With a nod to his mentor, Harold Pinter, Mamet once again employs his signature verbal jousting in this battle of two women over freedom, power, money, religion—and the lack thereof. Broadway premiere, under the direction of the playwright, in fall 2012 starring Patti LuPone and Debra Winger.David Mamet is a playwright, director, author, essayist, screenwriter, and film director. His plays include Glengarry Glen Ross, Speed-the-Plow, American Buffalo, A Life in the Theatre, Oleanna, The Cryptogram, and Race.

    Moving from street corner to living room, from bedroom to kitchen, we meet the inhabitants of young, middle-aged, and old, glimpsing their socially and emotionally wretched lives, in this sharp, sad, funny, and angry play.

    However, celebrations come to an abrupt end when the host suffers an horrific accident.As the victim lies in a coma, an almost unthinkable plan starts to take shape: could her suffering be their next work of art? The group is ecstatic in its new found project until things slip out of their control and, to the surprise of all, the patient awakes?pool (no water) is a visceral and shocking new play about the fragility of friendship and the jealousy and resentment inspired by success.Citizenship is a bittersweet comedy about growing up, following a boy's frank and messy search to discover his sexual identity. It was developed as part of the National Theatre Shell Connections 2005 Programme

    He tries it in the style of Hitchcock, Tarantino, Eastwood, all of his favorite directors—but regardless of the style, he can't remember what happened that day in the shed. The day Jason died. And until he can, there is one question that keeps haunting Kyle: Did he kill his best friend on purpose? Debut novelist Heidi Ayarbe delves into the depths of the human psyche as Kyle wrestles with inner demons that make him wonder whether the world will ever be okay again—or if the best thing to do is find a way to join Jason.

    is a series of women's monologues tackling many different aspects of the complex female psyche.

    As attraction turns to sex, and they inch closer to getting what they want, both must confront the dark side of ambition and the near impossibility of reinventing oneself when the past is only a click away. Sex with Strangers had its world premiere at Steppenwolf Theatre Company; it will have its New York premiere at Second Stage Theatre in June 2014, directed by David Schwimmer.

    

    My name is George, and I’m Ted’s second-in-command: Ted is is centre-forward of the Junior XI at King’s School in Otterbury and a first class chap. He’s the leader of our company, and the story began with our battle against Toppy’s company. We were so worked up in the excitement of victory that Nick Yates kicked a football through the big window of the classroom next to the Headmaster’s study.“Poor old Nick! When the Head said he’d have to pay for it he looked like a puppy with distemper: he’d no hope of raising £4 14s. 6d. in a week than of going to the moon. So we signed a Peace with Toppy’s company and planned Operation Glazier to get the money for Nick. And if you want to know how it worked, and what happened after it was over, you'd better get cracking on Chapter 1.”

    Recommended for all collections." - Choice

    His parents retired and moved to Florida. That doesn't mean his family isn't still in Jersey. In fact, he sees both sets of his grandparents every Sunday for dinner. This is routine until he has to tell them that he's been offered a dream job. The job he's been waiting for - marketing executive - would take him away from his beloved, but annoying, grandparents. He tells them. The news doesn't sit so well. Thus begins a series of schemes to keep Nick around. How could he betray his family's love to move to Seattle for a job, wonder his grandparents? Well, Frank, Aida, Nunzio, and Emma do their level best, that includes bringing the lovely - and single - Caitlin O'Hare as bait.

    Only two characters appear on stage; Hughie, the third and most important one, is dead. It is Hughie's innocence, gullibility, and need to believe in a far more exciting existence than he ever knew which gives some kind of purpose to the shabby lives of the two who remain. O'Neill here again writes of the defeated and the courage that comes by way of illusions reflecting still other illusions in a world that needs them all.Hughie, the only surviving manuscript from a series of eight one-act monologue plays that O'Neill planned in 1940, was completed in 1941.

    Zarina has a bone to pick with the place of women in her Muslim faith, and she's been writing a book about the Prophet Muhammad that aims to set the record straight. When her traditional father and sister discover the manuscript, it threatens to tear her family apart. With humor and ferocity, Akhtar's incisive new drama about love, art, and religion examines the chasm between our traditions and our contemporary lives.

    After his third promotion in four years, he was granted a rare bright future tag that only two executives, with very different agendas, were aware of. The company relocated him to run a new selling division and his seemingly scripted life appeared to be a dream, until the warnings he ignored caused it to have traits of a nightmare.With pixie dust bathing the scene in magic, the Peter Pan Man met his Wendy, and the curtain rose on The Show.

    As the action unfolds, the residents, ranging from young to old, from the defiant to the resigned, meet and talk and interact with each other during the course of one day. The drama is of passing events in their lives, of everyday encounters and of the human comedy, with conversations often overlapping into a contrapuntal musical flow. In the resulting mosaic each character emerges clearly and perceptively defined, and the sum total of what they are-or wish they were-becomes a poignant, powerful call to America to recover lost values and to restore itself in its own and the world's eyes.

    Many have large casts and an equal mix of boy and girl parts. Set in the Malayan jungle in 1942, this play explores what happens when soldiers have to confront the reality of war.