The revision covers all the poems published in Princeton's earlier bilingual edition, "George Seferis: Collected Poems" (expanded edition, 1981). Winner of the Nobel Prize for Literature in 1963, George Seferis (1900-71) has long been recognized as a major international figure, and Keeley and Sherrard are his ideal translators. They create, in the words of Archibald MacLeish, a "translation worthy of Seferis, which is to praise it as highly as it could be praised."Although Seferis was preoccupied with his tradition as few other poets of the same generation were with theirs, and although he was actively engaged in the immediate political aspirations of his nation, his value for readers lies in what he made of this preoccupation and this engagement in fashioning a broad poetic vision. He is also known for his stylistic purity, which allows no embellishment beyond that necessary for precise yet rich poetic statement.

    Their stories are connected by substance, rather than plot. Each is a wandering star in search of a homeland—Esther escaping the Nazi Holocaust, and Nejma, who experiences the horrors of life in the camps. Yet through this novel of dark times and human suffering, affirmation shines as the characters encounter the beauty of nature and instances of human kindness and love.Wandering Star (A Lannan Translation Selection) received extraordinary critical praise in France. Pierre Lepape extolled it in Le Monde, noting that Le Clezio neither moralizes nor takes a political stance: “He goes much farther than that, much deeper; he seeks the signs of human misery and of potential peace at the very heart of life, in a confrontation with time and the elements; with the sun and the earth, with birth and death, with the mystery of origins and the enigma of the future, with the necessity of both remembering and forgetting, without which nothing can be healed." Author of over thirty novels, essays, story collections, and translations, J.M.G. Le Clezio and his wife share their time between Albuquerque, New Mexico, the island of Mauritius, and Nice, France. He is the winner of the 2008 Nobel Prize in Literature.

    The poetic and cultural tradition forged by the Symbolist poets -- Baudelaire, Rimbaud, Verlaine, Appollinaire, and others -- reverberated throughout the avant garde and counter-cultures of the twentieth century. Modernism, surrealism, abstract impressionism, and the Beat movement are unthinkable without the example of these poets and their theories of art, making this reissue possibly the hippest "dead white European male" anthology ever published.Including translations by Richmond Lattimore, W. S. Merwin, Dudley Fitts, and Richard Wilbur, this anthology has stood the test of time in terms of its selection and scholarly apparatus. Now back in print after twenty years in a fresh new edition, the book features an introduction by Patti Smith that testifies to its epochal impact on her own career, as well as those of other influential latter-day poets, including Lou Reed and Jim Carroll. This rediscovered gem is sure to inspire a new generation.

    It was a relationship which Gide exalted-- he termed it the central drama of his existance-- yet deliberately shrouded in mystery. This was no ordinary marriage. Madeleine Rondeaux, two years older than her cousin Andre Gide, became his wife after Gide's first visit to Algeria. In his "Journal", Gide refers to her as Emmanuele or as Em. Only in this book, written after her death and published a few months after his own death, does Gide call her by her real name and painfully reveal hte nature of their life together. In French, the book was published as "Et Nunc Manet in Te"-- from the line attributed to Virgil concerning the lost Eurydice, "and now she remains in you".All of Gide's vast work may be viewed as a confession, impelled by his need to write what he believed to be true about himself. In "Madeleine" this act of confession reaches a crowning point. It isa complex tale by a complex man about a complex relationship.

    The excitement, compassion, lyricism, and humor that epitomize his writing for the theater are all present in his poetry. It was as a young poet that Williams first came to the attention of New Directions' founder James Laughlin who initially presented some of Williams' verse in the New Directions anthology Five Young American Poets 1944 (before he had any reputation as a playwright), and later published the individual volumes of Williams's poetry, In the Winter of Cities (1956, revised in 1964) and Androgyne, Mon Amour (1977). In this definitive edition, all of the playwright's collected and uncollected published poems (along with substantial variants), including poems from the plays, have been assembled, accompanied by explanatory notes and an Introduction by Tennessee Williams scholars David Roessel and Nicholas Moschovakis.The CD included with this edition features Tennessee Williams reading, in his delightful and mesmerizing Mississippi voice, several of the whimsical folk poems he called his "Blue Mountain Ballads,"poems dedicated to Carson McCullers and to his longtime companion Frank Merlo, as well as his long early poem, "The Summer Belvedere."

    Here are poems from Hughes's first book, The Hawk in the Rain, and its successor, Lupercal, which introduced him as a major poet; from Wodwo, Crow and Gaudete, book-length poetic sequences in which the natural world is made into a thrilling and terror-filled analogue to our human one; and from six volumes of his maturity, here arranged thematically, in which the poet is at once rural chronicler and form-breaking modern artist. This volume also includes previously uncollected poems and eight poems later incorporated into Birthday Letters, Hughes's meditation in verse on his marriage to Sylvia Plath, which became an international bestseller the year after his death.

    His wife, the Countess, is beautiful and pure, and loves her husband more than anything in the world. But from the moment the d'Orgels meet and befriend the clever young François de Séryeuse backstage at the circus, all three of these supremely civilized and witty people are caught up in an ever more intricate and seductive dance of deception and self-deception. At Count d'Orgel's masquerade ball, the real disguises are those of the human heart.Completed just before Raymond Radiguet's death at the age of twenty, Count d'Orgel's Ball is a love story that is as disturbing as it is delicious.

    But the real mystery at the heart of Albert Cossery's wry black comedy is not the cause of this death but the paradoxical richness to be found in even the most materially impoverished life. Chief among Cossery's proud beggars is Gohar, a former professor turned whorehouse accountant, hashish aficionado, and street philosopher. Such is his native charm that he has accumulated a small coterie that includes Yeghen, a rhapsodic poet and drug dealer, and El Kordi, an ineffectual clerk and would-be revolutionary who dreams of rescuing a consumptive prostitute. The police investigator Nour El Dine, harboring a dark secret of his own, suspects all three of the murder but finds himself captivated by their warm good humor. How is it that they live amid degrading poverty, yet possess a joie de vivre that even the most assiduous forces of state cannot suppress? Do they, despite their rejection of social norms and all ambition, hold the secret of contentment? And so this short novel, considered one of Cossery's masterpieces, is at once biting social commentary, police procedural, and a mischievous delight in its own right.

    Reverdy’s poetry has exerted a special attraction on American poets, from Kenneth Rexroth to John Ashbery, and this new selection, featuring the work of fourteen distinguished translators, most of it appearing here for the first time, documents that ongoing relationship while offering readers the essential work of an extraordinary writer.Translated from the French by:John Ashbery Dan BellmMary Ann CawsLydia DavisMarilyn HackerRichard HowardGeoffrey O’BrienFrank O’HaraRon PadgettMark PolizzottiKenneth RexrothRichard SieburthPatricia TerryRosanna Warren

    The test is severe—sexual in method, psychological in substance… The artistic interest here has precisely to do with the use not only of erotic materials but also erotic methods, the deliberate stimulation of the reader as a part of and means to a total, authentic literary experience.—Eliot Fremont-Smith, The New York Times

    Dugan’s new poems continue his career-long concerns with renewed vigor: the poet’s insistence that art is a grounded practice threatened by pretension, the wry wit, the jibes at the academic and sententious, and the arresting observations on the quotidian battles of life. All the while he peppers his poems with humorous images of the grim and daunting topics of existential emptiness.

    The people of Segu, the Bambara, are guided by their griots and priests; their lives are ruled by the elements. But even their soothsayers can only hint at the changes to come, for the battle of the soul of Africa has begun. From the east comes a new religion, Islam, and from the West, the slave trade. Segu follows the life of Dousika Traore, the king’s most trusted advisor, and his four sons, whose fates embody the forces tearing at the fabric of the nation. There is Tiekoro, who renounces his people’s religion and embraces Islam; Siga, who defends tradition, but becomes a merchant; Naba, who is kidnapped by slave traders; and Malobali, who becomes a mercenary and halfhearted Christian.Based on actual events, Segutransports the reader to a fascinating time in history, capturing the earthy spirituality, religious fervor, and violent nature of a people and a growing nation trying to cope with jihads, national rivalries, racism, amid the vagaries of commerce.

    The poet himself called his great epic poem “old wives' chatter, cottage wisdom,” but for many writers “Briggflatts” is one of the dozen great poems of the 20th century: as Cyril Connolly put it, “the finest long poem to have been published in England since T. S. Eliot's Four Quartets.”As well as “Briggflatts” (long out of print in the US, and now only available in this edition), this new Complete Poems includes Bunting's other great sonatas, most notably Villon (1925) and The Spoils (1951), along with his two books of Odes, his vividly realized “Overdrafts” (as he called his free translations of Horace, Rudaki, and others), and his brilliantly condensed Japanese adaptation, Chomei at Toyama (1932). It also includes his posthumous Uncollected Poems. This centenary edition has an introduction by Richard Caddel, Director of the Basil Bunting Poetry Center at Durham University.

    The past: the suicides of his father, wife and daughter, the murder of his son-in-law, a brutal rape, and subsequent mutiny at sea. The present: caring for his granddaughter on a "northern" island where he works as an artificial inseminator of cows, and attempts to reclaim the innocence with which he faced the tragedies of his earlier life. Combining unflinching descriptions of suffering with his sense of beauty, Hawkes is a master of nimble and sensuous prose who makes the awful and mundane fantastic, and occasionally makes the fantastic surreal.

    Edited by Lee Ann Brown. SONNETS, first published in 1989 as Tender Buttons Number 1 is widely considered to be one of the most generative and innovative works of contemporary American poetry, radically rethinking the traditional sonnet form. This expanded 25th Anniversary edition includes a new preface by Bernadette Mayer, an editor's note by Tender Buttons Press publisher Lee Ann Brown, and a selection of previously unpublished archival material including the Skinny Sonnets, described as Hypnogogic Word Playing in Reporters' Notebooks which further expand our map of Bernadette Mayer's ground- breaking works of writing consciousness.