Against the backdrop of the Baltic coast, mythology and meteorology mix with the inexorable tide of political change: Kashubian folklore, Chinese mysticism and mediaeval scholarship butt up against the war in Chechnya, 9-11, and the struggle for Polish independence.Central to Huelle’s imagery is the vision of the refugee – be it the Chechen woman carrying her newborn child across the Polish border (her face emblazoned on every TV screen), the survivor of the Gulag re-appearing on his friends’ doorstep, years after being presumed dead, or the stranger who befriends the sole resident of a ghostly Mennonite village in the final days of the Second World War. Each refugee carries a clue, it seems, or is in possession or pursuit of some mysterious text or book, knowing that only it – like the Chinese ‘Book of Changes’ – can decode their story. What we do with this text, this clue, Huelle seems to say, is up to us.

    Andor Weér, a thirty-six-year-old writer, lives in a cramped apartment with his shut-in mother, Rebeka, who was once among the most celebrated stage actresses in Budapest. Unable to withstand her maniacal tyranny but afraid to leave her alone, their bitter interdependence spirals into a Sartrian hell of hatred, lies, and appeasement. Then Andor meets the beautiful and nurturing Eszter, a woman who seems to have no past, and they fall wildly in love at first sight. With a fulfilling life seemingly within reach for the first time, Andor decides that he is ready to bring Eszter home to meet Mother. Though Bartis’s characters are unrepentantly neurotic and dressed in the blackest humor, his empathy for them is profound. A political farce of the highest ironic order, concluding that "freedom is a condition unsuitable for humans," Tranquility is ultimately, at its splanchnic core, a complex psychodrama turned inside out, revealing with visceral splendor the grotesque notion that there’s nothing funnier than unhappiness.

    . . one of the continent's greatest living writers" (The Guardian).It's not easy being Tokumisa Nzambe po Mose yamoyindo abotami namboka ya Bakoko. There's that long name of his for a start, which means, "Let us thank God, the black Moses is born on the lands of the ancestors." Most people just call him Moses. Then there's the orphanage where he lives, run by a malicious political stooge, Dieudonne Ngoulmoumako, and where he's terrorized by two fellow orphans--the twins Songi-Songi and Tala-Tala.But after Moses exacts revenge on the twins by lacing their food with hot pepper, the twins take Moses under their wing, escape the orphanage, and move to the bustling port town of Pointe-Noire, where they form a gang that survives on petty theft. What follows is a funny, moving, larger-than-life tale that chronicles Moses's ultimately tragic journey through the Pointe-Noire underworld and the politically repressive world of Congo-Brazzaville in the 1970s and 80s.Mabanckou's vivid portrayal of Moses's mental collapse echoes the work of Hugo, Dickens, and Brian DePalma's Scarface, confirming Mabanckou's status as one of our great storytellers. Black Moses is a vital new extension of his cycle of Pointe-Noire novels that stand out as one of the grandest, funniest, fictional projects of our time.

    But Tanja's act of academic rebellion incites the rage of one renegade member of her class—and pulls her dangerously close to another—which, in turn, exacerbates the tensions of a life in exile that has now begun to spiral seriously out of control.

    The grim circumstances of Laila’s life are counter-balanced by her energy, vitality and determination to survive. Nine-year-old Laila is spirited and intelligent. She lives in a slum but she is happy: she’s got plenty of friends to play with, and is well looked after by her beloved elder sister, Jumana, while her mother works as a maid for rich families across town. But when Jumana contracts TB, their mother cannot afford the medicines that would save her life. Following Jumana’s lingering, painful death, and her mother’s emotional collapse, Laila discovers that her feckless stepfather is planning to sell her into prostitution to pay his gambling debts. Running away is her only option. Finding help from unexpected quarters, Laila makes her way to one of the families her mother worked for, and is taken into their household as a servant. There she finds unimaginable luxury, but also great unhappiness within this privileged family. At first Laila’s gift for making friends serves her well, but then disaster strikes, and Laila must flee again. But where is she running, and to whom? How can she hide from the terrible violence that threatens her? And how can she hope to find love, affection, and the chance at a normal life? Slum Child is the story of a girl forced to run alone, strong and courageous, to a future that cannot deny her happiness.

    But for some, there's a lot more at stake than a Hermes Birkin. Leila has been in search of a wealthy husband for over a decade. Nadia moves to Dubai to support her husband s career, only to have her sacrifices thrown in her face. Sugar escapes the UK in an attempt to escape her past. Lady Luxe, the rebellious Emirati heiress, scoffs at everything her culture holds sacred. Until the day her double life starts unravelling at the seams. Set against a backdrop of luxury hotels and manmade islands, Desperate in Dubai tells the tale of four desperate women as they struggle to find truth, love, and themselves.

    Shortly after her arrival, her apartment is burglarized, and her collection of precious shells, shells that she had been collecting for a lifetime, is stolen. Meeting with indifference from the local police, she decides to investigate the crime on her own, with the help of her new friend from the Museum of Natural History, Sof. While investigating the crime, Helena reflects on the life she’s lived—her ex-husband, her daughter, her lovers, her childhood—and begins to fall in love with her married boss, Theo Verway.An alternately sublime and satirical meditation on love, loss, and obsession, Ingrid Winterbach's The Book of Happenstance is an emotionally affecting masterpiece from one of South Africa’s most exciting authors.

    Their dream worlds and realities intermingle, just as the histories of each generation run through the next. At the center of the novel is the Samoan woman's tattoo, the malu, believed to be brought from Fiji by Siamese twins. The ghosts of the twins watch over the women whose lives are stained by an unfinished tattoo. The shame and grief of not completing the tattoo ceremony go hand in hand with the shame and grief of illicit love and broken promises.

    Josef meets his wife, Kveta, before the Second World War at a public lecture on Hittite culture. Kveta chooses to marry Josef over their mutual friend Hynek, but when her husband is later arrested and imprisoned for an unnamed crime, Kveta gives herself to Hynek in return for help and advice. The author explores the complexities of what is not spoken, what cannot be said, the repercussions of silence after an ordeal, the absurdity of forgotten pain, and what it is to be an outsider.   In Zmeškal’s tale, told not chronologically but rather as a mosaic of events, time progresses unevenly and unpredictably, as does one’s understanding. The saga belongs to a particular family, but it also exposes the larger, ongoing struggle of postcommunist Eastern Europe to come to terms with suffering when catharsis is denied. Reporting from a fresh, multicultural perspective, Zmeškal makes a welcome contribution to European literature in the twenty-first century.

    Who are the Burghers? Descended from the Dutch, the Portuguese, the British and other foreigners who arrived in the island-nation of Sri Lanka (and 'mingled' with the local inhabitants), the Burghers often stand out because of their curiously mixed features-grey eyes in an otherwise Dravid face, for instance.... A handsome and guileless people, the Burghers have always lived it up, forever willing to 'put a party'. Carl Muller, a Burgher himself, writes in this quasi-fictional, engaging biography of the lives of his people; they emerge, at the end of his story, as a race of fun-loving, hardy people, much like the jam fruit tree which simply refuses to be contained or destroyed.

    It is the answer he gave his wife (now ex-wife) years earlier when she told him she wanted one. The loss, longing and regret that haunt the years between those two “no”s give rise to one of the most eloquent meditations ever written on the Holocaust. As Kertesz’s narrator addresses the child he couldn’t bear to bring into the world he ushers readers into the labyrinth of his consciousness, dramatizing the paradoxes attendant on surviving the catastrophe of Auschwitz. Kaddish for the Unborn Child is a work of staggering power, lit by flashes of perverse wit and fueled by the energy of its wholly original voice. Translated by Tim Wilkinson

    Behind the hilarious antics is a commentary on the power of money and the evils of charlatanism.

    . . . With skill and subtlety, the novel hints that a whole society might labor under an illusion of liberty."—The EconomistWhen her partner disappears, a young woman drifts towards Open Door, a small town in the Argentinean Pampas named after its psychiatric hospital. She finds herself living with an aging ranch-hand, although a local girl also proves irresistible . . .Iosi Havilio bursts onto the Argentine literary scene after Open Door was highly praised by some of the country's most influential critics and writer, including Beatriz Sarlo and Rodolfo Fogwill.

    Stasiuk travels to places no tourist would think of visiting, and in his characteristically lyrical prose, lays out his own unique and challenging perspective on the fascinating, unknown heart of Central Europe. He reminds us of the area’s extraordinarily rich cultural and ethnic makeup, explores its literature, and shows how its history is inscribed permanently in its landscapes. Above all, he describes with fascination how past, present, and future co-exist and intertwine along the highways and back roads of the region.

    It is an account of death, but also an affirmation of life. Tangi describes simply and sincerely, the Maori values placed on life; and on aroha, love and sympathy for each other.