But when Josh returns home to bury his estranged father, he gets the shock of his life: his thrifty dad was filthy rich. Oy!Who was this man who donated millions to charity, invested in the dreams of Josh's friends, and shared his home with a strange vodka-swilling Russian? Apparently, Abe collected diamonds too. But when Josh can't find the gems, he begins to wonder if his dad's death was truly an accident.Hounded by grief and remorse, Josh resolves to find his dad's diamond stash—which could be his inheritance and proof of his father's love. What he doesn't realize is that this emotionally charged treasure hunt is taking him closer to his dad's killer.

    In the sixteenth century, the Protestant Reformation launched an attack on privilege and the Catholic Church, but it rapidly became an established, bourgeois authority itself. Rural laborers and the urban poor, who were still being promised equality in heaven, began to question why they shouldn’t have equality here and now on earth.There ensued a furious struggle between the powerful—the comfortable Protestants—and the others, the wretched. They were led by a number of theologians, one of whom has left his mark on history through his determination and sheer energy. His name was Thomas Müntzer, and he set Germany on fire. The War of the Poor recounts his story—that of an insurrection through the Word.In his characteristically bold, cinematic style, Éric Vuillard draws insights from this revolt from nearly five hundred years ago, which remains shockingly relevant to the dire inequalities we face today.

    The story of her life is the story of the paintings, and painters, who matter to her. Her intimate, digressive voice guides us through a gallery of moments that have touched her.In these pages, El Greco visits the Sistine Chapel and is appalled by Michelangelo’s bodies. The mystery of Rothko's refusal to finish murals for the Seagram Building in New York is blended with the story of a hospital in which a prostitute walks the halls while the narrator's husband receives chemotherapy. Alfred de Dreux visits Géricault's workshop; Gustave Courbet's devilish seascapes incite viewers “to have sex, or to eat an apple”; Picasso organizes a cruel banquet in Rousseau’s honor. . . . All of these fascinating episodes in art history interact with the narrator's life in Buenos Aires—her family and work; her loves and losses; her infatuations and disappointments. The effect is of a character refracted by environment, composed by the canvases she studies.Seductive and capricious, Optic Nerve is a book that captures, like no other, the mysterious connections between a work of art and the person who perceives it.

    Miss Read's wonderfully festive collection of Christmas stories is packed with entertaining characters and enchanting tales.

    Now, at the height of his powers, Zambra returns with a book that is the natural extension of these qualities: Multiple Choice.   Written in the form of a standardized test, Multiple Choice invites the reader to complete virtuoso language exercises and engage with short narrative passages via multiple-choice questions that are thought-provoking, usually unanswerable, and often absurd. It offers a new kind of reading experience, one where the reader participates directly in the creation of meaning. Full of humor, melancholy, and anger, Multiple Choice is about love and family; privacy and the limits of closeness; how a society is affected by the legacies of the past; and the conviction that, rather than learning to think, we are trained to obey and repeat. Serious in its literary ambition but playful in its execution, Multiple Choice confirms Alejandro Zambra as one of the most important writers working in any language.

    A true misfit, he grows up happier communing with nature than with people. While he is straightforward, honest, and a doting father, he can be a difficult, taciturn husband - but he's the last person one would suspect of being a killer. Then he wakes in the woods one morning to find himself branded a wife-beater and under investigation for murder. Suddenly his small world falls apart as he loses wife, daughter, liberty, livelihood, and, almost, his mind. Bereft of his family - though cleared of wrongdoingLawrence undertakes a journey to the Caribbean, where a passionate encounter with an aging actress throws his life into further disarray. Meanwhile, the exasperated women in his lifemother, ex-wife, and enigmatic mistress - are forced to accept that their lives must feel the gardener's blade if they are to bloom afresh. Seeking sanctuary at an alternative therapy center among the giant redwoods of northern California, Lawrence finally stumbles upon the possibility of happiness, but not before some chance encounters and long-hidden secrets conspire to unearth the deeply buried roots of his misfortune.

    It has never been easy for her to connect with anyone other than her adoptive parents, but that hasn’t kept her from leading a quietly happy life...until now.Suddenly Willow’s world is tragically changed when her parents both die in a car crash, leaving her alone in a baffling world. The triumph of this book is that it is not a tragedy. This extraordinarily odd, but extraordinarily endearing, girl manages to push through her grief. Her journey to find a fascinatingly diverse and fully believable surrogate family is a joy and a revelation to read.

    A real friend. Not like her house with chicken legs. Sure, the house can play games like tag and hide-and-seek, but Marinka longs for a human companion. Someone she can talk to and share secrets with. But that's tough when your grandmother is a Yaga, a guardian who guides the dead into the afterlife. It's even harder when you live in a house that wanders all over the world . . . carrying you with it. Even worse, Marinka is being trained to be a Yaga. That means no school, no parties--and no playmates that stick around for more than a day. So when Marinka stumbles across the chance to make a real friend, she breaks all the rules . . . with devastating consequences. Her beloved grandmother mysteriously disappears, and it's up to Marinka to find her--even if it means making a dangerous journey to the afterlife. With a mix of whimsy, humor, and adventure, this debut novel will wrap itself around your heart and never let go.

    She's a young woman haunted by the murder of her mother when she was thirteen, and a young bride haunted by the disappearance of her husband, Jimmy, who split after a nasty argument more than a year earlier. Together Jimmy and Rita were slipping into drugs and hard times. Rita is filled with feelings of guilt and failure, and the hope that she will one day and Jimmy. She doesn't know that he is still in the city, still in love with her, waiting tables in an expensive restaurant while trying to get a foothold in the straight life.When Rita witnesses the aftermath of a murder, her own life is endangered. She becomes involved with Gary Shepard, a married criminal investigator drawn to the dark side of this young woman. What unfolds is a story of three flawed people struggling with themselves as much as with their circumstances, as each of them is pulled more deeply and dangerously into the consequences of their decisions. When a drunken night leads Jimmy to jeopardize his second and last chance, it seems unlikely that these sweet, damaged people will ever come to anything, let alone find and -- miracle of miracles -- save one another.But fate, in Addonizio's hands, works in strange and beautiful geometries. And redemption, she tells us, is never impossible.

    She's the heroine, and her story is exciting -- but that's the trouble. Her story is always exciting in the same way. Sylvie longs to get away and explore the world outside the confines of her book. When she breaks the cardinal rule of all storybook characters and looks up at the Reader, Sylvie begins a journey that not even she could have anticipated. And what she accomplishes goes beyond any great good thing she could have imagined...

    Fantastic creatures and daring adventures are all just part of another average day for Hilda, but what will she do if she is forced to move to Trolberg city, far away from her beloved valley home? Dive into the adventure with this illustrated chapter book.

    But she knows she's not a boy. She knows she's a girl.George thinks she'll have to keep this a secret forever. Then her teacher announces that their class play is going to be Charlotte's Web. George really, really, REALLY wants to play Charlotte. But the teacher says she can't even try out for the part . . . because she's a boy. With the help of her best friend, Kelly, George comes up with a plan. Not just so she can be Charlotte -- but so everyone can know who she is, once and for all.

    In this fictional memoir, the renowned composer Kuhn recounts his tangled relationships with two artists--his friend Heinrich Muoth, a brooding, self-destructive opera singer, and the gentle, self-assured Gertrude Imthor. Kuhn is drawn to Gertrude upon their first meeting, but Gertrude falls in love with Heinrich, to whom she is introduced when Kuhn auditions them for the leads in his new opera. Hopelessly ill-matched, Gertrude and Heinrich have a disastrous marriage that leaves them both ruined. Yet this tragic affair also becomes the inspiration for Kuhn's opera, the most important success of his artistic life.

    Desperate to earn money he accepts the job of being the government's Investigator; an official who discovers whether petitions for mercy sent by condemned criminals should be granted. His first case concerns a portrait painter who is due to hang for murder in a week's time and the government makes it clear that they want the verdict confirmed.But Rider Sandman, whose qualifications for the post are nonexistent, discovers that the painter is almost certainly innocent and, as he peels back the layers of a corrupt penal system, he finds himself pitted against some of the wealthiest and most ruthless men in Regency England who want to keep the truth hidden.

    She likes drugs and cigarettes, and when she learns that she's something of an anthropological curiosity herself--a "woman writer of color" treasured in her university for the flourish of rarefied diversity she brings--she pokes fun at American academic culture and its fixation on identity.When she is unexpectedly nominated for "the most important literary award in Europe," Mona sees a chance to escape her spiral of sunlit substance abuse and erotic distractions, and so she trades the temptations of California for small, gray village in Sweden close to the Artic. Now she's stuck in the company of all her jetlagged--and mostly male--competitors, arriving from Japan, France, Armenia, Iran, Colombia. Isolated as they are, the writers do what writers do: exchange compliments, nurse envy and private resentments, stab rivals in the back, and hop in bed together--and all the while, Mona keeps stumbling across the mysterious traces of a violence she cannot explain.As her adventures in Scandinavia unfold, Mona finds that she has not so much escaped her demons as locked herself up with them in the middle of nowhere. In Mona, Pola Oloixarac paints a hypnotic, scabrous and finally jaw-dropping portrait of a woman facing a hipster elite in which she both does and does not belong. A survivor of both patronization and bizarre sexual encounters, Mona is a new kind of feminist. But her past won't stay past, and strange forces are working to deliver her to the test of a lifetime.