They’re mainly found on college campuses, but as we saw with Bernie Sanders’ campaign in the 2016 Democratic primary, they’re trying to take their ideas mainstream. Social justice warriors, or SJWs, advocate for “hate speech” laws, rules against “microaggressions” in schools, and diversity programs at the workplace. All of these are part of a deliberate agenda to take over institutions and eventually the government itself — an agenda that started back with Communists. "How to Trump SJWs" takes a step-by-step look at Saul Alinsky’s 13 “Rules for Radicals,” the textbook of Left-wing agitation that was admired by both Barack Obama and Hillary Clinton. Welles examines how liberal SJWs use techniques like ridicule, calling out hypocrisy, and keeping constant pressure on their opponents — and gives tips on how you can use these tactics against them, with plenty of examples from Donald Trump. Are you a Christian who’s tired of liberals quoting Bible verses at you and demanding you change your opinion? That’s just Alinsky’s fourth rule, calling out hypocrisy. Are you frustrated by how conservatives are portrayed as ignorant, low-information voters and rednecks? That just Alinsky’s fifth rule, ridicule. In "How to Trump SJWs" you'll find out how to recognize Left-wing tactics when they’re used against you, and how to fight back! The current insanity carried out by SJWs is just a final attempt to grab power since the Left knows it’s about to be defeated. As a conservative, you’re too close to winning to stop the battle now.

    

    The entire South—its people, culture, history, customs, both past and present—has been and continues to be lied about and demonized by the unholy trinity of the American establishment: Academia, Hollywood, and the Media. In the midst of the anti-South hysteria currently infecting the American psyche—the banning of flags, charges of hate and “racism,” the removal and attempted removal of Confederate monuments, the renaming of schools, vandalism of monuments and property displaying the Confederate Battle Flag, and even physical assaults, albeit rarely at present, on people who display the symbols of the South — Shotwell Publishing offers this unapologetic, unreconstructed, pro-South book with the hope that it will reach those who are left that are not afraid to question the sanity of this cultural purge and the veracity of its narrative concerning the South.

    An Autumn of War, which opens with that first essay, will stimulate readers across the political spectrum to think more deeply about the attacks, the war, and their lessons for all of us.

    Only because our elections have become so dependent on television and its emphatic emptiness, says Miller, could a man of such sublime and complacent ignorance assume the highest office in the land.

    Ben's most thought-provoking works. This critical examination of the history, beliefs and myths, remains instructive and fresh. By highlighting the African influences and roots of these religions, Dr. Ben reveals an untold history that is completely unknown, Dr. Ben says covered up by the White race, by the rest of the world.

    The prize-winning biographer of Edward Heath re-examines the mythology surrounding Margaret Thatcher and suggests a more complex reality behind the idealized portrait accepted by her earlier biographers.

    The author makes a journey through wild and hostile terrain, finding a proud and warlike people who received him with great generosity and quiet courtesy. Every Pathan male carries a gun and defends his independence and the honour of his family and his tribe, to the death.

    The book offers a vibrant picture of a world full of plungers, powerful bankers, corporate titans, millionaire brokers, and buoyantly optimistic stock market bulls. We meet Sunshine Charley Mitchell, head of the National City Bank, powerful financiers Jack Morgan and Jacob Schiff, Wall Street manipulators such as the legendary Jesse Livermore, and the lavish-living Billy Durant, founder of General Motors. As Klein follows the careers of these men, he shows us how the financial house of cards gradually grew taller, as the irrational exuberance of an earlier age gripped America and convinced us that the market would continue to rise forever. Then, in October 1929, came a perfect storm-like convergence of factors that shook Wall Street to its foundations. We relive Black Thursday, when police lined Wall Street, brokers grew hysterical, customers bellowed like lunatics, and the ticker tape fell hours behind.This compelling history of the Crash--the first to follow the market closely for the two years leading up to the disaster--illuminates a major turning point in our history.

    The battles over property taxes and a ballot initiative calling for a ban on homosexuals teaching in public schools gave way to the madness of the Jonestown massacre and the murders of Mayor George Moscone and city supervisor Harvey Milk at the hands of their former colleague, Dan White.In the year that followed this season of insanity, it made sense that a band called Dead Kennedys played Mabuhay Gardens in North Beach, referring to Governor Jerry Brown as a "zen fascist," calling for landlords to be lynched and yuppie gentrifiers to be sent to Cambodia to work for "a bowl of rice a day," critiquing government welfare and defense policies, and, at a time when each week seemed to bring news of a new serial killer or child abduction, commenting on dead and dying children. But it made sense only (or primarily) to those who were there, to those who experienced the heyday of "the Mab."Most histories of the 1970s and 1980s ignore youth politics and subcultures. Drawing on Bay Area zines as well as new interviews with the band and many key figures from the early San Francisco punk scene, Michael Stewart Foley corrects that failing by treating Dead Kennedys' first record, Fresh Fruit for Rotting Vegetables, as a critical historical document, one that not only qualified as political expression but, whether experienced on vinyl or from the stage of "the Mab," stimulated emotions and ideals that were, if you can believe it, utopian.

    This insightful, witty collection sets the record straight by profiling dozens of famous people who were skeptical of conventional religious beliefs. Included, among others, are Isaac Asimov, W.E.B. DuBois, Thomas Edison, Albert Einstein, Ralph Waldo Emerson, Benjamin Franklin, Omar Khayyam, Abraham Lincoln, James Madison, John Stuart Mill, Ayn Rand, Gene Roddenberry, Margaret Sanger, George Bernard Shaw, Elizabeth Cady Stanton, and Voltaire, with many quotes that reveal their rejection of the supernatural.

    Dillon.

    officials were turning the surveillance powers of the federal government -- designed to stop terrorist attacks -- against the Republican presidential team. These were the ruthless tactics of a Soviet-style police state, not a democratic republic.The Red Thread asks the simple question: Why? What is it that motivated these anti-Trump conspirators from inside and around the Obama administration and Clinton networks to depart so drastically from "politics as usual" to participate in a seditious effort to overturn an election?Finding clues in an array of sources, Diana West uses her trademark investigative skills, honed in her dazzling work, American Betrayal, to construct a fascinating series of ideological profiles of well-known but little understood anti-Trump actors, from James Comey to Christopher Steele to Nellie Ohr, and the rest of the Fusion GPS team; from John Brennan to the numerous Clintonistas still patrolling the Washington Swamp after all these years, and more.Once, we knew these officials by august titles and reputation; after The Red Thread, readers will recognize their multi-generational and inter-connecting communist and socialist pedigrees, and see them for what they really are: foot-soldiers of the Left, deployed to take down America's first "America First" and most anti-Communist president.If we just give it a pull, the "red thread" is very long and very deep.

    It captures the journey of a shy and introvert boy from the hills of Uttarakhand who has now become a man of consensus. On 19 March 2017, Yogi Adityanath took an oath as the twenty first Chief Minister of Uttar Pradesh. The book takes you through the journey of a shy and introvert boy from the hills of Uttarakhand, who had a modern education in the faculties of science from Kotdwar, later took sanyas and went through rigorous training in vedic education. From being a rebel politician inside and outside the party, he now has become a man of consensus. This book explores how a nathpanthi monk, learnt the nuances of politics from his guru, Mahant Awaidnath, and rose to take the highest position in Uttar Pradesh’s politics. Through extensive research I have accumulated unseen pictures, unheard instances, first-time interviews, with people close to Yogi, in this biography. A state with 22 crore people and 80 Lok Sabha seats, is one of the very crucial political pieces in India's electoral puzzle. With a history of producing many Prime Ministers for the country, the State has given yet another prospect for the Prime Minister’s office, in the post-Modi era in the form of Yogi Adityanath. You have in your hands the first definitive biography of a monk who has become the Chief Minister of the most populous state of India.

    Music inspired by that movement is today enjoying considerable attention at home and abroad. Few new listeners, however, make the connection between this music and the circumstances surrounding its creation, the most violent and repressive days of the military regime that governed Brazil from 1964 to 1985. With key manifestations in theater, cinema, visual arts, literature, and especially popular music, Tropicalia dynamically articulated the conflicts and aspirations of a generation of young, urban Brazilians.Focusing on a group of musicians from Bahia, an impoverished state in northeastern Brazil noted for its vibrant Afro-Brazilian culture, Christopher Dunn reveals how artists including Caetano Veloso, Gilberto Gil, Gal Costa, and Tom Ze created this movement together with the musical and poetic vanguards of Sao Paulo, Brazil's most modern and industrialized city. He shows how the tropicalists selectively appropriated and parodied cultural practices from Brazil and abroad in order to expose the fissure between their nation's idealized image as a peaceful tropical "garden" and the daily brutality visited upon its citizens.