Born into the most turbulent period of England’s history, these women’s lives interplayed with the great dramas of the Tudor age, and their stories deserve to be told independently of their husbands. Anne Seymour served all of Henry VIII’s six wives and brushed with treason more than once, but she died in her bed as a wealthy old matriarch. Jane Dudley was a wife and mother who fought for her family until her last breath. Elisabeth Parr, sister-in-law of Queen Katherine Parr, married for love and became Elizabeth I’s favourite lady-in-waiting. The Tudor age was a hazardous time for ambitious women: courtly life exposed them to “pride, envy, indignation, scorning and derision”, executions were part of everyday life, death in childbirth was a real possibility and plagues sweeping regularly through the country could wipe out entire generations of families. Yet Anne, Jane and Elisabeth lived through all this and left their indelible marks on history. It’s high time for these women’s stories to be heard.

    Fleming and six other authors will each contribute a story from different points of view: M.T. Anderson, Jennifer Donnelly, Stephanie Hemphill, Deborah Hopkinson, Linda Sue Park, and Lisa Ann Sandell.

    Katherine’s sister, Juana of Castile, wife of Philip of Burgundy and mother of the Holy Roman Emperor Charles V, is portrayed as “Juana the Mad,” whose erratic behavior included keeping her beloved late husband’s coffin beside her for years. But historian Julia Fox, whose previous work painted an unprecedented portrait of Jane Boleyn, Anne’s sister, offers deeper insight in this first dual biography of Katherine and Juana, the daughters of Spain’s Ferdinand and Isabella, whose family ties remained strong despite their separation. Looking through the lens of their Spanish origins, Fox reveals these queens as flesh-and-blood women—equipped with character, intelligence, and conviction—who are worthy historical figures in their own right.When they were young, Juana’s and Katherine’s futures appeared promising. They had secured politically advantageous marriages, but their dreams of love and power quickly dissolved, and the unions for which they’d spent their whole lives preparing were fraught with duplicity and betrayal. Juana, the elder sister, unexpectedly became Spain’s sovereign, but her authority was continually usurped, first by her husband and later by her son. Katherine, a young widow after the death of Prince Arthur of Wales, soon remarried his doting brother Henry and later became a key figure in a drama that altered England’s religious landscape.Ousted from the positions of power and influence they had been groomed for and separated from their children, Katherine and Juana each turned to their rich and abiding faith and deep personal belief in their family’s dynastic legacy to cope with their enduring hardships. Sister Queens is a gripping tale of love, duty, and sacrifice—a remarkable reflection on the conflict between ambition and loyalty during an age when the greatest sin, it seems, was to have been born a woman.

    For the first time, all the contenders for the crown were female.In 1553, England was about to experience the ‘monstrous regiment’ - the unnatural rule - of a woman. But female rule in England also had a past. Four hundred years before Edward’s death, Matilda, daughter of Henry I and granddaughter of William the Conquerer, came tantalisingly close to securing her hold on the power of the crown. And between the 12th and the 15th centuries three more exceptional women - Eleanor of Aquitaine, Isabella of France, and Margaret of Anjou - discovered, as queens consort and dowager, how much was possible if the presumptions of male rule were not confronted so explicitly.The stories of these women - told here in all their vivid humanity - illustrate the paradox which the female heirs to the Tudor throne had no choice but to negotiate. Man was the head of woman; and the king was the head of all. How, then, could a woman be king, how could royal power lie in female hands?

    Why is Anne so compelling? Why has she inspired such extreme reactions? What did she really look like? Was she the flaxen-haired martyr of Romantic paintings or the raven-haired seductress of twenty-first century portrayals? (Answer: neither.) And perhaps the most provocative questions concern Anne's death more than her life. How could Henry order the execution of a once beloved wife? Drawing on scholarship and critical analysis, Susan Bordo probes the complexities of one of history's most infamous relationships.Bordo also shows how generations of polemicists, biographers, novelists, and filmmakers imagined and reimagined Anne: whore, martyr, cautionary tale, proto-"mean girl," feminist icon, and everything in between. In this lively book, Bordo steps off the well-trodden paths of Tudoriana to expertly tease out the human being behind the competing mythologies.

    The richest and most powerful noble family in Britain, after the king himself, they regarded themselves as the power behind the throne and regularly tried to act as 'kingmakers'.

    Springing into post-World War II society, and quite naughty and haughty, she lived in a whirlwind of fame and notoriety. Georgie Blalock captures the fascinating, fast-living princess and her “set” as seen through the eyes of one of her ladies-in-waiting. In dreary, post-war Britain, Princess Margaret captivates everyone with her cutting edge fashion sense and biting quips. The royal socialite, cigarette holder in one hand, cocktail in the other, sparkles in the company of her glittering entourage of wealthy young aristocrats known as the Margaret Set, but her outrageous lifestyle conflicts with her place as Queen Elizabeth’s younger sister. Can she be a dutiful princess while still dazzling the world on her own terms?Post-war Britain isn’t glamorous for The Honorable Vera Strathmore. While writing scandalous novels, she dreams of living and working in New York, and regaining the happiness she enjoyed before her fiancé was killed in the war. A chance meeting with the Princess changes her life forever. Vera amuses the princess, and what—or who—Margaret wants, Margaret gets. Soon, Vera gains Margaret’s confidence and the privileged position of second lady-in-waiting to the Princess. Thrust into the center of Margaret’s social and royal life, Vera watches the princess’s love affair with dashing Captain Peter Townsend unfurl.But while Margaret, as a member of the Royal Family, is not free to act on her desires, Vera soon wants the freedom to pursue her own dreams. As time and Princess Margaret’s scandalous behavior progress, both women will be forced to choose between status, duty, and love…

    The jewel in the French crown, Katherine de Valois, is waiting under lock and key for King Henry V. While he's been slaughtering her kinsmen in Agincourt, Katherine has been praying for marriage to save her from her misery. But the brutal king wants her crown, not her innocent love. For Katherine, England is a lion's den of greed, avarice and mistrust. And when she is widowed at twenty-one, she becomes a prize ripe for the taking—her young son the future monarch, her hand in marriage worth a kingdom. This is a deadly political game, one the dowager queen must learn fast. The players—the Duke of Gloucester, Edmund Beaufort and Owen Tudor—are circling. Who will have her? Who will ruin her? This is the story of Katherine de Valois.

    When fifteen-year-old Catherine Howard catches the king's eye, she quickly transforms from pawn to queen. But even luxury beyond imagination loses its luster as young Catherine finds her life--and her heart--threatened by the needs of an aging king and a family hungry for power. Will their agendas deliver Catherine to the same fate as her infamous cousin, Anne Boleyn, sacrificed at the altar of family ambition? Engaging historical fiction with a throbbing YA heartbeat, this thrilling novel will draw readers into the intrigues and dangers of the Tudor court.

    Was she bald? What precisely was her sex-life? What were her emotional attachments? No other biography provides such a personal study of the Queen and her court - their daily lives, concerns, topics of conversation, meals, living conditions, travels, successes and failures - but it also places them firmly within the historical context of 16th Century Britain. An authoritative history of the period enlightened by a through understanding of Elizabethan society and an intimate portrait of the Queen.

    Her fury at her husband's betrayal has enough momentum to survive centuries, but in Threads she learns that she has been assigned a hard task: she must review their history together through a number of past lives, and find it within herself to forgive him. This may prove difficult and take some time. The husband in question is Henry Tudor, the notorious Henry VIII. The narrator is the stubborn, volatile Anne Boleyn, who is not at all inclined to forgive. It is a very unusual love story.

    While the family of Lord Henry Grey are visiting their Devon estate, the Grey sisters are saved from drowning by a local medical apprentice, Richard Stocker. Little does Richard know that this single act will plunge him into a tide of religious and social upheaval that will change not only his own life but the course of British history. In gratitude for saving his daughters, Lord Henry agrees to employ Richard in his household. Lady Katherine has already fallen for her father’s handsome new employee, while Richard is in thrall to the intellect of her troubled but brilliant sister, Lady Jane, with whom he forms a close friendship. Following King Edward’s death, the teenaged Lady Jane is proclaimed Queen. Soon, however, she is deposed and put to the axe. The woman Richard has grown to love as a friend, confidante, and adviser is dead. Bereft, he abandons the intrigues and deceptions of court life, resolving to resume his medical apprenticeship. In the Shadow of Lady Jane is at once a gripping political thriller and a compelling love story.

    But after he and his brother Edmund are summoned to London, their half-brother, King Henry VI, takes a keen interest in their future.Bestowing Earldoms on them both, Henry also gives them the wardship of the young heiress Margaret Beaufort. Although she is still a child, Jasper becomes devoted to her and is devastated when Henry arranges her betrothal to Edmund.He seeks solace in his estates and in the arms of Jane Hywel, a young Welsh woman who offers him something more meaningful than a dynastic marriage. But passion turns to jeopardy for them both as the Wars of the Roses wreak havoc on the realm. Loyal brother to a fragile king and his domineering queen, Marguerite of Anjou, Jasper must draw on all his guile and courage to preserve their throne − and the Tudor destiny…

     E. Barrington tells the romantic history of the most beautiful and vivid of them all - his second wife, Anne Boleyn. Anne rises to fame when she captures the heart of King Henry. He is married to Katharine of Aragon, but she is six years his senior, and though she has provided him with sons throughout their marriage, they have all died. Henry is desperate for an heir, and he becomes captivated by the mysterious and shrewd Anne Boleyn. But Christian law stands in his way, and their courtship is put on hold as he battles those in power to gain a divorce from Katharine. And the moment Anne finally gets what she wants - the crown - is also the moment her downfall begins… Barrington’s classic novel portrays Anne as shrewd, lovely, ambitious, generous, disillusioned, and resolved to capitalize her beauty for her own ends. This is the story of Anne, but also of the days of Anne - when the question over a woman’s virtue was paramount in the great game of kings and kingdoms… E Barrington is a pseudonym of Elizabeth Louisa Moresby (1862 – 3 January 1931), a British-born novelist who became the first prolific, female fantasy writer in Canada. Her other historical novels include ‘Glorious Apollo: The Life of Lord Byron’, ‘Queen of Hearts: A Novel of Marie Antoinette’ and ‘The Laughing Queen: A Novel of Cleopatra’. Endeavour Press is the UK’s leading independent publisher of digital books.

    Defined by the iconic figure of the virgin queen – Elizabeth I – it witnessed the end of the dynastic uncertainties of the Wars of the Roses, the creation and triumph of the Protestant Church; the successful repulsion of a foreign invader and the beginnings of the adventure of empire; the blossoming of a sublimely gifted generation of musical composers, including Thomas Tallis and William Byrd; and the flowering of English poetry and drama, culminating in the glories of Ben Jonson, Christopher Marlowe and William Shakespeare. But it was also a period wracked by rebellion, invasion scares, sectarian strife, and – increasingly – by worries about dynastic succession.The Tudor Chronicles is a compelling, year-by-year chronology of this tumultuous and critical period in the development of the modern English nation. Each year is covered by a concise, informative and accessible narrative, amplified by extensive quotations from contemporary sources and accompanied by generously captioned and stunning images of the period – including portraits, maps, illuminations, royal seals, tapestries and other artifacts.Authoritative, informative and sumptuous, and compiled by a scholar who is steeped in knowledge of the period, The Tudor Chronicles brings a glorious era of English history dramatically and vividly to life. It is the perfect gift book for anyone with a love of, or fascination for, 16th-century English history.