Carter the Great—is a young master performer whose skill as an illusionist exceeds even that of the great Houdini. But nothing in his career has prepared Carter for the greatest stunt of all, which stars none other than President Warren G. Harding and which could end up costing Carter the reputation he has worked so hard to create. Filled with historical references that evoke the excesses and exuberance of Roaring Twenties, pre-Depression America, Carter Beats the Devil is a complex and illuminating story of one man's journey through a magical—and sometimes dangerous—world, where illusion is everything.

    Before long, he can't pay his bills, and he loses his toehold among Pakistan's cell-phone-toting elite. Daru descends into drugs and dissolution, and, for good measure, he falls in love with the wife of his childhood friend and rival, Ozi—the beautiful, restless Mumtaz.Desperate to reverse his fortunes, Daru embarks on a career in crime, taking as his partner Murad Badshah, the notorious rickshaw driver, populist, and pirate. When a long-planned heist goes awry, Daru finds himself on trial for a murder he may or may not have committed. The uncertainty of his fate mirrors that of Pakistan itself, hyped on the prospect of becoming a nuclear player even as corruption drains its political will.Fast-paced and unexpected, Moth Smoke portrays a contemporary Pakistan as far more vivid and disturbing than the exoticized images of South Asia familiar to most of the West. This debut novel establishes Mohsin Hamid as a writer of substance and imagination.

    fogIt's been awhile since Doc Sportello has seen his ex-girlfriend, Shasta Fay. Suddenly out of nowhere she shows up with a story about a plot to kidnap a billionaire land developer whom she just happens to be in love with. Easy for her to say. It's the tail end of the psychedelic sixties in L.A., and Doc knows that "love" is another of those words going around at the moment, like "trip" or "groovy," except that this one usually leads to trouble. Despite which he soon finds himself drawn into a bizarre tangle of motives and passions whose cast of characters includes surfers, hustlers, dopers and rockers, a murderous loan shark, a tenor sax player working undercover, an ex-con with a swastika tattoo and a fondness for Ethel Merman, and a mysterious entity known as the Golden Fang, which may only be a tax dodge set up by some dodgy dentists.In this lively yarn, Thomas Pynchon, working in an unaccustomed genre, provides a classic illustration of the principle that if you can remember the sixties, you weren't there . . . or . . . if you were there, then you . . . or, wait, is it . . .hang on. . .what

    There’s Willard Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer no matter how much sacrifi­cial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial kill­ers, who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher Roy and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right.

    Such a beautiful mother. Such a lovely house. Such endless terror! It wasn't that she didn't love her children. She did. But there was a fortune at stake—a fortune that would assure their later happiness if she could keep the children a secret from her dying father. So she and her mother hid her darlings away in an unused attic. Just for a little while. But the brutal days swelled into agonizing years. Now Cathy, Chris, and the twins wait in their cramped and helpless world, stirred by adult dreams, adult desires, served a meager sustenance by an angry, superstitious grandmother who knows that the Devil works in dark and devious ways. Sometimes he sends children to do his work—children who—one by one—must be destroyed.... 'Way upstairs there are four secrets hidden. Blond, beautiful, innocent struggling to stay alive....'

    "Norma had run off with Guy Dupree and I was waiting around for the credit card billings to come in so I could see where they had gone." The fussbudget is assailed by tropical storms, grifters, hippies, car trouble, and candy wrappers at high speed "wind came up through the floor hole in such a way that the Heath wrappers were suspended behind my head in a noisy brown vortex". Leech Dr Reo Symes is a font of dubious financial schemes and fluff such as a circus "fifty-pound rat from the sewers of Paris, France. Of course it didn't really weigh fifty pounds and it wasn't your true rat and it wasn't from Paris, France, either. It was some kind of animal from South America."

    Why had she not even been reported missing by her friends?Spencer O'Malley, the police detective assigned to the case, is soon drawn into the strange world of four friends, Jim, Conni, Albert and Kristina. O'Malley finds that these children of privilege who played, studied, and occasionally slept together also kept secrets of their own, secrets that must be pieced together to form an entirely new picture.O'Malley is a stranger in this Ivy League environment, yet he feels an affinity with the victim. In her death, he gradually discovers the truth of her mysterious and complex life, and each revelation is more shocking than the last.Suspenseful, claustrophobic and utterly compelling, Red Leaves puts Paullina Simons in the very front rank of contemporary writers.

    When she travels to Sydney on assignment and finds her best friend murdered, she soon discovers a deadly puzzle of suspicious photographers, hired thugs, mysterious lovers and the handsome, jaded Detective Andy Flynn investigating the Stiletto Murders - the most violent serial killings Australia has ever known. In her quest to uncover the truth behind her best friend's murder, Mak falls headlong into a deadly game of cat and mouse, unaware she has become the obsession of a sadistic psychopath. When a photo from her portfolio disappears, her borrowed flat is ransacked and Andy Flynn suddenly goes underground, Mak knows she must run. But where can she go and to whom can she turn? Mak has scratched the seedy underbelly of a foreign city and is driven into a corner, an evil place where, for her own well-being and state of mind, she must suspect everyone and everything... The first book in the Mak Vanderwall series, FETISH is followed by SPLIT, COVET, HIT, SIREN and ASSASSIN.

    Secretly, she feels torn between the traditional Chinese values of her family and the social mores of being an American girl.To escape the burden of carrying her family's honor, Fiona decides to take her own virginity. In the process, she makes a surprising discovery that reunites her with a long-lost friend, Sean Killroy. Sean introduces her to a dark world of excitement, danger, cunning, and cruelty, pushing her to the limits of her own morality. But Fiona's father throws her new life into disarray when he dupes her into an overnight trip that results in a hasty engagement to Don Koo, the spoiled son of a wealthy chef.Determined to thwart her parents' plans to marry her off into Asian suburbia, Fiona seeks her freedom at any price. How far will she go to bury the Hello Kitty stereotype forever? Fiona's journey of self-discovery is biting and clever as she embraces her true nature and creates her own version of the American Dream, eliminating--without fear or remorse--anyone who stands in her way.

    Backgrounded by these wars, the story follows the history of the Terra-Cambaras, during 150 years, in the southern part of Brazil. The men ... Mais were lusty fighters and lovers; the women pulled the strings and ran their men's lives behind the scenes. They bore them children, legitimate and illegitimate, and buried them when need came. Bandits became respectable. Foreigners, Germans chiefly, made and kept their places in the community. And certain symbols stood, through successive generations, for the family:- the silver dagger, brought by a missionary priest, and kept in site as a reminder of a sin almost committed; old pruning shears, which had cut the umbilical cords of successive new born babies; the wind, destined to herald events in the family history, and the Sobrado, the great castle like mansion, which tempted and betrayed them, and housed them all, though the Cambaras had come by it through intermarriage with the Amarals, titular owners. There's a kind of authenticity in the feel and mood of story and setting, in the characteristic blend of realism, superstition, violence and poetry, but the story itself seems to ride off in all directions, and the thread loses itself again and again. Possibly, the shift back and forth in time, from 1745 to 1895, makes it not wholly successful in what the author aims to do, but at its close, the scattered pieces seem to fit into a whole. Not always easy reading, there are moments when it recalls the traditional novels of the picaresque pattern. The publishers have perhaps more confidence in its sales potentials than we have, so watch it.

    Banned from reading, Florence devours books in secret and talks to herself—and narrates her story—in a unique language of her own invention. By night, she sleepwalks the corridors and is troubled by a recurrent dream in which a mysterious woman appears to threaten her younger brother Giles.After the sudden violent death of the children's first governess, a second teacher, Miss Taylor, arrives, and immediately strange phenomena begin to occur. Florence becomes convinced that the new governess is a malevolent spirit who means to do Giles harm. Against this powerful enemy, Florence must use all her intelligence and ingenuity to protect her little brother and preserve her private world. This Gothic page-turner in the tradition of The Woman in Black and The Fall of the House of Usher is told in a startlingly different and wonderfully captivating narrative voice.

    A gifted and reclusive ghostwriter, Alice Lovett makes a living helping other people tell their stories. But she is haunted by the one story she can't tell: the story of, as she puts it, "the things that happened while I was asleep."1999. Nick Brothers and his lacrosse teammates return for their senior year at their wealthy Maryland high school as the reigning state champions. They're on top of the world—until two of his friends drive a passed-out girl home from of the team's "legendary" parties, and a rumor about what happened in the backseat spreads through the town like wildfire.The boys deny the allegations, and, eventually, the town moves on. But not everyone can. Nick descends into alcoholism, and Alice builds a life in fits and starts, underestimating herself and placing her trust in the wrong people. When she finally gets the opportunity to confront the past she can't remember—but which has nevertheless shaped her life—will she take it?An inventive and breathtaking exploration of a woman finding her voice in the wake of trauma, True Story is part psychological thriller, part fever dream, and part timely comment on sexual assault, power, and the very nature of truth. Ingeniously constructed and full of twists and turns that will keep you guessing until the final pages, it marks the debut of a singular and daring new voice in fiction.

    When a man is swept away by the river in the early hours of Shrove Saturday, an explanation has to be found: accident, suicide or murder? The village priest, John Reve, is privy to many secrets in his role as confessor. But will he be able to unravel what happened to the victim, Thomas Newman, the wealthiest, most capable and industrious man in the village? And what will happen if he can’t?Moving back in time towards the moment of Thomas Newman’s death, the story is related by Reve – an extraordinary creation, a patient shepherd to his wayward flock, and a man with secrets of his own to keep. Through his eyes, and his indelible voice, Harvey creates a medieval world entirely tangible in its immediacy.

    Now, with this new tale of psychological suspense, Martínez is poised to expand on the success of The Oxford Murders.The narrator is an up-and-coming young writer who has little in common with Kloster—a literary giant whose disturbing crime novels dominate the bestseller lists. However, they have both, at one time, employed the secretarial services of the alluring Luciana B. Out of the past, Luciana makes a desperate plea to the young writer. She thinks that Kloster is slowly killing off everyone close to her—can he help before her grandmother and younger sister are murdered?While the narrator suspects her misfortunes have driven her mad, Kloster has a powerful motive; and eerie parallels surface between the murders in Kloster’s books and the real-life deaths surrounding Luciana. As the body count multiplies, the question arises: Can words really kill? Fans of both Alfred Hitchcock and Carlos Ruiz Zafón will be thrilled with Martínez’s literary murder mystery.

    All these years later, her aged uncle continues to seek the truth. He hires Mikael Blomkvist, a crusading journalist recently trapped by a libel conviction, to investigate. He is aided by the pierced and tattooed punk prodigy Lisbeth Salander. Together they tap into a vein of unfathomable iniquity and astonishing corruption.An international publishing sensation, Stieg Larsson’s The Girl with the Dragon Tattoo combines murder mystery, family saga, love story, and financial intrigue into one satisfyingly complex and entertainingly atmospheric novel.