If you're you are open to difference, are interested in alternative ways to live and love, and enjoy a fast-paced thriller, then this book is for you—so read and enjoy.Eighteen year-old Sebastian is an enigma. Everyone likes him, but no one knows anything about him. He wears clothes only under protest, but no one seems to mind. To say his home life is unusual is like saying the Amazon is a stream. Bizarre doesn’t even begin to describe his upbringing. He doesn’t know who his father was, he’s used as a therapist for broken youths, and yet he’s managed to remain a ‘normal’ and thoroughly ‘nice guy’…in the opinion of all those who are not concerned by his penchant for nudity.In this fast paced tale of criminal intrigue, porno rings, abductions and mayhem in tropical Australia, Sebastian and his boyfriend, Reginald, fight for their lives against the big-moneyed bad boys.

     Glen Retief's childhood was at once recognizably ordinary--and brutally unusual.Raised in the middle of a game preserve where his father worked, Retief's warm nuclear family was a preserve of its own, against chaotic forces just outside its borders: a childhood friend whose uncle led a death squad, while his cultured grandfather quoted Shakespeare at barbecues and abused Glen's sister in an antique-filled, tobacco-scented living room.But it was when Retief was sent to boarding school, that he was truly exposed to human cruelty and frailty. When the prefects were caught torturing younger boys, they invented "the jack bank," where underclassmen could save beatings, earn interest on their deposits, and draw on them later to atone for their supposed infractions. Retief writes movingly of the complicated emotions and politics in this punitive all-male world, and of how he navigated them, even as he began to realize that his sexuality was different than his peers'.

    No subject has divided contemporary America more bitterly than homosexuality.  Addressing the full range of the debate in this pathbreaking book, Andrew Sullivan, the former editor of The New Republic, restores both reason and humanity to the discussion over how a predominantly heterosexual society should deal with its homosexual citizens.Sympathetically yet relentlessly, Sullivan assesses the prevailing public positions on homosexuality--from prohibitionist to liberationist and from conservative to liberal.  In their place, he calls for a politics of homosexuality that would guarantee the rights of gays and lesbians without imposing tolerance.  At once deeply personal and impeccably reasoned, written with elegance and wit, Virtually Normal will challenge readers of every persuasion; no book is more likely to transform out sexual politics in the coming decades.

    Stone Butch Blues traces a propulsive journey, powerfully evoking history and politics while portraying an extraordinary protagonist full of longing, vulnerability, and working-class grit. This once-underground classic takes the reader on a roller-coaster ride of gender transformation and exploration and ultimately speaks to the heart of anyone who has ever suffered or gloried in being different.

    This landmark work of scholarship offers an enlightening review of the shifting concept of "lesbian literature," followed by examples of six different genres: Romantic Friendship, Sexual Inversion, Exotic and Evil Lesbians, Lesbian Encoding, Lesbian Feminism, and Post-Lesbian Feminism.Faderman examines works as diverse as Willa Cather's My Antonia and Virginia Woolf's Orlando; poetry by Gertrude Stein and Amy Lowell; fiction by Carson McCullers, Helen Hull, and Alice Walker. In addition, Chloe Plus Olivia contains writing by men who focused on women's relationships. These writings are included in the early section of the book and were, in various ways, important to the development of lesbian literature, since men were far more likely than women to achieve publication in other centuries.It would be impossible to identify a single "great tradition" of lesbian writing, since it is in constant metamorphosis, reflecting changing social attitudes and women's voices. Chloe Plus Olivia, with its historical scope enhanced by Faderman's own personal search for a definition of lesbian literature, makes this the first book of its kind; it is certain to become the point of reference from which all subsequent studies of lesbian literature will begin.

    In this groundbreaking anthology, more than seventy women and men from all walks of life describe their lives as bisexuals in prose, poetry, art, and essays

    . . nevertheless, here it is: a learned, witty study of how our curious culture has managed to get everything wrong about sex."-Gore Vidal

    They believed that God could never love them because they were queer, leading to a deadly shame that nearly took Kevin's life. Kevin felt trapped by fear. Fear of losing their community, their family, and even their connection to God.That is until Kevin changed their mind, finally hearing the voice of the Spirit calling them to believe something better.Through personal experience, classical theological devices, and a fair bit of profanity, Kevin dives into some of the most common toxic belief patterns that are killing our communities, showing you how to undo them, and how to create new, better theology to lead you back to your spiritual authority.Bad Theology Kills is the first step on leaving behind a religion filled with fear and blossoming into a life and spirituality grounded in Love....Like many Evangelical Christians, Kevin grew up believing that being gay was a sin punishable by hell and social ex-communication. After 12 years of ex-gay therapy resulting in two suicide attempts, Kevin realized that God never would ask them to give up who they were, but rather God invited Kevin deeper into the heart of Love, deeper into who they always were meant to be. They realized that Love doesn't have to hurt, and that God was much bigger than anticipated.Through personal stories, fresh takes on old Bible stories, and employing trusted theological devices, Bad Theology Kills shows us not only can we craft new theologies that can redeem our faith, but we can save lives. Bad theology is killing all of us. And a better way is possible.

    Andre's father, in a desperate effort to save him from the coming holocaust, hands him over to his captivating uncle Rudolf, an internationally famous singer of popular operettas. Rudolf is a sublimely gifted lyric tenor, a dashing leading man who is the object of many women's affections-but also an artist who lives in the shadow of his own unachieved potential as an opera star. Rudolf takes the boy to back to London, renames him Andrew, turns all his attention and sardonic humor upon him, and gradually sculpts him into a gentleman.Vivid, often lighthearted scenes of Andrew's worldly life with Rudolf are intertwined with the unfolding secrets of his forgotten past as Andre, which have shadowed his otherwise happy life. Told in matchless prose, Uncle Rudolf captures in fine detail the mood of 1940s Europe--and reveals the emotions of a man whose achievement falls short of his brilliant promise. It is a wise, knowing, elegant story about the sacrifices we make for those we love.

    Dominic is probably dying in Los Angeles. Jasper, older by almost a generation, was for many years Timothy's lover. Among Jasper's infidelities was a brisk fling with Dominic. Timothy and Dominic are having dinner in Los Angeles after viewing Dominic's taped appearance on a nationally televised quiz show. They have maintained their ambivalent friendship for twenty years. Tonight their conversation is lively but guarded. Timothy has not told Dominic of Jasper's death; Dominic doesn't inquire into Timothy's own state, and this is a question Timothy is in no hurry to answer. Through Timothy's eyes, we see that though AIDS can be deadly, it can also be taken, as Timothy chooses to, as a challenge to live. His thoughts are filled by memories of Jasper, and he takes the reader on a vivid tour of male sex at its most untamed - as it was in the seventies and the eighties - when the explosion of AIDS forced thousands of men to take a new direction. We feel the press of bodies along the waterfront of Manhattan, in the boites, and even the streets of Paris. It is possible Timothy will even come away from this dinner with a heightened understanding of Jasper, and of their long and lost romance. It is certain that the reader will be rewarded by the deeper insights of this harrowing (and often hilarious) account of love between men in such times.

    The invitation to spend some time with his dad - the Baron Malcolm Spoor - comes as a surprise. But what awaits Torrance at his father's windswept estate is far worse than he could ever imagine. Welcome to the world of The Living One, one of the most frightening, clever, and suspenseful novels of the year. In this tour-de-force debut, Lewis Gannett spins a spellbinding story that summons up magic, body thievery, killer dogs, ESP wars, and lusty, genre-defying sex - straight, gay, and forms yet unnamed. The Spoors are the ultimate dysfunctional family. Wealthy, shamelessly extravagant, and impossibly attractive, they are also cursed. The curse has been handed down from father to son for seven hundred years, ever since the Crusades, when a bizarre and mystifying event created a recurring pattern of madness and death. As Baron Malcolm Spoor prepares for his demise, he must pass on the family riches - and its traditions - to his estranged son. But Malcolm and Torrance both have secrets they would rather keep to themselves, secrets that are nearly revealed when a shadowy government scientist picks up psychic readings from the Spoor estate and a bohemian teacher becomes personally involved with Torrance. These two begin an investigation into the extraordinary life of Baron Malcolm Spoor, and their findings are truly horrifying. Updating elements of the epistolary novel popularized in Dracula, Lewis Gannett tells his gothic story through the inventive use of videotape transcripts, diary entries, and historical records. Vivid, scary, mythic, and engrossing, The Living One explores the terrifying dimensions of family guilt, aging, and the murderous tensions between fathers and sons. Lewis Gannett has written a startling and thrilling novel that marks the debut of an original new voice in fiction.

    This new breed is stronger, smarter, and far more beautiful than their parent race, and are endowed with psychic as well as physical gifts. They are destined to supplant humanity as we know it, but humanity won't die without a struggle.Here at last in a single volume are all three of Constantine's Wraeththu trilogy: The Enchantments of Flesh and Spirit, The Bewitchments of Love and Hate, and The Fulfilments of Fate and Desire.

    But the handsome man who captivates Travis is much more than he seems – he is a magical being, a satyr, and he awakens in Travis realistic, erotic dreams the like of which he has never experienced.What Travis and Cembran don’t expect is for the dreams to bind them together and warn them of danger – threats against the magical woodlands from developers, against Cembran’s heritage and life with his people, and against Travis and Cembran’s growing love for one another.It’s the hand of Bacchus himself that leads them into a life with one another: building a family, establishing a home, and battling old demons. And when the dreams return to foretell another threat to their happiness, it will take Cembran, Travis, and all those they love to save not only the satyr community and its lands, but the future Travis and Cembran hope to share together.

    This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all.No Straight Lines showcases major names such as Alison Bechdel (whose book Fun Home was named Time Magazine's 2006 Book of the Year), Howard Cruse (whose groundbreaking Stuck Rubber Baby is now back in print), and Ralf Koenig (one of Europe's most popular cartoonists), as well as high-profile, cross-over creators who have dabbled in LGBT cartooning, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades.These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines will be heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.

    military to marriage and adoption, the gay civil rights movement has exploded on the national stage. Eric Marcus takes us back in time to the earliest days of that struggle in a newly revised and thoroughly updated edition of Making History, originally published in 1992. Using the heartfelt stories of more than sixty people, he carries us through the compelling five-decade battle that has changed the fabric of American society.The rich tapestry that emerges from Making Gay History includes the inspiring voices of teenagers and grandparents, journalists and housewives, from the little-known Dr. Evelyn Hooker and Morty Manford to former vice president Al Gore, Ellen DeGeneres, and Abigail Van Buren. Together, these many stories bear witness to a time of astonishing change, as gay and lesbian people have struggled against prejudice and fought for equal rights under the law.“Rich and often moving . . . at times shocking, but often enlightening and inspiring: oral history at its most potent and rewarding.”—Kirkus Reviews