This is where four young friends come of age—in an atmosphere thick with fear and suspicion. Their innocent games soon bring them face-to-face with the village's darkest secrets in this eerily dispassionate, astonishingly assured novel, evocative of Stephen King's classic short story "Children of the Corn" and infused with the spirit of the Brothers Grimm.

    . .In the countryside of Victorian England, Edward Atherton, rector of Thornham St. Stephen, has taken on the arduous task of restoring the ancient church. But he should never have meddled with the tomb that lay beneath the church’s crumbling walls. The moment the workman raised the tomb lid, an unspeakable horror escaped. At a loss to explain the unsettling noises and frightening visions that begin to plague the church, Atherton calls upon fellow antiquarian and Cambridge professor Richard Asquith to help investigate the strange events that began in the wake of the tomb’s disturbance.The two discover tantalizing hints of whom and what may have been laid to rest in the tomb, but the unforeseen circumstances force Asquith to give up his inquiries and leave the small village of Thornham behind. Asquith tries to put the frightening experiences behind him and focus on his new wife and family. But death and disappearances abound, and Robert Asquith soon has no choice but to confront the darkness that has followed him from that ancient church into his own home.English novelist Jonathan Aycliffe has mastered the classic English ghost story, and A Shadow on the Wall, nominated in 2000 for the International Horror Guild Award, is sure to both mesmerize and haunt you.

    In addition to stories about scheming jack-o'-lanterns, vengeful ghosts, otherworldly changelings, disturbingly realistic haunted attractions, masks that cover terrifying faces, murderous urban legends, parties gone bad, cult Halloween movies, and trick or treating in the future, Haunted Nights also offers terrifying and mind-bending explorations of related holidays like All Souls' Day, Dia de los Muertos, and Devil's Night. -With Graveyard Weeds and Wolfbane Seeds- by Seanan McGuire -Dirtmouth- by Stephen Graham Jones--A Small Taste of the Old Countr- by Jonathan Maberry-Wick's End- by Joanna Parypinski -The Seventeen Year Itch- by Garth Nix-A Flicker of Light on Devil's Night- by Kate Jonez-Witch-Hazel- by Jeffrey Ford-Nos Galen Gaeaf- by Kelley Armstrong -We're Never Inviting Amber Again- by S. P. Miskowski-Sisters- by Brian Evenson-All Through the Night- by Elise Forier Edie -A Kingdom of Sugar Skulls and Marigolds- by Eric J. Guignard-The Turn- by Paul Kane-Jack- by Pat Cadigan-Lost in the Dark- by John Langan-The First Lunar Halloween- by John R. Little

    It also has a very, very old one.   Pepper is a rambunctious big man, minor-league troublemaker, working-class hero (in his own mind), and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He’s not mentally ill, but that doesn’t seem to matter. He is accused of a crime he can’t quite square with his memory. In the darkness of his room on his first night, he’s visited by a terrifying creature with the body of an old man and the head of a bison who nearly kills him before being hustled away by the hospital staff. It’s no delusion: The other patients confirm that a hungry devil roams the hallways when the sun goes down. Pepper rallies three other inmates in a plot to fight back: Dorry, an octogenarian schizophrenic who’s been on the ward for decades and knows all its secrets; Coffee, an African immigrant with severe OCD, who tries desperately to send alarms to the outside world; and Loochie, a bipolar teenage girl who acts as the group’s enforcer. Battling the pill-pushing staff, one another, and their own minds, they try to kill the monster that’s stalking them. But can the Devil die?  The Devil in Silver brilliantly brings together the compelling themes that spark all of Victor LaValle’s radiant fiction: faith, race, class, madness, and our relationship with the unseen and the uncanny. More than that, it’s a thrillingly suspenseful work of literary horror about friendship, love, and the courage to slay our own demons.

    Once, a family disappeared there. And now Constance Langton has inherited this dark place as well as the mysteries surrounding it. Having grown up in a house marked by the death of her sister, Constance is no stranger to mystery, secrets, and the dark magic around us. Her father was distant. Her mother was in perpetual mourning for her lost child. In a desperate attempt to coax her mother back to health, Constance took her to a seance hoping she would find supernatural comfort. But tragic consequences followed, leaving her alone in the world-- alone with Wraxford Hall. Saddled with this questionable bequest, she must find the truth at the heart of all these disappearances, apparitions, betrayal, blackmail, and villainy, even if it costs her life. John Harwood's second novel delivers on the great promise proven by his first with this gripping mystery set in the heart of Victorian England.

    Prince Vulcan and an army of vampires invade the city of Los Angeles, the first step in a plan to conquer the world

    Lying in her bed, young Sylvie Mason overhears her parents on the phone across the hall. This is not the first late-night call they have received, since her mother and father have an uncommon occupation, helping "haunted souls" find peace. And yet, something in Sylvie senses that this call is different than the rest, especially when they are lured to the old church on the outskirts of town. Once there, her parents disappear, one after the other, behind the church's red door, leaving Sylvie alone in the car. Not long after, she drifts off to sleep only to wake to the sound of gunfire.Nearly a year later, we meet Sylvie again struggling with the loss of her parents, and living in the care of her older sister, who may be to blame for what happened the previous winter.As the story moves back and forth in time, through the years leading up to the crime and the months following, the ever inquisitive and tender-hearted Sylvie pursues the mystery, moving closer to the knowledge of what occurred that night, as she comes to terms with her family's past and uncovers secrets that have haunted them for years.

    These uniquely ter­rifying apparitions lead him on a thrilling and suspenseful ride to confront a wicked soul, and will leave an indelible mark on lovers of high-quality suspense and horror alike. Nicholas Close has always had an uncanny intuition, but after the death of his wife he becomes haunted, literally, by ghosts doomed to repeat their final violent moments in a chilling and endless loop. Torn by guilt and fearing for his sanity, Nicholas returns to his childhood home and is soon entangled in a dis­turbing series of disappearances and  murders—both as a sus­pect and as the next victim of the malignant evil lurking in the heart of the woods. Stephen M. Irwin is the kind of debut author that readers love to discover—and rave about to all their friends. His electric use of language, stunning imagery, and suspenseful pacing are all on full display here. The Dead Path is a tour de force of wild imagination, taut suspense, and the creepiest, scariest setting since the sewers in Stephen King’s It.

    a midnight caller keeping his promise ... forests where Nature is deliberate and malefic ... enchanted houses ... these are the beings and ideas that flood through this collection of ghost stories by Algernon Blackwood (1869-1951). Altogether 13 stories, gathered from the entire corpus of Blackwood's work, are included; stories of such sheer power and imagination that it is easy to see why he has been considered the foremost British supernaturalist of the twentieth century.Blackwood's ability to create an atmosphere of unrelieved horror and sustain it to the end of the story is almost unsurpassed. “The Willows” — which has been called by H.P. Lovecraft the finest supernatural story — is a typical example of Blackwood's art: slowly and surely Blackwood draws the reader into a world of shadows, nuances and unearthly terror.Blackwood was also a master at evoking feelings of mysticism and cosmic experience; dealing with such ideas as interpenetrating levels of existence and pantheistic elemental powers, he expanded the content of supernatural literature enormously. But even the more traditional elements of horror stories such as ghosts and haunted houses are handled with such energy and feeling that they rise far above their predecessors.Drawing on serious Oriental thought, modern psychology and philosophy, Algernon Blackwood introduced a sophistication to the horror story that — with a few exceptions — it was devoid of before. The results are stories that are not only guaranteed to chill, but stories that have something to say to the intelligent reader.Contents:- The Willows (1907)- Secret Worship (1908)- Ancient Sorceries (1908)- The Glamour of the Snow (1911)- The Wendigo (1910)- The Other Wing (1915)- The Transfer (1911)- Ancient Lights (1914)- The Listener (1907)- The Empty House (1906)- Accessory before the Fact (1914)- Keeping His Promise (1906)- Max Hensig (1945)

    Ash won’t let him.In life, Danny’s charming and magnetic twin had been a budding psychopath who privately terrorized her family—and death hasn’t changed her wicked ways. Ash has haunted Danny for twenty years and now, just when he’s met the love of his life and has a chance at real happiness, she wants more than ever to punish him for being alive—so she sets her sights on Danny’s new wife and stepson. Danny knows what Ash really wants is him, and he’s prepared to sacrifice himself in order to save the ones he loves. The question is: will he make it back this time?

    But their quiet life together is shattered when her father is jailed for killing another man in a barroom brawl and injuring Sarah in a drunken car crash. Left in the cold care of a loveless foster family and alienated at school, Sarah finds a kindred spirit in classmate Nick Dunnigan, a former mental patient still plagued by voices and visions. And in eccentric art instructor Bettina Phillips, Sarah finds a mentor eager to nurture her talent for painting.But within the walls of Bettina’s ancestral home, the mansion called Shutters, Sarah finds something altogether different and disturbing. Monstrous images from the house’s dark history seem to flow unbidden from Sarah’s paintbrush–images echoed by Nick’s chilling hallucinations. Trapped for ages in the shadowy rooms of Shutters, the violence and fury of long-dead generations have finally found a gateway from the grave into the world of the living. And Sarah and Nick have found a power they never had: to take control, and take revenge.

    Three women told me a horrific tale from their past and in doing so involved me in their horror. You may have heard part of this story before but I didn't tell you everything..... This is the complete story of Claire.

    Ben has hit a dead end with his new novel, Caroline has lost her banking job, and eight-year-old Charlie is being bullied at his Manhattan school.When Ben inherits land in the village of Swannhaven, in a remote corner of upstate New York, the Tierneys believe it’s just the break they need, and they leave behind all they know to restore a sprawling estate. But as Ben uncovers Swannhaven’s chilling secrets and Charlie ventures deeper into the surrounding forest, strange things begin to happen. The Tierneys realize that their new home isn’t the fresh start they needed . . . and that the village’s haunting saga is far from over.House of Echoes is a novel that shows how sometimes the ties that bind us are the only things that can keep us whole.

    Early in the 20th century, the town was destroyed for the greater good: bringing water to the millions living downstate. Or at least that’s what the politicians from Manhattan insisted at the time. The local families, settled there since America’s founding, were forced from their land, but they didn’t move far, and some didn’t move at all…Now, a century later, the repercussions of human arrogance are finally making themselves known. An inspector assigned to oversee the dam, dangerously neglected for decades, witnesses something inexplicable. It turns out that more than the village was left behind in the waters of the Chill when it was abandoned. The townspeople didn’t evacuate without a fight. A dark prophecy remained, too, and the time has come for it to be fulfilled. Those who remember must ask themselves: who will be next? For sacrifices must be made. And as the dark waters begin to inexorably rise, the demand for a fresh sacrifice emerges from the deep...

    Half-seen figures who glare from dark towers and dusty windows- silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls... But worse-much worse- the governess discovers that Miles and Flora have no terror of the lurking evil. For they want the walking dead as badly as the dead want them.