A good read.” -- Dusty Richards, Spur and Wrangler Award winning author “Author Phil Truman captured a slice of Indian Territory history and has woven it into an interesting period novel. Anyone who loves the history of the West will enjoy Red Lands Outlaw: the Ballad of Henry Starr.” -- Tammy Hinton, author and winner of the Will Rogers Medallion Award for Unbridled "Truman’s storytelling shines throughout..." -- Kathleen Rice Adams, Western Fictioneers In the last years of the tough and woolly land called Indian Territory, and the first of the new state of Oklahoma, the outlaw Henry Starr rides roughshod through its midst. A native son of “The Nations” he’s more Scotch-Irish than Cherokee, but scorned by both. Never really wanted to journey west of the law, yet fate seems to insist. He’s falsely accused of horse-thieving at sixteen, sentenced to hang for murder at nineteen by Judge Isaac Parker, but escapes the gallows on a technicality. Given that opportunity, the charming, handsome, mild-mannered Henry Starr spends the rest of his life becoming the most prolific bank robber the West has ever known.

    Few, if any, of the most imaginative writers of love stories have or could have envisioned the experiences of this couple.

    Will Rising had dragged himself from humble beginnings to his own small tailoring business in Gloucester - and on the way he'd fallen violently in love with Florence, refined, delicate, and wanting something better for her children. March was the eldest girl, the least loved, the plain, unattractive one who, as the family grew, became more and more the household drudge. But March, a strange, intelligent, unhappy child, had inherited some of her mother's dreams. March Rising was determined to break out of the round of poverty and hard work, to find wealth, and love, and happiness.

    Xavier’s college is murdered at his home. The witnesses claim he was killed by a ghost! The police is clueless. Inspector Patrick Minj ropes in Detective Robin Horo, who unearths a clue which indicates that the murder has a bloody trail running as far as 350 years in the history of Jharkhand. A poisonous conspiracy was plotted centuries ago in the Kingdom of Palamu that designed the downfall of an empire and forced the king to hide his legacy in the unforgiving and indifferent womb of time. The ghost is leaving behind a trail of dead bodies and to solve the case Robin has nothing but an Artifact that is said to have an ancient curse over it and a centuries old riddle that if solved, could lead to an Elixir. Witness the conspiracy unfolding that spans 350 years in the making and takes Robin and his companions on a labyrinthine adventure involving deadly secrets, dangerous threats and a lethal encounter with a beast in the jungles of Palamu.

    The cosmopolitan fabric of a vibrant trading society - with its Jewish and Arab merchants, Chinese pirate heroes and masterful Hindu Zamorins - was ripped apart, heralding an age of violence and bloodshed. One prince, however, emerged triumphant from this descent into chaos. Shrewdly marrying Western arms to Eastern strategy, Martanda Varma consecrated the dominion of Travancore, destined to become one of the most dutiful pillars of the British Raj. What followed was two centuries of internecine conflict in one of India's premier princely states, culminating in a dynastic feud between two sisters battling to steer the fortunes of their house on the eve of Independence. Manu S. Pillai's retelling of this sprawling saga focuses on the remarkable life and work of Sethu Lakshmi Bayi, the last - and forgotten - queen of the House of Travancore. The supporting cast includes the flamboyant painter Raja Ravi Varma and his wrathful wife, scheming matriarchs of 'violent, profligate and sordid' character, wife-swapping court favourites, vigilant English agents, quarrelling consorts and lustful kings. Extensively researched and vividly rendered, The Ivory Throne conjures up a dramatic world of political intrigues and factions, black magic and conspiracies, crafty ceremonies and splendorous temple treasures, all harnessed in a tragic contest for power and authority in the age of empire.

    It is an insightful account of the larger governance phenomenon in India—coalition politics—as seen through the eyes of one of the chief architects of the post-Congress era of Indian politics.From the inexplicable defeat of the Congress in the 1996 general elections and the rise of regional parties like the TDP and the TMC, to the compelling factors that forced the Congress to withdraw support to the I.K. Gujral government and the singular ability of Sonia Gandhi to forge an alliance with diverse political parties that enabled the Congress to lead the coalitions of UPA I and II, Pranab Mukherjee was a keen observer and an active participant in the contemporary developments that reshaped the course of the country’s political, economic and social destiny.Beyond the challenges, complications and compulsions of coalition governments, this book is also a recollection of Mukherjee’s journey as the Cabinet Minister in the key ministries of defence, external affairs and finance, beginning from 2004. He recounts each of these events with candour—the path-breaking meeting with Henry Kissinger in 2004 that altered the course of the Indo–US strategic partnership, his timely advice to Bangladesh Army Chief Moeen Ahmed in 2008 that led to the release of political prisoners there and the differing views with RBI Governor D. Subbarao on the structure of the FSDC.The third volume of Mukherjee’s autobiography is a sharp and candid account of his years at the helm. It offers the most authoritative account of contemporary Indian politics by one of the tallest leaders and statesmen of our generation.

    

    Despite being part of the country's small Hindu community, that is terrorized at every opportunity by Muslim fundamentalists, they refuse to leave their country, as most of their friends and relatives have done. Sudhamoy, an atheist, believes with a naive mix of optimism and idealism that his motherland will not let him down... And then, on 6 December 1992, the Babri Masjid at Ayodhya in India is demolished by a mob of Hindu fundamentalists. The world condemns the incident but its fallout is felt most acutely in Bangladesh, where Muslim mobs begin to seek out and attack the Hindus... The nightmare inevitably arrives at the Duttas' doorstep - and their world begins to fall apart.

    In The Ascetic of Desire, called a literary achievement of the highest order, by The Times (India), acclaimed author Sudhir Kakar tells the story of the man who is believed to be the author of the Kama Sutra, Vatsyayana, and the time in which he lived-the fourth century A.D., considered the golden age of Indian history. In The Ascetic of Desire, the elusive sage Vatsyayana recounts his youth to a young pupil. The young man, planning to write Vatsyayana's biography, listens dutifully as Vatsyayana shares stories of a childhood spent largely in the brothel where his favorite aunt worked. As Vatsyayana's story unfolds, the pupil finds, to his consternation, that his own life has begun to reflect and parallel the ascetic's narrative. At the point where their stories intersect, the unexpected happens. Like Arthur Golden's Memoirs of a Geisha, Sudhir Kakar's novel is a startling combination of psychological insight and historical detail. With rights sold in eleven countries, this is a story of universal appeal imbued with a distant world's charm and exotic allure. The best novel on sex and sensuality I have ever read. (Khushwant Singh, author of Train to Pakistan)

    One of modern day's most articulate statesmen, Jawaharlal Nehru wrote a on a wide variety of subjects. Describing himself as "a dabbler in many things," he committed his life not only to politics but also to nature and wild life, drama, poetry, history, and science, as well as many other fields. These two volumes help to illuminate the depth of his interests and knowledge and the skill and elegance with which he treated the written word!!

    In 1947, American historian and veteran of WWII, Martin Mitchell, wins a Fulbright Fellowship to document the end of British rule in India. His wife, Evie, convinces him to take her and their young son along, hoping a shared adventure will mend their marriage, which has been strained by war.But other places, other wars. Martin and Evie find themselves stranded in a colonial bungalow in the Himalayas due to violence surrounding the partition of India between Hindus and Muslims. In that house, hidden behind a brick wall, Evie discovers a packet of old letters, which tell a strange and compelling story of love and war involving two young Englishwomen who lived in the same house in 1857. Drawn to their story, Evie embarks on a mission to piece together her Victorian mystery. Her search leads her through the bazaars and temples of India as well as the dying society of the British Raj. Along the way, Martin’s dark secret is exposed, unleashing a new wedge between Evie and him. As India struggles toward Independence, Evie struggles to save her marriage, pursuing her Victorian ghosts for answers.Bursting with lavish detail and vivid imagery of Calcutta and beyond, The Sandalwood Tree is a powerful story about betrayal, forgiveness, fate, and love.

    From fugitive to Medal of Honor winner, Mann carries on to rise above the ignorance and intolerance of those who seek to bring him down; somehow gaining strength from the unimaginable losses he suffers and his own self doubt. Troy Smith does a great job of telling this man's story; providing a real insight not only to the emotional struggle that made Alfred Mann the individual he was, but the era that forged his heroic character. – Kit Prate 2001 WWA Spur Award Winner for Best Original Paperback

    And yet, have we never wondered why his young wife, Yashodhara, still recovering from the birth of their son nine days ago, sleeps soundly as her husband, the over-protected prince departs, leaving behind his family and wealth and kingdom? In Yashodhara, the gaps of history are imagined with fullness and fierceness: Who was the young girl and what shaped her worldview? When she married Siddhartha at the age of sixteen, did she know her conjugal life would soon change drastically? The Yashodhara we meet in Volga's feminist novel is quick-witted, compassionate and wants to pave a way for women to partake in spiritual learning as equals of men.