In search of affordable housing, young couple Anja and Louis move into a community on an artificial mountain, The Berg—yet another "eco-friendly" initiative run by a corporation called Finster. They're offered a home rent-free in exchange for keeping quiet about the seriously malfunctioning infrastructure of the experimental house. But when Louis returns home from his mother's funeral in America, Anja is convinced he has changed. He seems to be in denial of his grief and newly idealistic, consumed by a secret project at the NGO where he works as an artist-consultant. Anja is horrified when she discovers what Louis has invented: a pill called Oval that temporarily rewires the user's brain to be more generous. Louis is convinced that if he can introduce the drug into the Berlin club scene, he can finally remedy the income disparity that has made Berlin so unlivable. Oval is a fascinating portrait of the unbalanced relationships that shape our world, as well as a prescient warning of what the future may hold.

    In a glass-enclosed city of absolute straight lines, ruled over by the all-powerful 'Benefactor', the citizens of the totalitarian society of OneState live out lives devoid of passion and creativity - until D-503, a mathematician who dreams in numbers, makes a discovery: he has an individual soul. Set in the twenty-sixth century AD, We is the classic dystopian novel and was the forerunner of works such as George Orwell's 1984 and Aldous Huxley's Brave New World. It was suppressed for many years in Russia and remains a resounding cry for individual freedom, yet is also a powerful, exciting and vivid work of science fiction. Clarence Brown's brilliant translation is based on the corrected text of the novel, first published in Russia in 1988 after more than sixty years' suppression.

    An epic tale of freedom and slavery, love and war, and the potential futures of humankind tells of a twenty-first century California clan caught between two clashing worlds, one based on tolerance, the other on repression.

    Days later, the family are forced to leave their home in search of safety. As they move from place to place, shelter to shelter, their journey traces both fear and wonder as Z's small fists grasp at the things he sees, as he grows and stretches, thriving and content against all the odds.This is a story of new motherhood in a terrifying setting: a familiar world made dangerous and unstable, its people forced to become refugees. Startlingly beautiful, Megan Hunter's The End We Start From is a gripping novel that paints an imagined future as realistic as it is frightening. And yet, though the country is falling apart around them, this family’s world – of new life and new hope – sings with love.

    The year is 2025, and a mysterious virus has broken out in Scotland--a lethal illness that seems to affect only men. When Dr. Amanda MacLean reports this phenomenon, she is dismissed as hysterical. By the time her warning is heeded, it is too late. The virus becomes a global pandemic--and a political one. The victims are all men. The world becomes alien--a women's world.What follows is the immersive account of the women who have been left to deal with the virus's consequences, told through first-person narratives. Dr. MacLean; Catherine, a social historian determined to document the human stories behind the male plague; intelligence analyst Dawn, tasked with helping the government forge a new society; and Elizabeth, one of many scientists desperately working to develop a vaccine. Through these women and others, we see the uncountable ways the absence of men has changed society, from the personal--the loss of husbands and sons--to the political--the changes in the workforce, fertility and the meaning of family.In The End of Men, Christina Sweeney-Baird creates an unforgettable tale of loss, resilience and hope.

    Contemptuous of their parents, the children decide to run away when a destructive storm descends on the summer estate, embarking on a dangerous foray into the apocalyptic chaos outside. Lydia Millet’s prophetic and heartbreaking story of generational divide offers a haunting vision of what awaits us on the far side of Revelation.

    Hours later, the world as we know it begins to dissolve. Moving back and forth in time—from the actor's early days as a film star to fifteen years in the future, when a theater troupe known as the Traveling Symphony roams the wasteland of what remains—this suspenseful, elegiac, spellbinding novel charts the strange twists of fate that connect five people: the actor, the man who tried to save him, the actor's first wife, his oldest friend, and a young actress with the Traveling Symphony, caught in the crosshairs of a dangerous self-proclaimed prophet.

    Once-bright skies are now dark. Planes have plummeted to the ground. The systems of modern life have crumbled. With their stocked larders and stores of supplies, the Amish are unaffected at first. But as the English (the Amish name for all non-Amish people) become more and more desperate, they begin to invade Amish farms, taking whatever they want and unleashing unthinkable violence on the peaceable community. Seen through the diary of an Amish farmer named Jacob as he tries to protect his family and his way of life, When the English Fall examines the idea of peace in the face of deadly chaos: Should members of a nonviolent society defy their beliefs and take up arms to defend themselves? And if they don’t, can they survive?David Williams’s debut novel is a thoroughly engrossing look into the closed world of the Amish, as well as a thought-provoking examination of “civilization” and what remains if the center cannot hold.

    Ballard's mesmerizing and ferociously prescient novel imagines a terrifying future in which solar radiation and global warming have melted the polar ice caps and Triassic-era jungles have overrun a submerged and tropical London. Set during the year 2145, the novel follows biologist Dr. Robert Kerans and his team of scientists as they confront a surreal cityscape populated by giant iguanas, albino alligators, and endless swarms of malarial insects. Nature has swallowed all but a few remnants of human civilization, and, slowly, Kerans and his companions are transformed—both physically and psychologically—by this prehistoric environment. Echoing Joseph Conrad's Heart of Darkness—complete with a mad white hunter and his hordes of native soldiers—this "powerful and beautifully clear" (Brian Aldiss) work becomes a thrilling adventure and a haunting examination of the effects of environmental collapse on the human mind.

    Or almost no one. A few people, perhaps one in ten thousand, can still sleep, and they’ve all shared the same mysterious dream. A handful of silent children can still sleep as well, but what they’re dreaming remains a mystery. Global panic ensues. A medical fact: after six days of absolute sleep deprivation, psychosis sets in. After four weeks, the body dies. In the interim, a bizarre new world arises and swallows the old one whole. A world called Nod.

    She is promised a nicely furnished apartment inside the Unit, where she will make new friends, enjoy the state of the art recreation facilities, and live the few remaining days of her life in comfort with people who are just like her. Here, women over the age of fifty and men over sixty-single, childless, and without jobs in progressive industries--are sequestered for their final few years; they are considered outsiders.In the Unit they are expected to contribute themselves for drug and psychological testing, and ultimately donate their organs, little by little, until the final donation. Despite the ruthless nature of this practice, the ethos of this near-future society and the Unit is to take care of others, and Dorrit finds herself living under very pleasant conditions: well-housed, well-fed, and well-attended. She is resigned to her fate and discovers her days there to be rather consoling and peaceful.But when she meets a man inside the Unit and falls in love, the extraordinary becomes a reality and life suddenly turns unbearable. Dorrit is faced with compliance or escape, and...well, then what?

    Nature.Bea’s five-year-old daughter, Agnes, is slowly wasting away. The smog and pollution of the City—an over-populated, over-built metropolis where most of the population lives—is destroying her lungs. But what can Bea do? No one leaves the City anymore, because there is nowhere else to go. But across the country lies the Wilderness State, the last swath of open, protected land left. Here forests and desert plains are inhabited solely by wildlife. People are forbidden. Until now. Bea, Agnes, and eighteen others volunteer to live in the Wilderness State as part of a study to see if humans can co-exist with nature. Can they be part of the wilderness and not destroy it? Living as nomadic hunter-gatherers, this new community wanders through the grand country, trying to adhere to the strict rules laid down by the Rangers, whose job it is to remind them they must Leave No Trace. As the group slowly learns to live and survive on the unpredictable and often dangerous land, its members battle for power and control and betray and save each other. The farther they roam, the closer they come to their animal soul.To her dismay, Bea discovers that, in fleeing to the Wilderness State to save Agnes, she is losing her in a different way. Agnes is growing wilder and closer to the land, while Bea cannot shake her urban past. As she and Agnes grow further apart, the bonds between mother and daughter are tested in surprising and heartbreaking ways.Yet just as these modern nomads come to think of the Wilderness State as home, its future is threatened when the Government discovers a new use for the land. Now the migrants must choose to stay and fight for their place in the wilderness, their home, or trust the Rangers and their promises of a better tomorrow elsewhere.

    Dick. The result is brilliantly original fiction as profund as it is playful. Now in his new novel, David Mitchell explores with daring artistry fundamental questions of reality and identity.Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite. . . .Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter. . . . From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life. . . . And onward, with dazzling virtuosity, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history.But the story doesn’t end even there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky.As wild as a videogame, as mysterious as a Zen koan, Cloud Atlas is an unforgettable tour de force that, like its incomparable author, has transcended its cult classic status to become a worldwide phenomenon.

    England is in a state of environmental crisis and economic collapse. There has been a census, and all citizens have been herded into urban centers. Reproduction has become a lottery, with contraceptive coils fitted to every female of childbearing age. A girl who will become known only as "Sister" escapes the confines of her repressive marriage to find an isolated group of women living as "un-officials" in Carhullan, a remote northern farm, where she must find out whether she has it in herself to become a rebel fighter. Provocative and timely, Daughters of the North poses questions about the lengths women will go to resist their oppressors, and under what circumstances might an ordinary person become a terrorist.

    Mord once prowled the corridors of the biotech organization known as the Company, which lies at the outskirts of the city, until he was experimented on, grew large, learned to fly and broke free. Driven insane by his torture at the Company, Mord terrorizes the city even as he provides sustenance for scavengers like Rachel.At first, Borne looks like nothing at all—just a green lump that might be a Company discard. The Company, although severely damaged, is rumoured to still make creatures and send them to distant places that have not yet suffered Collapse.Borne somehow reminds Rachel of the island nation of her birth, now long lost to rising seas. She feels an attachment she resents; attachments are traps, and in this world any weakness can kill you. Yet when she takes Borne to her subterranean sanctuary, the Balcony Cliffs, Rachel convinces her lover, Wick, not to render Borne down to raw genetic material for the drugs he sells—she cannot break that bond.Wick is a special kind of supplier, because the drug dealers in the city don’t sell the usual things. They sell tiny creatures that can be swallowed or stuck in the ear, and that release powerful memories of other people’s happier times or pull out forgotten memories from the user’s own mind—or just produce beautiful visions that provide escape from the barren, craterous landscapes of the city.Against his better judgment, out of affection for Rachel or perhaps some other impulse, Wick respects her decision. Rachel, meanwhile, despite her loyalty to Wick, knows he has kept secrets from her. Searching his apartment, she finds a burnt, unreadable journal titled “Mord,” a cryptic reference to the Magician (a rival drug dealer) and evidence that Wick has planned the layout of the Balcony Cliffs to match the blueprint of the Company building. What is he hiding? Why won’t he tell her about what happened when he worked for the Company?