The book is important both for the study of linguistic change and for the light it throws on twentieth-century Turkishpolitics and society.

    It is the deeply personal account of one man driven to extreme action by the unwillingness of those in power to stop mass murder. It explores what empowers a man like Mukesh Kapila to stand up and be counted, and to act alone in the face of global indifference and venality.Kapila’s story reads like a knife-edge international thriller as he risks all to use the powers at his disposal to bring to justice those responsible for the first mass murder of the twenty-first century: the Darfur genocide.

    When Anoush Pakradounian steps off a boat and feels Levantine heat on her cheek like a caress, she thinks she knows where she's going: she thinks she knows who's right and who's wrong. Yet nothing about her family's past is black and white. In 1915 one million Armenians were marched into Syria by Turks and killed in the first genocide of the twentieth century. In 1982 Beirut came under siege for three months and 18,000 civilians died, while another 30,000 were wounded. Anoush's quest for answers is interwoven with the memory of ruined cities and vanished empires: Lake Van before the genocide, Beirut in civil war, Ottoman villas and desecrated churches, Palestinian refugee camps and torture chambers turned into nightclubs. Her search to find out the truth about her father, her grandparents and her own place in the story spans four generations and massive upheavals in the Middle East.With echoes of Barbara Kingsolver's THE POISONWOOD BIBLE, Thomas Keneally’s SCHINDLER’S LIST and Geraldine Brooks' THE PEOPLE OF THE BOOK, BONE ASH SKY is a powerful work that examines family, loyalty, love and secrets long-hidden in the horror of war and displacement.

    An Armenian Sketchbook, however, shows us a very different Grossman, notable for his tenderness, warmth, and sense of fun.       After the  Soviet Government confiscated—or, as Grossman always put it, “arrested”—Life and Fate, he took on the task of revising a literal Russian translation of a long Armenian novel. The novel was of little interest to him, but he needed money and was evidently glad of an excuse to travel to Armenia. An Armenian Sketchbook is his account of the two months he spent there.       This is by far the most personal and intimate of Grossman’s works, endowed with an air of absolute spontaneity, as though he is simply chatting to the reader about his impressions of Armenia—its mountains, its ancient churches, its people—while also examining his own thoughts and moods. A wonderfully human account of travel to a faraway place, An Armenian Sketchbook also has the vivid appeal of a self-portrait.

    Sosi, his twin sister, never wants to leave her home, especially now that she is in love. At first, only Papa, who counts Turks and Kurds among his closest friends, stands in Shahen's way. But when the Ottoman pashas set their plans to eliminate all Armenians in motion, neither twin has a choice.After a horrifying attack leaves them orphaned, Shahen and Sosi flee into the mountains, carrying their little sister, Mariam. Shahen keeps their parents' fate a secret from his sisters. But the children are not alone. An eagle named Ardziv watches over them as they run at night and hide each day, making their way across mountain ridges and rivers red with blood.

    Misha Glenny's acclaimed account of the war in former Yugoslavia contains substantial new material that discusses the end of the five-year conflict and looks ahead to an uneasy future in this turbulent region.

    But as this alternatively comic and heartbreaking novel unfolds--beginning with Zabelle's survival of the 1915 Armenian Genocide in Turkey and her subsequent emigration to America for an arranged marriage--an unforgettable character emerges.

    He divided the Allies, defeated the last Sultan, and secured the territory of the Turkish national state, becoming the first president of the new republic in 1923, fast creating his own legend.Andrew Mango's revealing portrait of Atatürk throws light on matters of great importance today-resurgent nationalism, religious fundamentalism, and the reality of democracy.

    Philip Dray also tells the story of the men and women who led the long and difficult fight to expose and eradicate lynching, including Ida B. Wells, James Weldon Johnson, Walter White, and W.E.B. Du Bois. If lynching is emblematic of what is worst about America, their fight may stand for what is best: the commitment to justice and fairness and the conviction that one individual’s sense of right can suffice to defy the gravest of wrongs. This landmark book follows the trajectory of both forces over American history—and makes lynching’s legacy belong to us all.

    He paints a striking picture of the prominence of religion and warfare in everyday life, as well as the traditions of statecraft, administration, social values, financial, and land policies. "...masterly...Halil Inalcik is one of the foremost living students of Ottoman history...Read this book..."--Times Literary Supplement.

    48 pages ofillustrations, 16 in color. Maps.

    After witnessing the slaughter of her family and many of her people, a young Armenian woman emigrates to America, where she inadvertently infuses her only daughter with a crippling legacy of anger, shame, and a survivor's guilt.

    His careful analysis of medieval as well as modern historiography from the perspective of a cultural historian demonstrates how ethnic, tribal, linguistic, religious, and political affiliations were all at play in the struggle for power in Anatolia and the Balkans during the late Middle Ages.This highly original look at the rise of the Ottoman empire—the longest-lived political entity in human history—shows the transformation of a tiny frontier enterprise into a centralized imperial state that saw itself as both leader of the world's Muslims and heir to the Eastern Roman Empire.

    Over the next three months, 800,000 Tutsis were murdered in the most unambiguous case of genocide since Hitler's war against the Jews. Philip Gourevitch's haunting work is an anatomy of the killings in Rwanda, a vivid history of the genocide's background, and an unforgettable account of what it means to survive in its aftermath.

    While certainly not the first account of a female body being negotiated for honor in a family, this time the survivor had bravely chosen to fight back. In doing so, Mai single-handedly changed the feminist movement in Pakistan, one of the world's most adverse climates for women. By July 2002, the Pakistani government awarded her the equivalent of 8,500 U.S. dollars in compensation money and sentenced her attackers to death — and Mukhtar Mai went on to open a school for girls so that future generations would not suffer, as she had, from illiteracy.In this rousing account, Mai describes her experience and how she has since become an agent for change and a beacon of hope for oppressed women around the world. Timely and topical, "In the Name of Honor" is the remarkable and inspirational memoir of a woman who fought and triumphed against exceptional odds.