One warm, West Texas November night, a shy boy named Oliver Loving joins his classmates at Bliss County Day School’s annual dance, hoping for a glimpse of the object of his unrequited affections, an enigmatic Junior named Rebekkah Sterling. But as the music plays, a troubled young man sneaks in through the school’s back door. The dire choices this man makes that evening —and the unspoken story he carries— will tear the town of Bliss, Texas apart.Nearly ten years later, Oliver Loving still lies wordless and paralyzed at Crockett State Assisted Care Facility, the fate of his mind unclear. Orbiting the still point of Oliver’s hospital bed is a family transformed: Oliver’s mother, Eve, who keeps desperate vigil; Oliver’s brother, Charlie, who has fled for New York City only to discover he cannot escape the gravity of his shattered family; Oliver’s father, Jed, who tries to erase his memories with bourbon. And then there is Rebekkah Sterling, Oliver’s teenage love, who left Texas long ago and still refuses to speak about her own part in that tragic night. When a new medical test promises a key to unlock Oliver’s trapped mind, the town’s unanswered questions resurface with new urgency, as Oliver’s doctors and his family fight for a way for Oliver to finally communicate — and so also to tell the truth of what really happened that fateful night.A moving meditation on the transformative power of grief and love, a slyly affectionate look at the idiosyncrasies of family, and an emotionally-charged page-turner, Oliver Loving is an extraordinarily original novel that ventures into the unknowable and returns with the most fundamental truths.​

    Former foreign correspondent Gina Wilkinson draws on her own experiences to take readers inside a haunting story of Iraq at the turn of the millennium and the impossible choices faced by families under a deadly regime. At night, in Huda’s fragrant garden, a breeze sweeps in from the desert encircling Baghdad, rustling the leaves of her apricot trees and carrying warning of visitors at her gate. Huda, a secretary at the Australian embassy, lives in fear of the mukhabarat—the secret police who watch and listen for any scrap of information that can be used against America and its allies. They have ordered her to befriend Ally Wilson, the deputy ambassador’s wife. Huda has no wish to be an informant, but fears for her teenaged son, who may be forced to join a deadly militia. Nor does she know that Ally has dangerous secrets of her own. Huda’s former friend, Rania, enjoyed a privileged upbringing as the daughter of a sheikh. Now her family’s wealth is gone, and Rania too is battling to keep her child safe and a roof over their heads. As the women’s lives intersect, their hidden pasts spill into the present. Facing possible betrayal at every turn, all three must trust in a fragile, newfound loyalty, even as they discover how much they are willing to sacrifice to protect their families.

    Here are attempts at human connection, both depraved and sublime, by people in all stages of life: one-night stands in communal apartments, poignantly awkward couplings, office trysts, schoolgirl crushes, elopements, tentative courtships, and rampant infidelity, shot through with lurid violence, romantic illusion, and surprising tenderness.A murky fate --The fall --The goddess parka --Like Penelope --Ali-baba --Two deities --Father and mother --The impulse --Hallelujah, family! --Give her to me --Milgrom --Clarissa's story --Tamara's baby --Young berries --The adventures of Vera --Eros's way --A happy ending

    But Dan doesn’t just want to save his failing bookstore and his family’s finances he wants to do something special.Dan is an obsessive list maker; his story unfolds entirely in his lists, which are brimming with Dan’s hilarious sense of humor, unique world-view, and deeply personal thoughts. When read in full, his lists paint a picture of a man struggling to be a man, a man who has reached a point where he’s willing to do anything for the love of his life.

    All that’s required is to look pretty and hang on his every word. Sexual favours are optional.Though more than thirty years her senior, Gabe, a handsome corporate finance attorney, seems like the perfect candidate, and within a month, they are madly in love. At least, Nat is…Gabe already has a family, whom he has no intention of leaving.So when he abruptly ends things, Nat can’t let go. She begins drinking heavily and stalking him: watching him at work, spying on his wife, even befriending his daughter, who is not much younger than she is. But Gabe’s not about to let his sugar baby destroy his perfect life. What was supposed to be a mutually beneficial arrangement devolves into a nightmare of deception, obsession, and, when a body is found near Gabe’s posh Upper East Side apartment, murder.

    Hospitals and lakes. When Ian drinks vodka in the basement. ISIS. When Ian gets angry... That something is really, really wrong with me.Maddie and Ian's romance began with a chance encounter at a party overseas; he was serving in the British army and she was a travel writer visiting her best friend, Jo. Now almost two decades later, married with a beautiful son, Charlie, they are living the perfect suburban life in Middle America. But when a camping accident leaves Maddie badly scarred, she begins attending writing therapy, where she gradually reveals her fears about Ian's PTSD; her concerns for the safety of their young son, Charlie; and the couple's tangled and tumultuous past with Jo.From the Balkans to England, Iraq to Manhattan, and finally to an ordinary family home in Kansas, sixteen years of love and fear, adventure and suspicion culminate in The Day of the Killing, when a frantic 911 call summons the police to the scene of a shocking crime.

    Harper Lee Wilcox has been marking time in her hometown of Kitty Hawk, North Carolina since her husband, Noah Wilcox’s death, nearly five years earlier. With her son Ben turning five and living at home with her mother, Harper fights a growing restlessness, worried that moving on means leaving the memory of her husband behind.Her best friend, Allison Teague, is dealing with struggles of her own. Her husband, a former SEAL that served with Noah, was injured while deployed and has come home physically healed but fighting PTSD. With three children under foot and unable to help her husband, Allison is at her wit’s end.In an effort to reenergize her own life, Harper sees an opportunity to help not only Allison but a network of other military wives eager to support her idea of starting a string of coffee houses close to military bases around the country.In her pursuit of her dream, Harper crosses paths with Bennett Caldwell, Noah’s best friend and SEAL brother. A man who has a promise to keep, entangling their lives in ways neither of them can foresee. As her business grows so does an unexpected relationship with Bennett. Can Harper let go of her grief and build a future with Bennett even as the man they both loved haunts their pasts?

    After her husband became involved with another woman, she did everything she could to save their marriage, to no avail. Their two daughters continue to stand by Julia in the wake of their father's behavior--and they've had a tough time getting along with the other woman who became their stepmother. Distraught after selling the family home, Julia moved into a condominium complex that offers the warmth and charm of a fresh start. Now, having settled into her new community and sold her successful interior design business, she's embraced a fulfilling new life, one that doesn't seem to need a man in it. Her beloved father's trusty saying is ringing truer than ever: It's better this way.But when Julia meets a handsome new resident in the building's exercise room, she can't help but be drawn to him. Heath Johnson is a welcome change from the men she's encountered on the occasional--mostly disastrous--dates her sister has eagerly planned for her over the years. As she and Heath, a divorcé himself, begin to grow close, their friendship blossoms into a love neither of them had expected. However, they soon realize that combining families, even with four adult children, presents inevitable challenges.When a dramatic revelation threatens the happiness they've found, Julia and Heath must reconcile their love for their children with their love for each other. If they can't, their bright future together may be nothing but a dream.

    . .Nobody knows the people of Wooster, Ohio, better than switchboard operator Vivian Dalton. She calls it intuition. Her teenage daughter, Charlotte, calls it eavesdropping.Vivian and the other women who work at Bell on East Liberty Street connect lines and lives. They aren’t supposed to listen in on conversations, but they do, and they all have opinions on what they hear―especially Vivian. Then, one cold December night, Vivian listens in on a call between that snob Betty Miller and someone whose voice she can’t quite place and hears something shocking. Betty Miller’s mystery friend has news that, if true, will shatter Vivian’s tidy life in Wooster, humiliating her and making her the laughingstock of the town.Vivian may be mortified, but she isn’t going to take this lying down. She’s going to get to the bottom of that rumor—get into it, get under it, poke around in the corners. Find every last bit. Vivian wants the truth, no matter how painful it may be.But as Vivian is about to be reminded, in a small town like Wooster, one secret usually leads to another. . . .

    The New Voices of Fantasy tethers some of the fastest-rising talents of the last five years. Their tales were hand-picked by the legendary Peter S. Beagle (The Last Unicorn) and genre expert Jacob Weisman (The Treasury of the Fantastic).So go ahead, join the Communist revolution of the honeybees. The new kids got your back.

    A teenage bicycle thief searching for a kidnapped boy. An aging actor fighting against the erasure of his past.This science-fiction collection follows a diverse cast of characters struggling to live under the weight of their demons. As their lives intersect, they desperately seek escape and redemption from their own earthbound circumstances. Juxtaposing moments of wrenching tragedy with humanity and grace, Thalassa is a stunning and unflinching work that questions our very existence.

    Petersburg, 1725. Peter the Great lies dying in his magnificent Winter Palace. The weakness and treachery of his only son has driven his father to an appalling act of cruelty and left the empire without an heir. Russia risks falling into chaos. Into the void steps the woman who has been by his side for decades: his second wife, Catherine Alexeyevna, as ambitious, ruthless and passionate as Peter himself.Born into devastating poverty, Catherine used her extraordinary beauty and shrewd intelligence to ingratiate herself with Peter’s powerful generals, finally seducing the Tsar himself. But even amongst the splendor and opulence of her new life—the lavish feasts, glittering jewels, and candle-lit hours in Peter’s bedchamber—she knows the peril of her position. Peter’s attentions are fickle and his rages powerful; his first wife is condemned to a prison cell, her lover impaled alive in Red Square. And now Catherine faces the ultimate test: can she keep the Tsar’s death a secret as she plays a lethal game to destroy her enemies and take the Crown for herself?From the sensuous pleasures of a decadent aristocracy, to the incense-filled rites of the Orthodox Church and the terror of Peter’s torture chambers, the intoxicating and dangerous world of Imperial Russia is brought to vivid life. Tsarina is the story of one remarkable woman whose bid for power would transform the Russian Empire."

    A university professor studying racism by conducting a secret social experiment on his own son. A single mother desperate to buy her first home even as the world hurtles toward catastrophe. Each fighting to survive in America.Tough-minded, vulnerable, and brave, Jocelyn Nicole Johnson’s precisely imagined debut explores burdened inheritances and extraordinary pursuits of belonging. Set in the near future, the eponymous novella, “My Monticello,” tells of a diverse group of Charlottesville neighbors fleeing violent white supremacists. Led by Da’Naisha, a young Black descendant of Thomas Jefferson and Sally Hemings, they seek refuge in Jefferson’s historic plantation home in a desperate attempt to outlive the long-foretold racial and environmental unravelling within the nation.In “Control Negro,” hailed by Roxane Gay as “one hell of story,” a university professor devotes himself to the study of racism and the development of ACMs (average American Caucasian males) by clinically observing his own son from birth in order to “painstakingly mark the route of this Black child too, one whom I could prove was so strikingly decent and true that America could not find fault in him unless we as a nation had projected it there.” Johnson’s characters all seek out home as a place and an internal state, whether in the form of a Nigerian widower who immigrates to a meager existence in the city of Alexandria, finding himself adrift; a young mixed-race woman who adopts a new tongue and name to escape the landscapes of rural Virginia and her family; or a single mother who seeks salvation through “Buying a House Ahead of the Apocalypse.”United by these characters’ relentless struggles against reality and fate, My Monticello is a formidable book that bears witness to this country’s legacies and announces the arrival of a wildly original new voice in American fiction.

    With acute psychological insight, Dávila follows her characters to the limits of desire, paranoia, insomnia, and fear. She is a writer obsessed with obsession, who makes nightmares come to life through the everyday: loneliness sinks in easily like a razor-sharp knife, some sort of evil lurks in every shadow, delusion takes the form of strange and very real creatures. After reading The Houseguest—Dávila’s debut collection in English—you’ll wonder how this secret was kept for so long.

    Since her death in 1965, her place in the landscape of twentieth-century fiction has grown only more exalted.As we approach the centenary of her birth comes this astonishing compilation of fifty-six pieces—more than forty of which have never been published before. Two of Jackson’s children co-edited this volume, culling through the vast archives of their mother’s papers at the Library of Congress, selecting only the very best for inclusion.Let Me Tell You brings together the deliciously eerie short stories Jackson is best known for, along with frank, inspiring lectures on writing; comic essays about her large, boisterous family; and whimsical drawings. Jackson’s landscape here is most frequently domestic: dinner parties and bridge, household budgets and homeward-bound commutes, children’s games and neighborly gossip. But this familiar setting is also her most subversive: She wields humor, terror, and the uncanny to explore the real challenges of marriage, parenting, and community—the pressure of social norms, the veins of distrust in love, the constant lack of time and space.For the first time, this collection showcases Shirley Jackson’s radically different modes of writing side by side. Together they show her to be a magnificent storyteller, a sharp, sly humorist, and a powerful feminist.This volume includes a foreword by the celebrated literary critic and Jackson biographer Ruth Franklin.