side at the top, and shot into the next hollow, twisting in the descent. A huge swell pushed up exactly under her middle, and her bow and stern hung free with nothing to support them. Then one joking wave caught her up at the bow, and another at the stern, while the rest of the water slunk 251 away from under her just to see how she would like it; so she was held up at her two ends only, and the weight of the cargo and the machinery fell on the groaning iron keels and bilge-stringers. "Ease off! Ease off, there!" roared the garboard-strake. "I want one-eighth of an inch fair play. D' you hear me, you rivets!" "Ease off! Ease off!" cried the bilge-stringers. "Don't hold us so tight to the frames!" "Ease off!" grunted the deck-beams, as the Dimbula rolled fearfully. "You've cramped our knees into the stringers, and we can't move. Ease off, you flat-headed little nuisances." Then two converging seas hit the bows, one on each side, and fell away in torrents of streaming thunder. "Ease off!" shouted the forward collision-bulkhead. "I want to crumple up, but I'm stiffened in every direction. Ease off, you dirty little forge-filings. Let me breathe!" All the hundreds of plates that are riveted to the frames, and make the outside skin of every steamer, echoed the call, for each plate wanted to shift and creep a little, and each plate, according to its position, complained against the rivets. "We can't help it! We can't help it!" they murmured in reply. "We're put here to hold you, and we're going to do it; you never pull us twice in the same direction. If you'd say what 252 you were going to do next, we'd try to meet your views." "As far as I could feel," said the upper-deck planking, and that was four inches thick, "every single iron near me was pushing or pulling in opposite directions. Now, what's the sense of that? My friends, let us all pull together." "Pull any way you please," roared the funnel, "so long as you don't try your experiments on me. I...

    Nobody comes out looking good. The slippery self, surveilled yet ready with her mask, performs a peep show—booth opens wide, yet somehow the dancer isn't there. She's in character. She's "cut off the head to let the humors hose through.

    Le Guin, and with an introduction by Karen Joy Fowler, a collection of thoughts—always adroit, often acerbic—on aging, belief, the state of literature, and the state of the nation.Ursula K. Le Guin has taken readers to imaginary worlds for decades. Now she’s in the last great frontier of life, old age, and exploring new literary territory: the blog, a forum where her voice—sharp, witty, as compassionate as it is critical—shines. No Time to Spare collects the best of Ursula’s blog, presenting perfectly crystallized dispatches on what matters to her now, her concerns with this world, and her wonder at it.   On the absurdity of denying your age, she says, If I’m ninety and believe I’m forty-five, I’m headed for a very bad time trying to get out of the bathtub. On cultural perceptions of fantasy: The direction of escape is toward freedom. So what is ‘escapism’ an accusation of? On her new cat: He still won’t sit on a lap…I don’t know if he ever will. He just doesn’t accept the lap hypothesis. On breakfast: Eating an egg from the shell takes not only practice, but resolution, even courage, possibly willingness to commit crime. And on all that is unknown, all that we discover as we muddle through life: How rich we are in knowledge, and in all that lies around us yet to learn. Billionaires, all of us.

    The book features raw, blunt, and in your face poems depicting the darker side of relationships. Readers will find themes such as lies, cheating, and heartache abundant in much of this collection. Midnight Milkshakes, being the second volume of Ray's Ice Cream And Suicide, is great for returning readers to the series. The book focuses on much of the same style and mood that is common in his writings.

    Based on the myth of the blind prophet Tiresias, Hold Your Own is a riveting tale of youth and experience, sex and love, wealth and poverty, community and alienation. Walking in the forest one morning, a young man disturbs two copulating snakes - and is punished by the goddess Hera, who turns him into a woman. This is only the beginning of his journey . . . Weaving elements of classical myth, autobiography and social commentary, Tempest uses the story of the gender-switching, clairvoyant Tiresias to create four sequences of poems: 'childhood', 'manhood', 'womanhood' and 'blind profit'. The result is a rhythmically hypnotic tour de force - and a hugely ambitious leap forward for one of the UK's most talented and compelling young writers.

    At her most moving and meditative, impressive and musical, Denise Levertov addresses in her poetry collection, Evening Train, the nature of faith and love, the imperiled beauty of the natural world, and the horrors of the Gulf War.

    As Rumi said, "Love will find its way through all languages on its own". In 'teaching my mother how to give birth', Warsan's debut pamphlet, we witness the unearthing of a poet who finds her way through all preconceptions to strike the heart directly. Warsan Shire is a Kenyan-born Somali poet and writer who is based in London. Born in 1988, she is an artist and activist who uses her work to document narratives of journey and trauma. Warsan has read her work internationally, including recent readings in South Africa, Italy and Germany, and her poetry has been translated into Italian, Spanish and Portuguese.

    They wanted to know why McCain appealed so much to so many Americans, and particularly why he appealed to the "Young Voters" of America who generally show nothing but apathy. The "Director's Cut" (three times longer than the RS article) is an incisive, funny, thoughtful piece about life on "Bullshit One" -- the nickname for the press bus that followed McCain's Straight Talk Express. This piece becomes ever more relevant, as we discuss what we know, don't know, and don't want to know about the way our political campaigns work.

    All of the poems in this collection were written either in East Africa, where Walker spent the summer of 1965, or during her senior year at Sarah Lawrence College. “Brief slashing poems-young and in the sun” (Muriel Rukeyser).

    Carol Ann Duffy's 'Rapture' is about the loss and rediscovery of love in all its aspects - erotic, intellectual, emotional.

    An unpopular war. A military and diplomatic team in disarray. Those are the challenges President Obama has faced as he attempts to make a success of U.S involvement in Afghanistan. They are also the challenges President Truman surmounted in the winter of 1950 as he began managing a war in Korea that risked becoming bigger and more costly. It was the first significant armed conflict of the Cold War: United States troops under the command of General Douglas MacArthur came to the aid of the South Koreans after North Korea invaded. When Communist China entered the conflict on the side of the North Koreans, the crisis seemed on the verge of flaring into a world war. Truman was determined not to let that happen. MacArthur kept urging a widening of the war into China itself and ignoring his Commander in Chief. On April 11, 1951, after MacArthur had “shot his mouth off,” as one diplomat put it, one too many times, Truman fired him. The story of their showdown—one of the most dramatic in U.S. history between a Commander in Chief and his top soldier in the field—is captured in all its detail by David McCullough in his biography Truman, and presented here in a e-book called Truman Fires MacArthur (an excerpt of Truman, McCullough’s Pulitzer Prize-winning biography), which was the headline carried in many newspapers around the country the next day. Truman Fires MacArthur will continue to ride the headlines. It will go on sale as an ebook just as the Rolling Stone profile that exposed General Stanley McChrystal’s insurrection and forced his resignation hits newsstands, and media coverage of the showdown continues to draw historical analogies between Truman and Obama.

    San Francisco 1976: a golden city of freedom, adventure and possibility. But, as na�ve small-town girl Mary Ann finds out, it can be hard to find your place in a strange new city - especially when the supermarket is a pick up joint and a Jockey Shorts dance contest can make or break a relationship. Luckily for Mary Ann, she finds the perfect home at 28 Barbary Lane where the dysfunctional residents form an unconventional family of waifs and strays. Mona the cynic, Michael 'Mouse' Tolliver the romantic looking for love and DeDe the jaded debutante, all watched over by the eccentric and mysterious Anna Madrigal.Get addicted to these characters in six short, funny and heartbreaking episodes.Episode 1: Taking the Plunge Newly arrived from the Midwest, Mary Ann Singleton finds refuge at 28 Barbary Lane. Mona warns Mrs Madrigal about her naive new tenant and DeDe gets jealous.

    YOU GET *FIVE* CRIME THRILLERS FULL OF TWISTS AND EDGE OF YOUR SEAT TENSION.What readers are saying about STEVE PARKER“A must read for all crime thriller fans.” Viv“A really good thriller to keep you on the edge of your seat.” Barbara“I was up until 2am as I couldn’t read it quick enough.” Carole“The differences between the two detectives works so well ... they are so much alike ... but yet are miles apart in others” Linda Strong“I couldn't turn the pages fast enough. I was hooked right from the start.” Sue“A fast-moving action-packed thriller which will keep you enthralled from page one.”“Another gripping, fast-paced and twisted caper for the most unorthodox police duo in UK fiction.” Donna“Loved the book, Clocks makes me laugh out loud.” AileenDO YOU LOVE EXPLOSIVE UNPUTDOWNABLE CRIME FICTION? THEN MEET DETECTIVES PATERSON AND CLOCKS. THIS DUO ARE IRREVERENT, IMPULSIVE, AND ALWAYS FULL OF SURPRISES.IN THIS FIVE-BOOK BOX SETBOOK 1: THEIR LAST WORDSA young woman is found dead on the streets of London. Her throat slashed, her body mutilated, and one word carved into her flesh: “DON’T.” Detective Superintendent Ray Paterson is assigned to the case. Young, handsome, and from a wealthy background, he’s tipped for the top. He joins a team based out of Bermondsey, South London. It’s meant to be a steppingstone to his next promotion, but this case will threaten to bring down his career and everything he thought he knew about policing.BOOK 2: DEADLY CRIMESAn elderly African man is found dead in the street, shot through the head. The killing has the hallmarks of a professional assassin. Dumped in a waste bin next to the dead man is the dismembered torso of a child. On his first day back at work, disgraced Detective Superintendent Ray Paterson finds himself teamed up again with newly promoted Detective Inspector Johnny Clocks.BOOK 3: THE BURNING MENA man is burnt at the stake in a London park. His smouldering corpse is a message of the most violent kind. The victim is Davey Caine. He is the heir to the criminal empire created by his father, William ‘Billy’ Caine. Billy is a notorious and violent gangster who controls South East London. But he’s not the man he used to be and the sharks smell blood in the water.BOOK 4: YOU CAN’T HIDEAlbert Tanner, vicious psychopath and burner of men, is in the USA with unfinished business. Only Detectives Ray Paterson and Johnny Clocks can stop him. Their task is straightforward: hunt Tanner down and bring him home. But a few explosions, an assassin and a dead child change everything.BOOK 5: THEIR DYING BREATHA severed head washes up on the banks of the Thames, a star carved into the forehead. The next day the airwaves are hacked. A live-stream shows a man imprisoned in a box. He also has a star cut into his head. Then the man is drowned. Two more men are murdered on live TV, two more will die within hours. Detectives Paterson and Clocks race against time to ensure their next breath isn’t their last. But this enemy is far more deadly than any they’ve encountered before.THE DETECTIVESDetective Superintendent Ray Paterson is a young and (thanks to family money) wealthy womaniser, separated from his model wife and tipped to be the youngest ever commissioner of police. Detective Inspector Johnny Clocks is a foul-mouthed, working-class officer. He grew up surrounded by rogues and villains but became a first-class thief taker.THE AUTHORSteve Parker is a retired police officer who served for 20 years in numerous high-profiles squads.Don’t miss out on this action-packed series! YOU GET ALL FIVE OF THE ABOVE BOOKS IN THIS EDITION

    The semi-autobiographical book is divided into two parts and takes place between two countries; Part I, “is a cloud a living thing?”, takes place during the Author’s tumultueuse teen years with tropical Florida as a backdrop. Part II, “Inside my Shell”, explores themes of transformation as the Author creates a new life in Paris, France. ​The poems in this collection explore the surreal rollercoaster of youth, the performance of identity, being an outsider and the tension between romantic idealism and the dystopic world in which the author finds herself. Her approach to her work as a visual artist is mirrored in her poetry style, which is accompanied by all original illustrations by the Author.

    Humorous and biting, personal and communal, self-deprecating and unapologetically self-loving, peluda (meaning “hairy” or “hairy beast”) is the poet at her best. The book explores the relationship between femininity and body hair as well as the intersections of family, class, the immigrant experience, Latina identity, and much more, all through Lozada-Oliva’s unique lens and striking voice. peluda is a powerful testimony on body image and the triumph over taboo.