His long suffering widow Dona Flor devotes herself to her cooking school and her friends, who urge her to remarry. She is soon drawn to a kind pharmacist who is everything Vadinho was not, and is altogether happy to marry him. But after her wedding she finds herself dreaming about her first husband’s amorous attentions; and one evening Vadinho himself appears by her bed, as lusty as ever, to claim his marital rights.

    There she witnessed the full impact of the war and first formed the ambition to write an account of what history - the great political events driven by men of power, wealth, and ambition - does when it reaches the realm of ordinary people struggling for life and bread. The central character in this powerful and unforgiving novel is Ida Mancuso, a schoolteacher whose husband has died and whose feckless teenage son treats the war as his playground. A German soldier on his way to North Africa rapes her, falls in love with her, and leaves her pregnant with a boy whose survival becomes Ida's passion. Around these two other characters come and go, each caught up by the war which is like a river in flood. We catch glimpses of bombing raids, street crimes, a cattle car from which human cries emerge, an Italian soldier succumbing to frostbite on the Russian front, the dumb endurance of peasants who have lived their whole lives with nothing and now must get by with less than nothing.

    And it is here, on a cliff edge, that she first meets a young girl, Aurora, who will profoundly change her life. Mysteriously drawn to Aurora, Grania discovers that the histories of their families are strangely and deeply entwined . . .From a bittersweet romance in wartime London to a troubled relationship in contemporary New York, from devotion to a foundling child to forgotten memories of a lost brother, the Ryans and the Lisles, past and present, have been entangled for a century. Ultimately, it will be Aurora whose intuition and remarkable spirit help break the spell and unlock the chains of the past.Haunting, uplifting and deeply moving, Aurora's story tells of the triumph of hope over loss.

    “Over there!” he cries to his brother, Carlo, sunning beside him. “Over there!”So begins the adventure that will tear a hole in Pietro’s life. For while he and his brother struggle to save two drowning swimmers, a tragedy is unfolding down the road at his summer cottage. Instead of coming home to a hero’s welcome, Pietro is greeted by the flashing lights of an ambulance, the wide-eyed stare of his young daughter, Claudia, and the terrible news that his fiancée, Lara, is dead.Life must go on. Or does it? Pietro, a true iconoclast, has to find his own way. When he drops Claudia off for the first day of school, he decides to wait outside for her all day, and then every day. To protect her. To protect himself. To wait for the heavy fist of grief to strike. But as the days and weeks go by, the small parking lot in front of the school becomes his refuge from the world as well as the place where family and colleagues come to relieve their own suffering—among them, the woman he rescued from the waves. And Pietro plunges deeper into the depths of his life before seeing the simple truth before his eyes.Sandro Veronesi makes art of every detail, creating a mosaic of humor, hope,profound insight, and emotional resonance. Quiet Chaos is an unprecedented portrayal of a life set adrift by death.

    What follows is one of the most beautiful and piercing considerations ever written about the dualities of love: a dazzling psychological duel between the two men over knowledge they may or may not share, bringing them both to a shattering conclusion.The Art of The Novella SeriesToo short to be a novel, too long to be a short story, the novella is generally unrecognized by academics and publishers. Nonetheless, it is a form beloved and practiced by literature’s greatest writers. In the Art Of The Novella series, Melville House celebrates this renegade art form and its practitioners with titles that are, in many instances, presented in book form for the first time.

    This tale of seduction is itself a seduction, with a plot that could be said to slowly unveil itself before arriving at last at an unexpected consummation.Summoned by Madame de T—— to her country house, the young hero of Deion's novella is taken on a tour of the grounds, only the beginning of a night that not only will be full of unanticipated delights but will give rise to unforeseen, perhaps unanswerable, questions. Lydia Davis's definitive translation of Denon's slim masterpiece is accompanied by the French text. Peter Brooks's illuminating introduction explores the mysteries of No Tomorrow's original publication and the subtleties of Denon's ethics of pleasure.

    For Eneas McNulty, a happy, innocent childhood in County Sligo in the early 1900s gives way to an Ireland wracked by violence and conflict. Unable to find work in the depressed times after World War I, Eneas joins the British-led police force, the Royal Irish Constabulary—a decision that alters the course of his life. Branded a traitor by Irish nationalists and pursued by IRA hitmen, Eneas is forced to flee his homeland, his family, and Viv, the woman he loves. His wandering terminates on the Isle of Dogs, a haven for sailors, where a lifetime of loss is redeemed by a final act of generosity. The Whereabouts of Eneas McNulty is the story of a lost man and a compelling saga that illuminates Ireland's complex history.

    Called in to investigate, melancholy Detective Ciccio, a secret admirer of the murdered woman and a friend of her husband’s, discovers that almost everyone in the apartment building is somehow involved in the case, and with each new development the mystery only deepens and broadens. Gadda’s sublimely different detective story presents a scathing picture of fascist Italy while tracking the elusiveness of the truth, the impossibility of proof, and the infinite complexity of the workings of fate, showing how they come into conflict with the demands of justice and love. Italo Calvino, Pier Paolo Pasolini, and Alberto Moravia all considered That Awful Mess on the Via Merulana to be the great modern Italian novel. Unquestionably, it is a work of universal significance and protean genius: a rich social novel, a comic opera, an act of political resistance, a blazing feat of baroque wordplay, and a haunting story of life and death in the Eternal City.

    Faber’ s characters in these 17 fictions are often dislocated— fragile beings confronting moments of fracture— in worlds that are both real and surreal. From the achingly sad lives of “ The Safehouse” to the moments of exquisite happiness in “ Vanilla-right Like Eminem” to the futuristic savagery of “ The Fahrenheit Twins,” these are fearless stories that crack our humanity wide open. With his brilliant characterization and pitch-perfect prose, Michel Faber has produced a short story collection that will seal his reputation as one of our most arresting and gifted writers.

    is on the verge of just about everything and consumed by a restless, unanswered longing that rebels against jumping through the hoops of school. Staring down the tunnel to a mundane adulthood, he is appalled by the banality and overwhelming predictability of it all: teachers, parents, and above all his classmates - the seething masses of dutiful zombies and sistren of the Evervirgin Sorority. A bicycle bandit with a DeNiro smile, Alex sports a homemade buzzcut, ditches school to drink and trade stories with his posse of delinquents and rogues, and chases away the blues by assailing his eardrums with the Clash. He shares a brief friendship with the privileged, semi-degenerate Martino, who seems to have mastered the devil-may-care stance Alex covets - until he's busted for drugs. And then comes the sudden entrance of Aidi, who seems to instantly understand, complement, and challenge him. A hundred letters and conversations later, she is magnificent, amazing, irreplaceable ... and leaving for a year in America at the end of the summer.

    But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.

    In “Hell Does Not Exist,” an abused wife attempts to protect her son, who becomes the source of her greatest joy and her most profound devastation. And in “The Burning Forest,” a widower recounts the unraveling of his marriage and seeks the forgiveness of his estranged daughter. Hauntingly powerful and exquisitely written, Answer Me is a spiritually galvanizing book by a writer of international stature.

    Don Quixote, errant knight and sane madman, with the company of his faithful squire and wise fool, Sancho Panza, together roam the world and haunt readers' imaginations as they have for nearly four hundred years.

    Title and author’s name are printed in bold roman type. Next to the author’s name is the image of an “improved duck” (a device invented by Vague McMenamy, protagonist of the story “The Crank that Made the Revolution”, to enhance duck mobility). Arranged around the lettering is a grid of black and white squares. In each one, a winged foetus nestles within the cross-section of a skull. A horizontal strip across the bottom shows a recumbent child attached to a kite, floating over a Chinese city in flames – an image echoed in the story “Five Letters from an Eastern Empire”. On the spine, a naked woman is the object of amorous attention from the legendary beast in the tale “The Comedy of the White Dog”.

    An illicit visit to the Grand Canyon reveals a vastness even more profound. A couple weekending in Maine try to recapture the ardor that has disappeared from their life together. And on a spring evening, a young wife tells her husband of her affair with the host of the dinner party they’re about to join. The rigorous intensity Ford brings to these vivid, unforgettable dramas marks this as his most powerfully arresting book to date–confirming the judgment of the New York Times Book Review that “nobody now writing looks more like an American classic.”