But now its senior year and they haven’t spoken in three months. Not since the fight, where they each said things they couldn’t take back. They’re aching to break the silence, but those thirty-six steps between their bedroom windows feel more like thirty-six miles.Then one fateful night, Emory’s boyfriend, Luke, almost dies. And Hannah is the one who finds him and saves his life.As Luke tries to make sense of his near-death experience, he secretly turns to Hannah, who becomes his biggest confidante. In Luke, Hannah finds someone she can finally talk to about all the questions she’s grappling with. Emory just wants everything to go back to normal–the way it was before the accident. She has no idea why her relationship is spiraling out of control. But when the horrifying reason behind Hannah and Emory’s argument ultimately comes to light, all three of them will be forced work together to protect the one with the biggest secret of all.In the follow-up to her New York Times bestseller, Every Last Word, Tamara Ireland Stone crafts a deeply moving, unforgettable story about love, betrayal, and the power of friendship. * 2019 NCIBA Golden Poppy Award Winner * Bank Street College Best Children’s Books of the Year *"A beautiful testament to friendship and the intricate patterns we weave throughout each other's lives."―Robin Benway, National Book Award winning author of Far From the Tree "Beautiful, heartfelt, deep, and real. This book broke my heart and I loved every minute of it."―Robyn Schneider, author of The Beginning of Everything "Little Do We Know is a beautiful, affecting novel. Stone writes compellingly about the power of friendship, of love."―New York Times best-selling author Luanne Rice "Touching on weighty issues, including sexual harassment, religious crises, friendship, and taboo love, Stone writes a thought-provoking novel that challenges conventional ideas." ― Publishers Weekly, starred review "A realistic fiction novel for those who enjoy a dramatic romance; a must-have for most YA shelves." -- School Library Journal

    Viola prodigy Adina yearns to become a soloist—and to convince her music teacher he wants her the way she wants him. Overachiever Tovah awaits her acceptance to Johns Hopkins, the first step on her path toward med school and a career as a surgeon. But one thing could wreck their carefully planned futures: a genetic test for Huntington’s, a rare degenerative disease that slowly steals control of the body and mind. It’s turned their Israeli mother into a near stranger and fractured the sisters’ own bond in ways they’ll never admit. While Tovah finds comfort in their Jewish religion, Adina rebels against its rules.When the results come in, one twin tests negative for Huntington’s. The other tests positive.These opposite outcomes push them farther apart as they wrestle with guilt, betrayal, and the unexpected thrill of first love. How can they repair their relationship, and is it even worth saving?From debut author Rachel Lynn Solomon comes a luminous, heartbreaking tale of life, death, and the fragile bond between sisters.

    She finds refuge and stability in her relationship with her boyfriend, Peter—until he abandons her at a Planned Parenthood clinic during their appointment to terminate an unwanted pregnancy. The betrayal causes Gen to question everything.As Gen pushes herself forward to find her new identity without Peter, she must also confront her most painful memories. Through the lens of an ongoing four act play within the novel, the fantasy of their undying love unravels line by line, scene by scene. Digging deeper into her past while exploring the underground theater world of New York City, she rediscovers a long-forgotten dream. But it’s when Gen lets go of her history, the one she thinks she knows, that she’s finally able to embrace the complicated, chaotic true story of her life, and take center stage.This powerfully immersive and format-crushing debut follows Gen from dorm rooms to diners to house parties to auditions—and ultimately, right into readers’ hearts.

    They post everything online—poems, essays, videos of Chelsea performing her poetry, and Jasmine's response to the racial macroaggressions she experiences—and soon they go viral. But with such positive support, the club is also targeted by online trolls. When things escalate, the principal shuts the club down. Jasmine and Chelsea will risk everything for their voices—and those of other young women—to be heard.

    But everything changes when one of those calls connects her to a stranger from small-town Ohio, who gets under her skin from the moment he picks up the phone.Colby is stuck in a rut, reeling from a family tragedy and working a dead-end job—unsure what his future holds, or if he even cares. The last thing he has time for is some privileged rich girl preaching the sanctity of the political process. So he says the worst thing he can think of and hangs up.But things don’t end there.…That night on the phone winds up being the first in a series of candid, sometimes heated, always surprising conversations that lead to a long-distance friendship and then—slowly—to something more. Across state lines and phone lines, Meg and Colby form a once-in-a-lifetime connection. But in the end, are they just too different to make it work?You Say It First is a propulsive, layered novel about how sometimes the person who has the least in common with us can be the one who changes us most.

    Then Zach and Lucy, her two best friends, hook up, leaving her feeling slightly miffed and decidedly awkward. She’d always imagined she would end up with Zach one day―in the version of her life that played out like a TV show, with just the right amount of banter, pining, and meaningful looks. Now everything has changed, and nothing is quite making sense. Until an unexpected romance comes along and shakes things up even further.It Sounded Better in My Head is a compulsively readable love letter to teenage romance in all of its awkward glory, perfect for fans To All the Boys I’ve Loved Before and Emergency Contact.

    There could be a fire. A catastrophic flood. A super eruption that spews lakes of lava. Ellis Kimball has made note of all possible scenarios, and she is prepared for each one. What she doesn’t expect is meeting Hannah Marks in her therapist’s waiting room. Hannah calls their meeting fate. After all, Ellis is scared about the end of the world; Hannah knows when it’s going to happen.Despite Ellis’s anxiety — about what others think of her, about what she’s doing wrong, about the safety of her loved ones — the two girls become fast friends. As Ellis tries to help Hannah decipher the details of her doomsday premonition, she learns there are secrets Hannah isn’t telling her. But with time ticking down, the search for answers only raises more questions. When does it happen? Who will believe them? How do you prepare for the end of the world when it feels like your life is just getting started?Katie Henry, the author of Heretics Anonymous, delivers an engrossing and thoughtful tale about how people survive — with some faith in family, friends, and maybe a few prepper forums.

    Ella has spent her high school years living in popular Maddy's shadows, but she has never been envious of Maddy. In fact, she's chosen the quiet, safe confines of her sketchbook over the constant battle for attention that has defined Maddy's world.When—after a heated argument—Maddy and Ella get into a tragic accident that leaves her sister dead, Ella wakes up in the hospital surrounded by loved ones who believe she is Maddy. Feeling responsible for Maddy's death and everyone's grief, Ella makes a split-second decision to pretend to be Maddy. Soon, Ella realizes that Maddy's life was full of secrets. Caught in a web of lies, Ella is faced with two options—confess her deception or live her sister's life.

    Saints, those special people moving the world forward. Sometimes you glaze over them. Or, at least, I do. They’re in your face so much, you can’t see them, like how you can’t see your nose.2. Misfits, people who don’t belong. Like me—the way I don’t fit into Dad’s brand-new family or in the leftover one composed of Mom and my older brother, Mama’s-Boy-Muhammad.Also, there’s Jeremy and me. Misfits. Because although, alliteratively speaking, Janna and Jeremy sound good together, we don’t go together. Same planet, different worlds.But sometimes worlds collide and beautiful things happen, right?3. Monsters. Well, monsters wearing saint masks, like in Flannery O’Connor’s stories.Like the monster at my mosque.People think he’s holy, untouchable, but nobody has seen under the mask.Except me.

    But when a serious car wreck leaves her aunt, a single mother of three, with two broken legs, it forces Anise to say goodbye for the first time to Santa Cruz, the waves, her friends, and even a kindling romance, and fly with her dad to Nebraska for the entire summer. Living in Nebraska isn’t easy. Anise spends her days caring for her three younger cousins in the childhood home of her runaway mom, a wild figure who’s been flickering in and out of her life since birth, appearing for weeks at a time and then disappearing again for months, or even years, without a word. Complicating matters is Lincoln, a one-armed, charismatic skater who pushes Anise to trade her surfboard for a skateboard. As Anise draws closer to Lincoln and takes on the full burden and joy of her cousins, she loses touch with her friends back home – leading her to one terrifying question: will she turn out just like her mom and spend her life leaving behind the ones she loves?

    He and Emaline have been together all through high school in Colby, the beach town where they both grew up. But now, in the summer before college, Emaline wonders if perfect is good enough.Enter Theo, a super-ambitious outsider, a New Yorker assisting on a documentary film about a reclusive local artist. Theo's sophisticated, exciting, and, best of all, he thinks Emaline is much too smart for Colby.Emaline's mostly-absentee father, too, thinks Emaline should have a bigger life, and he's convinced that an Ivy League education is the only route to realizing her potential. Emaline is attracted to the bright future that Theo and her father promise. But she also clings to the deep roots of her loving mother, stepfather, and sisters. Can she ignore the pull of the happily familiar world of Colby?Emaline wants the moon and more, but how can she balance where she comes from with where she's going?Sarah Dessen's devoted fans will welcome this story of romance, yearning, and, finally, empowerment. It could only happen in the summer.

    Since they were children, they’ve shared almost everything—reading the same books, running down the same sandy footpaths to the beach, eating peaches from the same market, laughing around the same sun-soaked dining table. Even sleeping in the same bed, on the very same worn cotton sheets. But they’ve never met.Sasha’s dad was once married to Ray’s mom, and together they had three daughters: Emma, the perfectionist; Mattie, the beauty; and Quinn, the favorite. But the marriage crumbled and the bitterness lingered. Now there are two new families—and neither one will give up the beach house that holds the memories, happy and sad, of summers past.The choices we make come back to haunt us; the effect on our destinies ripples out of our control…or does it? This summer, the lives of Sasha, Ray, and their siblings intersect in ways none of them ever dreamed, in a novel about family relationships, keeping secrets, and most of all, love.

    It's inevitable—each of her relationships starts with the perfect guy and ends with him falling in love . . . with someone else. But instead of feeling sorry for herself, Megan focuses on pursuing her next fling, directing theater, and fulfilling her dream college's acting requirement in the smallest role possible.So when she’s cast as Juliet (yes, that Juliet) in her high school’s production, it’s a complete nightmare. Megan’s not an actress, and she’s used to being upstaged—both in and out of the theater. In fact, with her mom off in Texas and her dad remarried and on to baby #2 with his new wife, Megan worries that, just like her exes, her family is moving on without her.Then she meets Owen Okita, an aspiring playwright inspired by Rosaline from Shakespeare's R+J. A character who, like Megan, knows a thing or two about short-lived relationships. Megan agrees to help Owen with his play in exchange for help catching the eye of a sexy stagehand/potential new boyfriend. Yet Megan finds herself growing closer to Owen, and wonders if he could be the Romeo she never expected.In their fresh and funny debut, Emily Wibberly and Austin Siegemund-Broka break down the high school drama to find there's always room for familial love, romantic love, and—most importantly—self-love.

    She’s not ready to think about the why yet, just the how—muscles burning, heart pumping, feet pounding the earth. But no matter how hard she tries, she can’t outrun the tragedy from the past year, or the person—The Taker—that haunts her.Followed by Grandpa Ed in his RV and backed by her brother and two friends (her self-appointed publicity team), Annabelle becomes a reluctant activist as people connect her journey to the trauma from her past. Her cross-country run gains media attention and she is cheered on as she crosses state borders, and is even thrown a block party and given gifts. The support would be nice, if Annabelle could escape the guilt and the shame from what happened back home. They say it isn’t her fault, but she can’t feel the truth of that.Through welcome and unwelcome distractions, she just keeps running, to the destination that awaits her. There, she’ll finally face what lies behind her—the miles and love and loss…and what is to come.

    One snag: the companion ticket is already booked under the name of his ex, Margaret Campbell. Nontransferable, no exceptions.Enter the new Margaret C. (Mae for short), an aspiring filmmaker with big dreams. After finding Hugo's spare ticket offer online, she's convinced it's the perfect opportunity to expand her horizons.When the two meet, the attraction is undeniable, and both find more than they bargained for. As Mae pushes Hugo to explore his dreams for his future, he'll encourage her to channel a new, vulnerable side of her art. But when life off the train threatens the bubble they've created for themselves, will they manage to keep their love on track?