Taut and powerful, it is a keen reimagining of a whodunit in which everyone is implicated and no one is safe. It’s the summer of 1976 on the South Shore of Massachusetts. The Bicentennial is a season-long celebration, and flags are everywhere, snapping in the seaside winds, ironed onto T-shirts, tattooed into biceps. Tim O’Connor works the Cigarette Game booth at Funland—toss a quarter placed on an eight-sided ball into the right slot and you win two packs of smokes or maybe, if you’re lucky, a carton. If asked his age, he’d say he’s seventeen, but in truth he’s fourteen. Yet the kids in blue-collar Grantham—a town first imagined by Haigh in her devastating bestseller "Faith"—grow up fast, are known for being wild, and more often than not drop out of school to punch the clock at the nearby Raytheon plant. When Tim disappears after the park’s closing one night, no one makes much of it till late morning. It’s not the first time his mother, Kay, has forgotten to pick him up. It’s not the first time he has stayed out all night. By the time local cops begin their investigation, there is little trace of the boy, only witnesses to a complicated set of relationships in a place where surviving isn’t always thriving and where disappointment mixes with the salt in the air. In this superbly crafted story, the search for a missing boy becomes a search for the American dream, laying bare how destructive its promises often are. Recalling Dennis Lehane in setting and subject and masters like Graham Greene and Richard Ford in tone and style, Haigh’s latest work is a testament to all that short fiction can be. It’s a searing portrait of how much a community loses when one of its own is lost.

    In Life of the Party, she weaves together her own coming of age with an investigation into our culture's romanticization of violence against women. In precise, searing language—at times blistering and riotous, at times soulful and exuberant—she explores the boundary between what is real and what is imagined in a life saturated with fear. How does one grow from a girl to a woman in a world wracked by violence? Where is the line between perpetrator and victim? What is the meaning of bravery? Visceral and haunting, this multifaceted collection illustrates that what happens to our bodies makes us who we are.

    In her poem “Deliverance” about her daughter’s birth she writes “What is the word for when the light leaves the body?/What is the word for when it/at last, returns?”Through poems that are as unforgettably beautiful as they are accessible, Kate proves herself to truly be an exemplary voice in modern poetry. As easy to post on Instagram as they are to print out and frame, Kate’s words make women feel seen in their own bodies, in their own marriages, and in their own lives. Her poems are those you share with your mother, your daughter, your sister, and your friends.

    In such classics as "The Beekeeper's Daughter," "The Disquieting Muses," "I Want, I Want," and "Full Fathom Five," she writes about sows and skeletons, fathers and suicides, about the noisy imperatives of life and the chilly hunger for death. Graceful in their craftsmanship, wonderfully original in their imagery, and presenting layer after layer of meaning, the forty poems in The Colossus are early artifacts of genius that still possess the power to move, delight, and shock.

    These fifty lucid, urgent poems range in tone from lyric to ironic to meditative to prophetic, and in subject from the personal to the political, viewed in its broadest sense. They investigate the mysterious writing of poetry itself, as well as the passage of time and our shared sense of mortality. Brave and compassionate, The Door interrogates the certainties that we build our lives on, and reminds us once again of Margaret Atwood’s unique accomplishments as one of the finest and most celebrated writers of our time.

    Pick up this book only if you want to be inspired to change the world’ —–KAPIL DEVA Delhi brat studying fashion design at Leeds College of Art decides to devote her final-year project to ‘women’s empowerment'. What begins as a one-off engagement with the lives of acid-attack survivors draws her back to India to shoot a documentary on their lives. Then, an effort to raise funds for one of the survivors catapults Ria Sharma into the corrosive, devastating world of acid attacks. Today, she runs the award-winning NGO Make Love Not Scars, which works with survivors to raise funds. This is the story of how, over the years, Ria slowly learnt to find her groove as a campaigner and crusader as well as counter death threats, ageism and sexism. Her own story is closely woven with the stories of the many women who have helped her grow from a fickle girl into a woman of substance. Peppered with humour and bubbling with wisdom, Make Love Not Scars is an unusual coming-of-age tale.

    This collection is many things: an exploration of strength and femininity, an invitation to let things go wrong, a reminder that growth comes in many forms, and an acknowledgment that “some things can’t be written in sugar, only salt.” Some of the writings are extravagant, some are sparse, but all are infused with Guinery’s introspection, stillness, and kindness.

    She is working as a software engineer in an investment bank in USA. She has money ($$$$), she can afford sex outside marriage. She also has opinion on everything. She is dating various marriage prospects, will she get her dream guy?

    Whether denouncing the corporate world ("To Whom It May Concern"), or lustily joining it ("New Millennial Bad Ass"), to celebrating love in the face of smut ("Let's Make Out!"), Aptowicz dramatizes the hopes, humor and ambitions of young poet first steps into a very surreal 'real world.' This expanded version nearly triples the length of the original with previously unpublished works, including "Sass Manifesto," which was used to win the 2004 National Forsenics Championship in Poetry Interpretation.

    It assures you that tomorrow will be a better day and encourages you to realise your potential and achieve your aspirations. Petit à Petit is centred on themes like self-love, self-confidence and taking life into your own hands.No matter how far-away and impossible your dreams seem, don't be afraid to reach for them.

    Where Many Rivers Meet: Poems

    Over 800 pages of big love in a small town for readers who love hunky Southern men and the women who make them want to settle down. Big Love in a Small Town features the following three novels: Down A Country Road The very last thing on Grier McAllister’s Someday List is going back to Timbell Creek, Virginia, the town where she grew up. Timbell Creek holds too many bad memories for her, memories finally put to rest with a successful image consultant business in New York City and a hefty therapy bill. When an opportunity to choose a “Jane Austen Girl” for a visiting duke falls in her lap, the only catch that she must be from Grier’s hometown, Grier tells herself she’ll do what she needs to do and then leave it all behind for good. But Grier doesn’t count on finding that her mother is no longer the person she used to be. She certainly doesn’t plan on falling for an old boyfriend’s really hot brother! And it isn’t long before she begins to realize Timbell Creek is not only a part of who she was, but might be a part of who she is as well. Good Guys Love Dogs Desperate father Ian McKinley moves his delinquent teenage son to the small Virginia town of Keeling Creek, a place very unlike the New York City life he has been leading. Love takes him by surprise when he falls for Colby Williams, a woman unlike anyone he has ever been drawn to, a small town vet with a heart for animals and a fierce love for a teenage daughter she is also struggling to raise. But Colby has a secret in her past, a secret she's not sure her daughter will ever forgive her for. And as for Ian McKinley, he seems too good to be true. If she had learned anything from the one time she had thrown her heart fully into love, it was that it didn't last. Truths and Roses When Will Kincaid’s professional football career comes to an abrupt end in a single night, he’s left to figure out what he’s going to do with the rest of his life. He heads home to the small Virginia town where he grew up and crosses paths with Hannah Jacobs, the only girl in high school who had ever rejected him. It’s Hannah who once made him question the choices he had made, and it’s Hannah who’s making him question them all over again. But with the weight of a secret he’s managed to hide from the world his entire adult life hanging over him, he can’t afford to question his choices. Hannah Jacobs had once made the choice to deny her feelings for Will Kincaid, at the time finding it the only possible option for a young girl intent on burying a nightmare she only wanted to forget. The life she’s made for herself as a librarian in Lake Perdue is a quiet one, and she’s hardly prepared for the day when Will rams his fancy Ferrari into her dependable old clunker. But for Hannah, Will Kincaid can only stir up memories she had long ago put away forever. And there’s nothing at all good that can come from bringing them back to life again.

    

    “Provocative...a tantalizing, beautiful fusion of visions” (Bloomsbury Review).

    No Matter the Wreckage presents readers with new and beloved work that showcases Kay's knack for celebrating family, love, travel, history, and unlikely love affairs between inanimate objects ("Toothbrush to the Bicycle Tire"), among other curious topics. Both fresh and wise, Kay's poetry allows readers to join in on her journey of discovering herself and the world around her. It's an honest and powerful collection.