Hell. Two great tastes that taste great together. Long before Elvis gyrated on the Sullivan Show or the Beatles toiled the smoky red-light bars of Hamburg, music has been sowing the seeds of liberation. Or damnation. With each new generation the edge of rebellion pushed farther. Rhythms quickened. Volume increased. Lyrics coarsened. The rules continued to be broken, until it seemed that there were no rules at all. And as waves of teens cranked it up and poured it on, parents built walls of accusation to explain their offspring's seeming corruption. Sex and drugs, demon worship and violence are the effects. Music is the cause. Or so the self-styled guardians of morality would have us believe. Meet The Scream. Just your average everyday mega-cult band. Their music is otherworldly. Their words are disturbing. Their message is unholy. Their fans are legion. And they're not kidding. They're killing. Themselves. Each other. Everyone. Their gospel screams from the lips of babes. Their backbeat has a body count. And their encore is just the warm-up act to madness beyond belief. It emerged from a war-torn jungle, where insanity was just another word for survival. It arrived in America with an insatiable lust for power and the means to fulfill it. In the amplified roar of arena applause there beats the heart of absolute darkness.

    Justin Gray, a former small-time drug dealer in St. Louis, has arrived in Tampa, FL, to start a new life. But on his first night in town his buddy Erik takes him to a disco, where he tries a mild dose of skullflush. Another of Erik's friends takes a larger dose and is tranformed into a ravenous beast who practically devours four people on the dance floor and then commits suicide. Local dealer Tony Mendoza begins a search for Justin, the only witness who knows what really happened in the disco that night. Mendoza himself is sought by the Yanomamo warrior Kerebawa, who travels to America to retrieve skullflush and avenge its theft before it is sniffed by too much of Tampa's "nightlife."

    Slob is his debut novel, the story of a man who thinks of himself as Death. A man wholikes to feast on human hearts, spilling blood wherever he goes. Jack Eichord is the detective who must hunt this human monster and genius killer. Years of working as a homicide detective for the Chicago Police department has hardened Eichord to things that would make most men turn and flee. But even he is not prepared for the labyrinthine search underground, as he trails the killer and his hostages through the sewer system of the city. Eichord thinks that he is beginning to understand thediabolical man and his patterns of violence...but can he guess the next victim in time, before it is too late for the woman he loves?

    An ex-mental patient, working as a hospital porter is reminded of his accidental killing of his baby brother years before, and he and an escaped convict, both disturbed, unleash a terror beyond belief.

    Commuter Mark Davies has been attacked and thrown from the train. Now he must team up with Ghost Train obsessed, ex-policeman Les Chadderton, before the predator disembarks for wider pastures.

    Superstar Izzy Stark has the power to make your dreams - and nightmares - come true. He's the master of disaster, the guru of gore, the doctor of doom, the duke of death and destruction - and you can't escape this command performance.

    Now the final nightmare must explode. Now the killing frenzy must begin...

    except in the rambling mansion where Myrtle Hollenbeck paced up and down like a mad woman, waiting for the return of her children.But Myrtle's waiting is soon over: one night she is found hanging from her daughter's skipping rope. Everyone believes Myrtle's death to be a case of routine suicide; everyone, that is, apart from Cassie Larchmont, the ten-year-old child who witnessed Myrtle's death, and Robert Landers, an investigating police officer who hears from Cassie how a dark shadow stood by Myrtle's side that fearful night.At the same time, Nicole Morgan comes into Cassie's life. Dark-haired, malevolent, dressed in quaint old-fashioned clothes popular decades before, Nicole seems bent on luring the other children into Myrtle's haunted mansion. The fabulous playroom they discover conceals untold horrors, while outside the terror that has lain quietly on the lake bed for thirty years rises slowly towards them. Only Landers can save them before that evil kills them all...

    Reckless, dangerous games. Games you might even want to play yourself if you're with the right people. But shouldn't. Not ever. In a small Maine town, a group of thrill seeking college kids finds a game of hide and seek in an abandoned house turning into a reality of stark terror.

    Her family wouldn't have believed it even if she had told them - which she had no intention of doing. Elizabeth had far different plans for them - and only God could help them. He didn't - and Elizabeth set out to prove how hellishly far she could go...

    Monsters made of blood arise from drains, an invisible hellhound devours human flesh, feral children stalk the shadowy streets and make murder a terrifying game. Occult investigator Carl Lanyard risks his life, his love, and his sanity as he battles the unspeakable forces of darkness. A modern classic by a master of the macabre in a new revised edition.

    That's when they came. The people who wanted to take him away...change him. Make him like them. They were more horrible than words could describe. And there was nothing he could do to stop them.Bonnie Laine watched her son in terror. Every day he changed a little, grew weaker, paler. Each night he woke up screaming "Don't let it get me!" And somehow she knew the horror was just beginning. Soon it would grow far beyond a little boy's nightmares.Shep Thomas had dedicated his life to destroying the creatures that killed his brother. And Evan was going to lead him right to their hiding place, the place they called the creche. And even though they were far fro human, he was going to send them straight to Hell!

    who falls in love with her.An incredibly sophisticated computer... who talks with...The Unborn.

    . . It's about rock music, about mass hysteria, about vampires, about horror . . . one comes out knowing, and caring, about a panoply of new friends and acquaintances, living and dead, and unalive".--Theodore Sturgeon, The Washington Post.

    He’s everybody’s buddy, has a great sense of humor, works hard at his typical boring job to provide for the wife and kids. And he is a Stranger. Michael seethes with furious impatience for the coming of the Time of the Strangers, when he and millions like him will be able at last to reveal their true selves to a horrified, helpless world.