Take a look back into her high school and college days, when she was causing just as much turmoil and chaos. This story's ending is only the beginning of Secrets of a Side Bitch 4, and the dots will connect even more for key players in Simone's vindictive games of love. **** EXCERPT **** My life was over, and I knew it. Honestly, I couldn’t even ask God why. I was reaping what I had sown. I deserved death because I’d sown so much death during my life. For years, I’d lied, manipulated, and terrorized. I lay there with bulging eyes, staring at Jimmy’s knife, not even attempting to beg for a speedy death. As thoughts of my treacherous past blurred my vision, I knew that I didn’t deserve the easy way out. For so long, I had suppressed the events of my past that made me the woman that I became. Yet as I faced death, those events came to mind...

    Perfect timing andcrackling dialogue, as well as heartrending pain balanced by uproarious predicaments, make for a shout-hallelujah tale of transgression and grace, a gospel of lusty and everlasting love."-- Booklist “Like Dostoyevsky, Allen colorfully evokes the gambling milieu—the chained (mis)fortunes of the players, their vanities and grotesqueries, their quasi-philosophical ruminations on chance. Like Burroughs, he is a dispassionate chronicler of the addict’s daily ritual, neither glorifying nor vilifying the matter at hand.”-- The New York Times Book Review , on All or NothingInto an austere community of Christian believers at the Church of Our Blessed Redeemer Who Walked Upon the Waters come the star-crossed African American Romeo and Juliet. In the world of Jesus Boy, Romeo is sixteen-year-old Elwyn Parker, a devout and sincere piano prodigy who learns too late that the saintly girl he has had a crush on all his life is inexplicably pregnant and soon to be wed. Juliet is the beautiful widow, Sister Morrisohn, age forty-two, who, in the pain and confused emotions of her grieving, ends up in Elwyn’s arms.Despite the problems posed by their age difference and the strict prohibitions of their strong religious beliefs, Elwyn and Sister Morrisohn’s love is true, and as it grows among the ascetics, abstainers, and holy ghost rollers of their church, it exposes with wit, poignancy, and insight the dark secrets and ancient crimes of the pious. In Jesus Boy, Elwyn learns through tragedy and epiphany that the holy are no different from the rest of us.

    

    But when a domestic disturbance call takes a turn for the worse, their friendship is put on the line. The result is a difficult journey into a moral gray area where trust and loyalty struggle for survival against a sobering backdrop of pimps, prostitutes, and criminal lowlifes.A dark duologue filled with sharp storytelling and biting repartee, A Steady Rain explores the complexities of a lifelong bond tainted by domestic affairs, violence, and the rough streets of Chicago.

    Just before his works are celebrated at an exhibition in London, Jonathan journeys to the village where his former lover, Patricia, lives with her British husband, Nick. Archaeologists working on a dig, their spare existence is spent sifting through a Roman rubbish heap to discover the past. In their cold, remote house, Jonathan discovers an early painting of Patricia he'd done when they were young lovers. The subsequent struggle for the painting embodies the unreconciled passions of the past. Patricia has never forgiven Jonathan for leaving her, Nick despises Jonathan and the kind of art he produces, and Jonathan has never been able to recapture the inspiration and purity he felt when he painted Patricia. In taut scenes that dart from past to present and back, the characters are forced to deal with the unanswerable question of anti-Semitism, the legacy of the Holocaust and assimilation, the sadness of lost love, the role of the artist and the location of the human soul at the end of a ragged century.

    Not only is there a large age difference between Thalia and the middle-aged pastor, but he also happens to be the father of Madison, her best friend since junior high school. Madison isn't trying to deal with her father dating anyone after her mother's death. Thalia asks Isaac to keep their relationship a secret, but he's been intrigued by her ever since she was a teenager, and now he wants the world to know. When tragedy strikes, their love is exposed to her family, his colleagues, his congregation, and her best friend. Now it seems like the whole town is in an uproar. The gossiping church mothers in Mount Pleasant aren't the only problem that Thalia and Isaac have, though. A former lover rears his ugly head and forces their relationship to change for the absolute worst. Can this May-December romance survive when it seems fate is just not on their side?

    Reginald Dwayne Betts confronts the funk of postincarceration existence and examines prison not as a static space, but as a force that enacts pressure throughout a person’s life.The poems move between traditional and newfound forms with power and agility—from revolutionary found poems created by redacting court documents to the astonishing crown of sonnets that serves as the volume’s radiant conclusion. Drawing inspiration from lawsuits filed on behalf of the incarcerated, the redaction poems focus on the ways we exploit and erase the poor and imprisoned from public consciousness. Traditionally, redaction erases what is top secret; in Felon, Betts redacts what is superfluous, bringing into focus the profound failures of the criminal justice system and the inadequacy of the labels it generates.Challenging the complexities of language, Betts animates what it means to be a "felon."

    She has no intention of doing anything with that discovery – nothing long term, at least. But everybody knows what happens to best laid plans. Jason is a grown man. 28 years old, seasoned and scarred by his real-life experience in the world, he’s at Blakewood State University to finish his degree and move on. The last thing he’s interested in is the female population on campus… but sexy, infuriating Reese might be a notable exception. This isn’t a story of opposites attract. More like counterparts clash. Neither of them is afraid to do battle, and neither is willing to back down. Love and war, win or lose… somebody’s gonna end up getting schooled.

    But when an employer stiffs her, and her checks bounce, she goes on the lam, hiding out as a maid for a wealthy family at their summer home. That plan goes awry when there’s a murder and Blanche becomes the prime suspect. So she’s forced to use her savvy, her sharp wit, and her old-girl network of domestic workers to discover the truth and save her own skin. Along the way, she lays bare the quirks of southern society with humor, irony, and a biting commentary that makes her one of the most memorable and original characters ever to appear in mystery fiction.

    Believe me. I don't know what's happened, but something has. He's changed. He . . . And I'm wondering if . . . To be absolutely honest with you . . . I'm even wondering if . . . Nicolas, just two years ago a smiling boy, is going through a difficult phase after his parents' divorce. He's listless, skipping classes, lying. He believes moving in with his father and his new family may help. And a different school, a fresh start. When he doesn't feel comfortable there, when he senses he isn't wanted, he decides that going back to his mother's may be the answer. But at some point, options are going to dry up. And then what?I'm telling you. I don't understand what's happening to me. Florian Zeller's The Son forms the final part in a trilogy with The Mother and The Father, all of which are translated by Christopher Hampton. The Son premieres at the Kiln Theatre, London, in February 2019.

    Some believe it is an abomination of nature, a hybrid winged beast from hell that stalks the Pine Barrens of southern New Jersey searching for prey. Others believe it is a hoax, a campfire story designed to scare children. But one man knows the truth...THE DEVIL AWAKES Sixty years ago, Boompa Willet came face to face with the Devil—and lived to tell the tale. Now, the creature’s stomping grounds are alive once again with strange sightings, disappearances, and worse. After all these years, Boompa must return to the Barrens, not to prove the legend is real but to wipe it off the face of the earth...THE BEAST MUST DIE It’ll take more than just courage to defeat the Devil. It will take four generations of the Willet clan, a lifetime of survivalist training, and all the firepower they can carry. But timing is critical. A summer music festival has attracted crowds of teenagers. The woods are filled with tender young prey. But this time, the Devil is not alone. The evil has grown into an unholy horde of mutant monstrosities. And hell has come home to New Jersey...

    Damn, now I sound stupid, too." -Bomani Jones, ESPN "It's great, and I have no idea what just happened, but Jerry Jones dick exploded and that's enough for me." -Spencer Hall, SB Nation "The only parody Twitter account worth following" -Deadspin.com "This is the least influential book of anything I've ever read. I hated it." -Adolf Hitler In what is being hailed by many, probably, as the best, funniest, most gut-shittingly poignant literary work since The New Testament, PFT Commenter takes you on a realistic-fiction journey through the backdoor politics of today's NFL. Set in the 2014 offseason, Roger Goodell and President Barack Obama become locked in a mano a mano battle over the future of the Dallas Cowboys, culminating in a literal fight to the death. Starring NFL Commissioner Roger Goodell, Barack Obama, Mike Ditka, Joe Biden, Michael Vick, Peter King, Ron Jaworski, Dan Snyder, Robert Griffin III, Danny Woodhead, J.J. Watt, Jerry Jones, Russell Wilson, Pete Carroll, and many more of your favorite NFL stars and media personalities; "Goodell vs. Obama: The Battle for the Future of the NFL" will take you on a journey that any NFL fan is sure to love, or at least not hate. WARNING: Told through the narrative eye and screaming mouth of an uneducated internet commenter, this book is filled with grammatical errors. It was written by a someone who was raised on scorching hot sports takes, light beer, and an undying love for Roger Goodell. He cares about TELLING, not about spelling. If that's going to be a problem,, there's the door.

    The novella “A Necessary Being” showcases Octavia E. Butler’s ability to create alien yet fully believable “others.” Tahneh’s father was a Hao, one of a dwindling race whose leadership abilities render them so valuable that their members are captured and forced to govern. When her father dies, Tahneh steps into his place, both chief and prisoner, and for twenty years has ruled without ever meeting another of her kind. She bears her loneliness privately until the day that a Hao youth is spotted wandering into her territory. As her warriors sharpen their weapons, Tahneh must choose between imprisoning the newcomer—and living the rest of her life alone. The second story in this volume, “Childfinder,” was commissioned by Harlan Ellison for his legendary (and never-published) anthology The Last Dangerous Visions™. A disaffected telepath connects with a young girl in a desperate attempt to help her harness her growing powers. But in the richly evocative fiction of Octavia E. Butler, mentorship is a rocky path, and every lesson comes at a price. The award-winning author of science fiction classics Parable of the Sower and Kindred bestows these compelling, long lost gems “like the miraculous discovery that the beloved book you’ve read a dozen times has an extra chapter” (Los Angeles Review of Books). Harlan Ellison and Dangerous Visions are registered trademarks of the Kilimanjaro Corporation. All rights reserved.

    However, she had difficulty reading facial features or distinguishing people in group conversations. Relying on her own problem-solving skills, Girma overcame roadblocks while simultaneously obtaining her undergraduate and then law degree. In the process, she developed new methods of communication and found her calling in advocating for the deaf and blind communities in more accessible communication, education, and employment opportunities. As a lawyer and advocate, Girma shares a collection of vignettes illustrating the defining points in her life. She peppers her writing with a witty sense of humor and showcases her strength in facing obstacles, along with challenging antiquated societal beliefs about people with disabilities, whether describing her experience climbing Alaska's Mendenhall Glacier or helping a drunk friend get to his dorm by using her seeing-eye dog that he adores as a lure

    . . With a headline spot on a hit morning show and truly mouth-watering culinary skills, chef Evie Buchanan is perched on the edge of stardom. But at an industry party, a fall lands Evie in the hospital—with no memory of who she is. Scrambling to help, Evie’s assistant contacts the only “family” Evie has left, close friends who run the luxury dude ranch in California where Evie grew up. Evie has no recollection of them—until former rodeo champion Zach Pleasant walks into her hospital room, and she realizes his handsome face has been haunting her dreams . . . Zach hasn’t seen Evie in years—not since their families conducted a campaign to make sure their childhood friendship never turned into anything more. When the young cowboy refused to admit the feelings between them were real, Evie left California, making it clear she never wanted to see Zach again. Now he refuses to make the same mistake twice. Starting fresh is a risk when they have a history she can’t recall, but Zach can’t bear to let go of her now. Can he awaken the sleeping beauty inside her who might still love him?