This text consists of an illustrated guide to all the major sites in twelve main areas in central Rome, and four in Greater Rome, including the Capitoline Hill, Roman Forum, Colosseum, Mausoleums of Augustus and Hadrian, the Circus Maximus, Catacombs, Ostia, and Tivoli.

    This is the story of the Roman Empire as seen by the Britons, Gauls, Germans, Hellenes, Persians, and Africans. In place of the propaganda pushed on us by the Romans, we’ll see these people as they really were. The Vandals didn’t vandalize—the Romans did. The Goths didn’t sack Rome—the Romans did. Traversing the landscape of the Roman Empire, Terry Jones brings wit, irreverence, and the very latest scholarship to transform a history that seemed well past its sell-date.

    MacMullen’s provocative conclusion is that mass conversions to Christianity were based more on the appeal of miracle or the opportunity for worldly advantages than simply on a “rising tide of Christian piety.”“Provocative to the Christian religious scholar and the nonreligious historian alike. . . . MacMullen’s style is lucid, and the story of a period with its own innate interest is narrated with compelling feeling. . . . It is an important book, and highly recommended for the general reader of history as well as the Christian who wonders how the ‘Jesus movement’ came, by Constantine’s time, to be the church we know—Choice“Written in a fresh and vigorous style, . . . [this book] offers an admirable survey of some major aspects of the history [of the early Christian church].”—Robert M. Grant, New York Times Book Review “Gently provocative. . . . MacMullen has written an instructive and enjoyable book on a great theme.”—Henry Chadwick, Times Literary Supplement  “A carefully argued and well-written study.”—Jackson P. Hershbell, Library Journal

    The reason is not simply that he converted to Christianity, but that he did so in a way that brought his subjects along after him. Indeed, this major new biography argues that Constantine's conversion is but one feature of a unique administrative style that enabled him to take control of an empire beset by internal rebellions and external threats by Persians and Goths. The vast record of Constantine's administration reveals a government careful in its exercise of power but capable of ruthless, even savage, actions. Constantine executed (or drove to suicide) his father-in-law, two brothers-in-law, his eldest son, and his once beloved wife. An unparalleled general throughout his life, planning a major assault on the Sassanian Empire in Persia even on his deathbed. Alongside the visionary who believed that his success came from the direct intervention of his God resided an aggressive warrior, a sometimes cruel partner, and an immensely shrewd ruler. These characteristics combined together in a long and remarkable career, which restored the Roman Empire to its former glory.Beginning with his first biographer Eusebius, Constantine's image has been subject to distortion. More recent revisions include John Carroll's view of him as the intellectual ancestor of the Holocaust (Constantine's Sword) and Dan Brown's presentation of him as the man who oversaw the reshaping of Christian history (The Da Vinci Code). In Constantine the Emperor, David Potter confronts each of these skewed and partial accounts to provide the most comprehensive, authoritative, and readable account of Constantine's extraordinary life.

    The mysterious, powerful Servilius Structus sends them deep into Scotland, land of the Caledonii, to find and secure a woman and her young son. But it’s not clear why... and what could go wrong, heading over the last Wall into the Land of Darkness? Accompanied by Ugo, Quintus, Manius, and Sibanus, this crew of ex–gladiator rogues, tricksters and bar-room philosophers will risk everything on an insane quest and a daring escape. In the dog days of Rome, with decadence and corruption in the air, the consequences of their failure are far greater than they could ever dream: not only their lives but the Empire itself is at stake.No pressure then.A searing, gritty and blood-soaked historical adventure, Beasts Beyond the Wall is perfect for fans of Giles Kristian, David Gilman and Conn Iggulden.

    What transformed a humble city into the preeminent power of the region? In The Rise of Rome, the historian and archaeologist Kathryn Lomas reconstructs the diplomatic ploys, political stratagems, and cultural exchanges whereby Rome established itself as a dominant player in a region already brimming with competitors. The Latin world, she argues, was not so much subjugated by Rome as unified by it. This new type of society that emerged from Rome’s conquest and unification of Italy would serve as a political model for centuries to come.Archaic Italy was home to a vast range of ethnic communities, each with its own language and customs. Some such as the Etruscans, and later the Samnites, were major rivals of Rome. From the late Iron Age onward, these groups interacted in increasingly dynamic ways within Italy and beyond, expanding trade and influencing religion, dress, architecture, weaponry, and government throughout the region. Rome manipulated preexisting social and political structures in the conquered territories with great care, extending strategic invitations to citizenship and thereby allowing a degree of local independence while also fostering a sense of imperial belonging.In the story of Rome’s rise, Lomas identifies nascent political structures that unified the empire’s diverse populations, and finds the beginnings of Italian peoplehood.

    and A.D. 800, from the rise of Mycenaean civilization to the fall of Ravenna and the collapse of the Western Roman Empire. John Warry tells of an age of great military commanders such as Alexander the Great, Hannibal, and Julius Caesar - men whose feats of generalship still provide material for discussion and admiration in the military academies of the world.The text is complemented by a running chronology, 16 maps, 50 newly researched battle plans and tactical diagrams, and 125 photographs, 65 of them in color.

    As a result of his famous "double pincer" maneuver, 70,000 Roman soldiers died within the space of a few hours on a field the size of New York's Central Park. Yet, as devastating and startling as Cannae was, it was only one of a long list of incredible achievements. Hannibal's fantastic 1,000-mile march across the Alps from Spain to Italy was one of the wonders of ancient times. He began his hazardous journey with 90,000 infantry, 12,000 cavalry, and 37 elephants. By the time he reached the Valley of the Po, more than 30,000 troops and many of his elephants had perished, but he still managed to stay in Italy for sixteen years.Blending biography and military adventure, Hannibal is a portrait of a military genius who was also a highly civilized man. The son of Hamilcar Barca, a famous general in his own right, Hannibal was a student of the Greek classics. But his father's lifelong grudge against Rome fostered in the son a deep hatred for that Republic and a fierce determination to subdue it forever. This resulted in the bloody battles of Lake Trasimene, Campania, Nole, Capua, and Zama, all of which Leonard Cottrell describes with vigor and authority. In gathering material for Hannibal, Cottrell traveled the entire route that Hannibal took across the Alps, thus bringing to his account a valuable firsthand knowledge of his subject. With the drama and authenticity for which he is famous, Leonard Cottrell describes Hannibal's amazing campaign-a saga of victory after victory which fell just short of its ultimate goal: the annihilation of Rome.

    Bravery, loyalty, experience, and success lead to Maximus' appointment as "General of the West" by the Roman emperor, the ambition of a lifetime. But with the title comes a caveat: Maximus needs to muster and command a single legion to defend the perilous Rhine frontier. On the opposite side of the Rhine River, tribal nations are uniting; hundreds of thousands mass in preparation for the conquest of Gaul, and from there, a sweep down into Rome itself. Only a wide river and a wily general keep them in check. With discipline, deception, persuasion, and surprise, Maximus holds the line against an increasingly desperate and innumerable foe. Friends, allies, and even enemies urge Maximus to proclaim himself emperor. He refuses, bound by an oath of duty, honor, and sacrifice to Rome, a city he has never seen. But then circumstance intervenes. Now, Maximus will accept the purple robe of emperor, if his scrappy legion can deliver this last crucial victory against insurmountable odds. The very fate of Rome hangs in the balance. Combining the brilliantly realized battle action of Gates of Fire and the masterful characterization of Mary Renault's The Last of the Wine, Eagle in the Snow is nothing less than the novel of the fall of the Roman empire.

    This newly annotated, free verse translation conveys the full force of Lucan's writing and his grimly realistic view of the subject. The work is a powerful condemnation of civil war, emphasizing the stark, dark horror of the catastrophies which the Roman state inflicted upon itself. Both the introduction and glossary set the scene for readers unfamiliar with Lucan and explore his relationship with earlier writers of Latin epic, and his interest in the sensational.

    Like old soldiers everywhere, they are fading away. But these soldiers have an incredible and sometimes shocking story to tell. It certainly does not make for comfortable reading. Secrets which have been bottled up for a lifetime are revealed, stories are told at last and memories which have been hidden away for 60 years finally resurface. These are facets of history's most dreadful war being revealed for the very first time. "The Wehrmacht" is a remarkable personal record of the Third Reich's rise and fall from the inside: of how those responsible for the maelstrom sent their armies to conquer only to see them crushed as the world united against them; of men who were seduced by the siren call of Hitler, only to pay a terribly heavy price. It allows the human stories to unfold within the bigger picture behind the major campaigns of the Second World War - from the early Blitzkrieg successes through the submarine warfare of the Battle of the Atlantic, and the brutal hardships of the Russian Front, to the last days of the Reich and the fall of Berlin. "The Wehrmacht" is a brilliantly researched and thought-provoking book that reveals unique human dimensions of the world's greatest military conflict.

    When Vesuvius erupted in an explosion of flame and ash, the entire town would be destroyed. Some of its citizens died in the chaos, some escaped the mountain's wrath . . . and these are their stories: A boy loses his innocence in Pompeii's flourishing streets. An heiress dreads her wedding day, not knowing it will be swallowed by fire. An ex-legionary stakes his entire future on a gladiator bout destined never to be finished. A crippled senator welcomes death, until a tomboy on horseback comes to his rescue. A young mother faces an impossible choice for her unborn child as the ash falls. A priestess and a whore seek redemption and resurrection as the town is buried. Six authors bring to life overlapping stories of patricians and slaves, warriors and politicians, villains and heroes who cross each others' path during Pompeii's fiery end. But who will escape, and who will be buried for eternity?

    In the months that followed, ten thousand men--trained and hardened in three decades of war in Greece--would engage in pitched battles, witness untold horrors, and begin a desperate march across he desert, over raging rivers, and into the jaws of hell itself. By the time it was over, some would be alive, others dead, and one among them would emerge and the greatest hero of all...In a novel of high adventure and riveting historical drama, Michael Curtis Ford brings to life an amazing true story from Greek antiquity--Xenophon's march of the ten Thousand. A tale of war and peace, of loyalties and betrayals, and of a soldier's love for a mysterious and dangerous woman, The Ten Thousand captures the eternal spirit of courage--in the face of impossible odds.

    As a result, early medieval history is much more fragmented, and there have been few convincing syntheses of socio-economic change in the post-Roman world since the 1930s. In recent decades, the rise of early medieval archaeology has also transformed our source-base, but this has not been adequately integrated into analyses of documentary history in almost any country.In Framing the Early Middle Ages Chris Wickham aims at integrating documentary and archaeological evidence together, and also, above all, at creating a comparative history of the period 400-800, by means of systematic comparative analyses of each of the regions of the latest Roman and immediately post-Roman world, from Denmark to Egypt (only the Slav areas are left out). The book concentrates on classic socio-economic themes, state finance, the wealth and identity of the aristocracy, estate management, peasant society, rural settlement, cities, and exchange. These are only a partial picture of the period, but they are intended as a framing for other developments, without which those other developments cannot be properly understood.Wickham argues that only a complex comparative analysis can act as the basis for a wider synthesis. Whilst earlier syntheses have taken the development of a single region as 'typical', with divergent developments presented as exceptions, this book takes all different developments as typical, and aims to construct a synthesis based on a better understanding of difference and the reasons for it. This is the most ambitious and original survey of the period ever written.

    On a stiflingly hot day in August 30 b.c., the thirty-nine-year-old queen of Egypt, Cleopatra, took her own life rather than be paraded in chains through Rome by her conqueror, Octavian--the future first emperor, Augustus. A few days earlier, her lover of eleven years, Mark Antony, had himself committed suicide and died in her arms. Oceans of mythology have grown up around them, all of which Diana Preston explores in her stirring history of the lives and times of a couple whose names--more than two millennia later--still invoke passion, curiosity, and intrigue.Preston views the drama and romance of Cleopatra and Antony's personal lives as an integral part of the great military, political, and ideological struggle that culminated in the full-fledged rise of the Roman Empire, joined east and west. Perhaps not until Joanna in fourteenth-century Naples or Elizabeth I of England would another woman show such political shrewdness and staying power as did Cleopatra during her years atop the throne of Egypt. Her lengthy affair with Julius Caesar linked the might of Egypt with that of Rome; in the aftermath of the civil war that erupted following Caesar's murder, her alliance with Antony, and his subsequent split with Octavian, set the stage for the end of the Republic.With the keen eye for detail, abundant insight, and storytelling skill that have won awards for her previous books, Diana Preston sheds new light on a vitally important period in Western history. Indeed, had Cleopatra and Antony managed to win the battle of Actium, the centuries that followed, which included the life of Jesus himself, could well have played out differently.