With understanding and sensitivity, Shtetl limns the culture that influenced Christian villagers' decisions to conceal or betray Jewish neighbors when the Nazis invaded. A New York Times Notable Book.

    For the foreseeable future, Croatia will probably be the last to join; at the same time creating a barrier between the once connected states of the Balkans. Paraphrasing Freud’s famous question - ‘What does a woman want?’ - one of the greatest European philosophers of our day, Slavoj Žižek, joins forces with the young Croatian philosopher, Srećko Horvat, to examine the burning question ‘What does Europe want?’.Instead of a peace-project, the European Union is increasingly turning into a warzone: whether it be the expulsion of immigrants or riots in Paris and London, or European interventions to bring “more democracy” to Libya or Syria. Instead of leaving Europe to the enemies, Žižek and Horvat reflect on the fight for a different Idea of Europe; one that embraces all its peoples equally.

    A powerful and absorbing saga, moving from Sunderland to London in the 1940s, as Sarah Brown dreams of a better life.

    Rich in surprising encounters and vivid characters, Between East and West brilliantly illuminates the soul of these lands and the shaping power of their past.

    Whether covering Poland's first free parliamentary elections -- in which Solidarity found itself in the position of trying to limit the scope of its victory -- or sitting in at the meetings of an unlikely coalition of bohemian intellectuals and Catholic clerics orchestrating the liberation of Czechoslovakia, Garton Ash writes with enormous sympathy and power.In this book -- now with a new Afterword by the author -- Garton Ash creates a stunningly evocative portrait of the revolutions that swept Communism from Eastern Europe in 1989, and whose after-effects will resonate for years to come.

    Here, he mixes insightful facts with personal anecdotes to examine the region's history, food, languages, sites, stereotypes and drinking habits.

    Close to five million Poles were killed. Of these, more than half were Jews killed in the Holocaust. Ninety percent of the world's second largest Jewish community was annihilated. But despite the calamity shared by Poland's Jews and non-Jews, anti-Semitic violence did not stop in Poland with the end of the war. Jewish Holocaust survivors returning to their Polish hometowns after the war experienced widespread hostility, including murder, at the hands of their neighbors. The bloodiest peacetime pogrom in twentieth-century Europe took place in Kielce, Poland, a year after the war ended. Jan Gross's Fear is a detailed reconstruction of this pogrom and the Polish reactions to it that attempts to answer a perplexing question: How was anti-Semitism possible in Poland after the war?Gross argues that postwar Polish anti-Semitism cannot be understood simply as a continuation of prewar attitudes. Rather, it developed in the context of the Holocaust and the Communist takeover: Anti-Semitism eventually became a common currency between the Communist regime and a society filled with people who had participated in the Nazi campaign of murder and plunder, people for whom Jewish survivors were a standing reproach. The Polish poet Czeslaw Milosz said that Poland's Communist rulers fulfilled the dream of Polish nationalists by bringing into existence an ethnically pure state.For more than half a century, what happened to Jewish Holocaust survivors in Poland has been cloaked in guilt and shame. Writing with passion, brilliance, and fierce clarity, Gross at last brings the truth to light.

    When the hospital was forced to close the children that had survived were taken to the death-camps. Blady-Szwajger became a reluctant courier for the resistance. She left the ghetto and began to carry paper money pinned into her clothing to those in hiding. She and her flat-mate pretended to be good-time girls having fun and threw parties to disguise the coming and going of their male visitors. This heroic memoir pays tribute to all the men and women who paid with their lives for the safety of others.

    Using a wealth of new material, Moynahan tells the story of the cruelties inflicted by Stalin and Hitler on a city of exquisite beauty and rich cultural history, and the symphony that inspired its survival.

    This gruesomely sentimental and unmistakably authentic title introduces an disturbing collection of photographs, diaries, letters home, and confidential reports created by the executioners and sympathetic observers of the Holocaust. "The Good Old Days" reveals startling new evidence of the inhumanity of recent twentieth century history and is published now as yet another irrefutable response to the revisionist historians who claim to doubt the historic truth of the Holocaust.

    A Mass for Arras explores the personal and political consequences of fear, fanaticism, and fascism in the story of Jan, a young member of the intelligentsia. Arrogantly pious and full of revolutionary zeal, Jan wholeheartedly participates in the torments inflicted on the "outsiders" in the name of moral and political righteousness. Yet when faced with escalating violence and, ultimately, his own downfall, he must choose between sincere commitment to the isolated village that adopted him and horror at a society gone mad. A Mass for Arras addresses themes of freedom and responsibility, individualism and conformity, and memory and loss. It is a moving account of a young man's coming-of-age in a time of disease and death, a profound political allegory of life in an emergent totalitarian state, a chilling indictment of government-sponsored repression and societal complicity, and a cautionary tale about the tendency of history to repeat itself, whether in fifteenth-century France, postwar Poland, or somewhere still closer to our own time and place.

    This book captures the essence of life during wartime, seen from the apartment window of one who was there at ground zero. The moral ambiguities of war, the horrific reality, the humanity. This volume includes Zograf's entire e-mail correspondence to his friends throughout the world during the bombing of his hometown of Pancevo, as well as all of his comic strips produced over the decade Bosnian/Serbian war. For those who appreciated Joe Sacco's Safe Area Gorazde and Palestine, you will not want to miss this very important book.

    By 2000, NPR’s Car Talk declared it “the worst car of the millennium.” And for most Americans that’s where the story begins and ends. Hardly. The short, unhappy life of the car, the men who built it, the men who imported it, and the decade that embraced and discarded it is rollicking and astounding, and one of the greatest untold business-cum-morality tales of the 1980s. Mix one rabid entrepreneur, several thousand “good” communists, a willing U.S. State Department, the shortsighted Detroit auto industry, and improvident bankers, shake vigorously, and you’ve got The Yugo: The Rise and Fall of the Worst Car in History.  Brilliantly re-creating the amazing confluence of events that produced the Yugo, Yugoslav expert Jason Vuic uproariously tells the story of the car that became an international joke: The American CEO who happens upon a Yugo right when his company needs to find a new import or go under. A State Department eager to aid Yugoslavia’s nonaligned communist government. Zastava Automobiles, which overhauls its factory to produce an American-ready Yugo in six months. And a hole left by Detroit in the cheap subcompact market that creates a race to the bottom that leaves the Yugo . . . at the bottom.

    Based on interviews with Nobel Prize winner Czeslaw Milosz, My Century describes the artistic, sexual, and political experimentation --in which Wat was a major participant-- that followed the end of World War I: an explosion of talent and ideas which, he argues, in some ways helped to open the door to the destruction that the Nazis and Bolsheviks soon visited upon the world. But Wat's book is at heart a story of spiritual struggle and conversion. He tells of his separation during World War II from his wife and young son, of his confinement in the Soviet prison system, of the night when the sound of far-off laughter brought on a vision of "the devil in history." "It was then," Wat writes, "that I began to be a believer."

    Clearly and accessibly written, this book is one of the first to provide a general overview of their histories from the stone age to the present using a comparative approach.