Perfect for fans of Holly Bourne and Laura Steven's The Exact Opposite of Okay.Vetty's family is moving back to London, and all she can think about is seeing Pez again. They were inseparable when they were small - roaming the city in the long summers, sharing everything. But everyone's telling her it'll be different now. After all, a boy and a girl can't really be friends without feelings getting in the way, can they?Vetty thinks differently ... until Pez tells her she's 'not like other girls'. But what does that even mean? Is it a good thing or not? Suddenly she's wondering whether she wants him to see her like the others - like the ultra-glamorous March, who's worked some sort of spell on Pez, or the girls in the videos that Pez has hidden on his laptop.How can she measure up to them? And who says that's what a girl is supposed to be like anyway?

    Fifteen-year-old Verdad doesn't think she has time for love. She's still struggling to process the recent death of her best friend, Blanca; dealing with the high expectations of her hardworking Puerto Rican mother and the absence of her remarried father; and keeping everyone at a distance. But when she meets Danny, a new guy at school--who happens to be trans--all bets are off. Verdad suddenly has to deal with her mother's disapproval of her relationship with Danny as well as her own prejudices and questions about her identity, and Danny himself, who is comfortable in his skin but keeping plenty of other secrets.

    It's where he met his best friends. It's where he takes to the stage in the big musical. And it's where he fell for Hudson Aaronson-Lim - who's only into straight-acting guys and barely knows not-at-all-straight-acting Randy even exists.This year, though, it's going to be different. Randy has reinvented himself as 'Del' - buff, masculine, and on the market. Even if it means giving up show tunes, nail polish, and his unicorn bedsheets, he's determined to get Hudson to fall for him.But as he and Hudson grow closer, Randy has to ask himself how much is he willing to change for love. And is it really love anyway, if Hudson doesn't know who he truly is?

    Preferring chaos to bullying, Del makes it her mission to save her dad's crumbling café, the Flywheel, while he 'finds himself' overseas. Accompanied by her charming troublemaker best friend Charlie, Del sets out to save the cafe, keep Charlie out of prison, and maybe get a date with Rosa, the beautiful flamenco dancer from across the road. But when life is messy enough as it is, can girl-on-girl romance ever have a happy ending? This hilarious and accident-prone novel is about how to be heartbroken and how to fall in love; about rising above high-school drama and wrestling with problems that are (almost) too big. It speaks directly to teens and assures them that they’re not alone, and does it all with an abundance of heart.

    Two weeks. Six days.That's how long recovering addict Sophie's been drug-free. Four months ago her best friend, Mina, died in what everyone believes was a drug deal gone wrong - a deal they think Sophie set up. Only Sophie knows the truth. She and Mina shared a secret, but there was no drug deal. Mina was deliberately murdered.Forced into rehab for an addiction she'd already beaten, Sophie's finally out and on the trail of the killer—but can she track them down before they come for her?

    The girls are packing light: a supply of Diet Coke for Lux and her ‘89 Canon to help her frame the world in a sunnier light; half a pack of cigarettes for Trixie that she doesn’t really smoke, and a knife—one she’s just hanging on to for a friend—that she’s never used before.But a single night of violence derails their trip and will forever change the course of the girls’ lives, as they go from ordinary high schoolers to wanted fugitives. Trying to stay ahead of the cops and a hellscape of media attention, the girls grapple with an unforgiving landscape, rapidly diminishing supplies, and disastrous decisions at every turn. As they are transformed by the media into the face of a #MeToo movement they didn’t ask to lead and the road before them begins to run out, Trixie and Lux realize that they can only rely on each other, and that the love they find together is the one thing that truly makes them free.In rushing, powerful prose Julia Lynn Rubin takes readers on “a blistering, unapologetic thrill ride” (Emma Berquis) that will leave them haunted and reeling. Trouble Girls is “a powerful, beautifully-written gut punch” (Sophie Gonzales).

    Introverted, anxious Gabby would rather do literally anything than go to a party. Ryan is a star hockey player who can get any girl he wants—and does, frequently. But against all odds, they became not only friends, but each other’s favorite person. Now, as they face high school graduation, they can’t help but take a moment to reminisce and, in their signature tradition, make a top ten list—counting down the top ten moments of their friendship: 10. Where to begin? Maybe the night we met.9. Then there was our awkward phase.8. When you were in love with me but never told me…7. Those five months we stopped talking were the hardest of my life.6. Through terrible fights…5. And emotional makeups.4. You were there for me when I got my heart broken.3. …but at times, you were also the one breaking it.2. Above all, you helped me make sense of the world.1. Now, as we head off to college—how am I possibly going to live without you?

    When the director asks Zara to promise that she will have no outside commitments, no distractions, it’s easy to say yes. But it’s hard not to be distracted when there’s a death at the theater—and then another—especially when Zara doesn’t know if they’re accidents, or murder, or a curse that always comes in threes. It’s hard not to be distracted when assistant lighting director Eli Vasquez, a girl made of tattoos and abrupt laughs and every form of light, looks at Zara. It’s hard not to fall in love. In heart-achingly beautiful prose, Amy Rose Capetta has spun a mystery and a love story into an impossible, inevitable whole—and cast lantern light on two girls, finding each other on a stage set for tragedy.

    Not gay enough for the Dykes, her ex-clique, thanks to a recent relationship with a boy; not tiny and white enough for ballet, her first passion; and not sick enough to look anorexic (partially thanks to recovery). Etta doesn’t fit anywhere— until she meets Bianca, the straight, white, Christian, and seriously sick girl in Etta’s therapy group. Both girls are auditioning for Brentwood, a prestigious New York theater academy that is so not Nebraska. Bianca seems like Etta’s salvation, but how can Etta be saved by a girl who needs saving herself? The latest powerful, original novel from Hannah Moskowitz is the story about living in and outside communities and stereotypes, and defining your own identity.

    Relief they'll never know that, hours earlier, she had been kissing a girl.But that relief doesn't last, and Cam is soon forced to move in with her conservative aunt Ruth and her well-intentioned but hopelessly old-fashioned grandmother. She knows that from this point on, her life will forever be different. Survival in Miles City, Montana, means blending in and leaving well enough alone (as her grandmother might say), and Cam becomes an expert at both.Then Coley Taylor moves to town. Beautiful, pickup-driving Coley is a perfect cowgirl with the perfect boyfriend to match. She and Cam forge an unexpected and intense friendship--one that seems to leave room for something more to emerge. But just as that starts to seem like a real possibility, ultrareligious Aunt Ruth takes drastic action to "fix" her niece, bringing Cam face-to-face with the cost of denying her true self--even if she's not exactly sure who that is.The Miseducation of Cameron Post is a stunning and unforgettable literary debut about discovering who you are and finding the courage to live life according to your own rules.

    So why does everyone have a problem with it? They think the way she looks and acts means she’s trying to be a boy—that she should quit trying to be something she’s not. If she dresses like a girl, and does what her folks want, it will show respect. If she takes orders and does what her friend Colby wants, it will show her loyalty. But respect and loyalty, Pen discovers, are empty words. Old-world parents, disintegrating friendships, and strong feelings for other girls drive Pen to see the truth—that in order to be who she truly wants to be, she’ll have to man up.

    Sports. Video games. Gay and not a big deal, not to him, not to his mom, not to his buddies. And a secret: An encounter with an older kid that makes it hard to breathe, one that he doesn't want to think about, ever.Jordan: The opposite of chill. Poetry. His "wives" and the Chandler Mall. Never been kissed and searching for Mr. Right, who probably won't like him anyway. And a secret: A spiraling out of control mother, and the knowledge that he's the only one who can keep the family from falling apart.Throw in a rickety, 1980s-era food truck called Coq Au Vinny. Add in prickly pears, cloud eggs, and a murky idea of what's considered locally sourced and organic. Place it all in Mesa, Arizona, in June, where the temp regularly hits 114. And top it off with a touch of undeniable chemistry between utter opposites.Over the course of one summer, two boys will have to face their biggest fears and decide what they're willing to risk -- to get the thing they want the most.

    Her creative writing teacher has always told her she has a special talent. But three months before her graduation, he's suddenly replaced—by Nadiya Nazarenko, a Pulitzer Prize–winning novelist who is sadistically critical and perpetually unimpressed.   At first, Nazarenko’s eccentric assignments seem absurd. But before long, Laila grows obsessed with gaining the woman’s approval. Soon Laila is pushing herself far from her comfort zone, discovering the psychedelic highs and perilous lows of nightlife, temporary flings, and instability. Dr. Nazarenko has led Laila to believe that she must choose between perfection and sanity—but rejecting her all-powerful mentor may be the only way for Laila to thrive.

    . . and finding out that real life romance is better than anything on screen.Emma is a die-hard romantic. She loves a meet-cute Netflix movie, her pet, Lady Catulet, and dreaming up the Gay Rom Com of her heart for the film festival competition she and her friends are entering. If only they’d listen to her ideas. . . Sophia is pragmatic. She’s big into boycotts, namely 1) relationships, 2) teen boys and their BO (reason #2347683 she’s a lesbian), and 3) Emma’s nauseating ideas. Forget starry-eyed romance, Sophia knows what will win: an artistic film with a message.Cue the drama. The movie is doomed before they even start shooting . . . until a real-life plot twist unfolds behind the camera when Emma and Sophia start seeing each other through a different lens. Suddenly their rivalry is starting to feel like an actual rom-com.

    But they start with just three:Grace Salter is the new girl in town, whose family was run out of their former community after her southern Baptist preacher mom turned into a radical liberal after falling off a horse and bumping her head.Rosina Suarez is the queer punk girl in a conservative Mexican immigrant family, who dreams of a life playing music instead of babysitting her gaggle of cousins and waitressing at her uncle’s restaurant.Erin Delillo is obsessed with two things: marine biology and Star Trek: The Next Generation, but they aren’t enough to distract her from her suspicion that she may in fact be an android.When Grace learns that Lucy Moynihan, the former occupant of her new home, was run out of town for having accused the popular guys at school of gang rape, she’s incensed that Lucy never had justice. For their own personal reasons, Rosina and Erin feel equally deeply about Lucy’s tragedy, so they form an anonymous group of girls at Prescott High to resist the sexist culture at their school, which includes boycotting sex of any kind with the male students.Told in alternating perspectives, this groundbreaking novel is an indictment of rape culture and explores with bold honesty the deepest questions about teen girls and sexuality.