies Raymond and is challenged by fair minded Paul. Plain Audrey is overshadowed by Angela's prettiness and wreaks her anger on the boys. All of them gang up on the terrified "Donald Duck" who, abused by his mother and ridiculed by his peers, plays a dangerous game of pyromania with tragic results.

    Family secrets and lies will be revealed and lots of scheming surrounding the lives of these two sisters will surface. Once the drama ensues and lies are uncovered, you won't be able to handle what happens at each turning corner.

    But when history reveals a shocking truth about the man himself, the entire family is forced to confront questions of honesty and allegiance they thought had been resolved. AFTER THE REVOLUTION is a bold and moving portrait of an American family, thrown into an intergenerational tailspin, forced to reconcile a thorny and delicate legacy.