A yawning, bottomless crack spreads through the earth, out of which creeps a fog that resembles no other. Whatever it is, it must be controlled.

    Unfolding in a graveyard over the course of a single night, narrated by a dazzling chorus of voices, Lincoln in the Bardo is a literary experience unlike any other—for no one but Saunders could conceive it.February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returned to the crypt several times alone to hold his boy’s body.From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a thrilling, supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory, where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices—living and dead, historical and invented—to ask a timeless, profound question: How do we live and love when we know that everything we love must end?

    When long-hidden secrets about the atrocities he committed in Vietnam come to light, a candidate for the U.S. Senate retreats with his wife to a lakeside cabin in northern Minnesota. Within days of their arrival, his wife mysteriously vanishes into the watery wilderness.

    Peter Byerly isn't sure what drew him into this particular bookshop. Nine months earlier, the death of his beloved wife, Amanda, had left him shattered. The young antiquarian bookseller relocated from North Carolina to the English countryside, hoping to rediscover the joy he once took in collecting and restoring rare books. But upon opening an eighteenth-century study of Shakespeare forgeries, Peter is shocked when a portrait of Amanda tumbles out of its pages. Of course, it isn't really her. The watercolor is clearly Victorian. Yet the resemblance is uncanny, and Peter becomes obsessed with learning the picture's origins. As he follows the trail back first to the Victorian era and then to Shakespeare's time, Peter communes with Amanda's spirit, learns the truth about his own past, and discovers a book that might definitively prove Shakespeare was, indeed, the author of all his plays.

    . . and other horrors that lurk in the water’s shivery depths. And tension shimmers in the sweltering heat of the Nevada desert as a faceless trucker finds himself caught in a sinister dance with a tribe of motorcycle outlaws in “Throttle,” co-written with Stephen King.

    And they’re right; with newborn twins, Morgan and Riley, she’s never been more tired in her life. But she knows what she saw: that night, in her hospital room, a woman tried to take her babies and replace them with her own…creatures. Yet when the police arrived, they saw no one. Everyone, from her doctor to her husband, thinks she’s imagining things.A month passes. And one bright summer morning, the babies disappear from Lauren’s side in a park. But when they’re found, something is different about them. The infants look like Morgan and Riley―to everyone else. But to Lauren, something is off. As everyone around her celebrates their return, Lauren begins to scream, These are not my babies.Determined to bring her true infant sons home, Lauren will risk the unthinkable. But if she’s wrong about what she saw…she’ll be making the biggest mistake of her life.Compulsive, creepy, and inspired by some our darkest fairy tales, Little Darlings will have you checking―and rechecking―your own little ones. Just to be sure. Just to be safe.

    His investigation brings him in contact with a mysterious woman, Jackdaw Hammond, who guards a monumental secret–She’s Dead. Or she would be, were it not for magic which has artificially extended her life. But someone else knows her secret. Someone very old and very powerful, who won’t rest until they’ve taken the magic that keeps her alive….In Krakow in 1585, Dr John Dee, the Elizabethan Alchemist and Occultist, and his assistant Edward Kelley have been summoned by the King of Poland to save the life of his niece, the infamous Countess Elisabeth Bathory. But they soon realize that the only thing worse than the Countess’ malady, is the magic that might be able to save her…As Jackdaw and Felix race to uncover the truth about the person hunting her, it becomes clear that the answers they seek can only be found in the ancient diary of John Dee’s assistant, Edward Kelley. Together they must solve a mystery centuries in the making, or die trying.

    But the real reason she's there is to bear him and his barren wife a child, the consequences of which curse the tenement building that is their home for a hundred years. As we travel through the nine floors of the building and the next eight decades, the resident's lives entwine over the ages and in unpredictable ways. Along the way we encounter the city's most infamous Madam, a seance, a civil rights lawyer, a bone mermaid, a famous Beat poet, a notorious Edinburgh gang, a spy, the literati, artists, thinkers, strippers, the spirit world - until a cosmic agent finally exposes the true horror of the building's longest kept secret. No. 10 Luckenbooth Close hurtles the reader through personal and global history - eerily reflecting modern life today.

    But they’re going to need a lot more silver.As fog descends, obscuring the gas lamps of Victorian London, werewolves prowl the shadows of back alleys. But they have infiltrated the inner circles of upper-crust society as well. Only a handful of specially gifted practitioners are equipped to battle the beasts. Among them are the roguish Simon Archer, who conceals his powers as a spell-casting scribe behind the smooth veneer of a dashing playboy; his layabout mentor, Nick Barker, who prefers a good pub to thrilling heroics; and the self-possessed alchemist Kate Anstruther, who is equally at home in a ballroom as she is on a battlefield.After a lycanthrope targets Kate’s vulnerable younger sister, the three join forces with fierce Scottish monster-hunter Malcolm MacFarlane—but quickly discover they’re dealing with a threat far greater than anything they ever imagined.

    It is to Chinon that Emily goes on a long-awaited holiday, to meet her charming but unreliable cousin, Harry. Harry wanted to explore the old town and the castle, where Queen Isabelle, child bride of King John, had withstood the siege of Chinon many centuries ago, and where, according to legend, she hid her casket of jewels. But when Emily arrives at her hotel she finds that Harry has disappeared, and as she tries to find him she becomes involved with some of the other guests and learns of a mystery dating from the German occupation during the Second World War. Another Isabelle, a chambermaid at the hotel, fell in love with a German soldier, with tragic results.Emily becomes increasingly aware of strange tensions, old enmities and new loves; as she explores the city, with its labyrinthine dungeons and tunnels and its ancient secrets, she comes ever closer to the mystery of what happened to both the Isabelles of Chinon's history.

    Every night, before she puts them to bed, she whispers to them: “You are good, you are kind, you are clever, you are funny.” She’s determined that they never doubt for a minute that their mother loves them unconditionally. After all, her own mother Jeanie had died when she was only seven years old and Faye has never gotten over that intense pain of losing her.But one day, her life is turned upside down when she finds herself in 1977, the year before her mother died. Suddenly, she has the chance to reconnect with her long-lost mother, and even meets her own younger self, a little girl she can barely remember. Jeanie doesn’t recognize Faye as her daughter, of course, even though there is something eerily familiar about her...As the two women become close friends, they share many secrets—but Faye is terrified of revealing the truth about her identity. Will it prevent her from returning to her own time and her beloved husband and daughters? What if she’s doomed to remain in the past forever? Faye knows that eventually she will have to choose between those she loves in the past and those she loves in the here and now, and that knowledge presents her with an impossible choice.Emotionally gripping and ineffably sweet Faye, Faraway is a brilliant exploration of the grief associated with unimaginable loss and the magic of being healed by love.

    1850. The Great Exhibition is being erected in Hyde Park and among the crowd watching the spectacle two people meet. For Iris, an aspiring artist, it is the encounter of a moment – forgotten seconds later, but for Silas, a collector entranced by the strange and beautiful, that meeting marks a new beginning. When Iris is asked to model for pre-Raphaelite artist Louis Frost, she agrees on the condition that he will also teach her to paint. Suddenly her world begins to expand, to become a place of art and love.But Silas has only thought of one thing since their meeting, and his obsession is darkening . . .

    World War Two is over, but the recovery from the most intimate of its horrors has only just begun for Annaliese Lange, a German ballerina desperate to escape her past, and Simone Deveraux, the wronged daughter of a French Resistance spy.Now the two women are joining hundreds of other European war brides aboard the renowned RMS Queen Mary to cross the Atlantic and be reunited with their American husbands. Their new lives in the United States brightly beckon until their tightly-held secrets are laid bare in their shared stateroom. When the voyage ends at New York Harbor, only one of them will disembark... Present day. Facing a crossroads in her own life, Brette Caslake visits the famously haunted Queen Mary at the request of an old friend. What she finds will set her on a course to solve a seventy-year-old tragedy that will draw her into the heartaches and triumphs of the courageous war brides and will ultimately lead her to reconsider what she has to sacrifice to achieve her own deepest longings.

    Seen through the eyes of an eight-year-old boy, Woody, we meet Lady, a charming widow, owner of an imposing home on the Green. As does Woody, we come to care for and love his "special friend."But there is more to Lady than meets the eye, and we share Woody's fear as he closes in on Lady's terrible secret.

    J. Tudor.Welcome to Chapel Croft. Five hundred years ago, eight protestant martyrs were burned at the stake here. Thirty years ago, two teenage girls disappeared without a trace. And two months ago, the vicar of the local parish killed himself.Reverend Jack Brooks, a single parent with a fourteen-year-old daughter and a heavy conscience, arrives in the village hoping to make a fresh start and find some peace. Instead, Jack finds a town mired in secrecy and a strange welcome package: an old exorcism kit and a note quoting scripture. "But there is nothing covered up that will not be revealed and hidden that will not be known."The more Jack and her daughter Flo get acquainted with the town and its strange denizens, the deeper they are drawn into their rifts, mysteries, and suspicions. And when Flo is troubled by strange sightings in the old chapel, it becomes apparent that there are ghosts here that refuse to be laid to rest.But uncovering the truth can be deadly in a village where everyone has something to protect, everyone has links with the village's bloody past, and no one trusts an outsider.