Notoriously cunning and ruthless, Gloria shows her eager young protégée the ropes, ushering her into a glittering demimonde of late-night casinos, racetracks, betting parlors, inside heists, and big, big money. Suddenly, the world is at her feet--as long as she doesn't take any chances, like falling for the wrong guy. As the roulette wheel turns, both mentor and protégée scramble to stay one step ahead of their bosses and each other.

    He lives in a cheap hotel just within his pay bracket. He goes to work every day. He has hundreds of friends and associates who could attest to his good character.Yet, hidden behind three gaudy clown paintings in Roy's pallid hotel room, sits fifty-two thousand dollars--the money Roy makes from his short cons, his "grifting." For years, Roy has effortlessly maintained control over his house-of-cards life--until the simplest con goes wrong, and he finds himself critically injured and at the mercy of the most dangerous woman he ever met: his own mother.THE GRIFTERS, one of the best novels ever written about the art of the con, is an ingeniously crafted story of deception and betrayal that was the basis for Stephen Frears' and Martin Scorsese's 1990 critically-acclaimed film of the same name.

    When the thirty-six pounds of gold he steals from a lab turns out to be radioactive, down-and-out thief Tony Catell has to stay one step ahead of the FBI while trying desperately to find someone willing to take it off his hands.

    figures his luck's about to change when Detroit used-car salesman Frank Ryan catches him trying to boost a ride from Ryan's lot. Frank's got some surefire schemes for getting rich quick--all of them involving guns--and all Stickley has to do is follow "Ryan's Rules" to share the wealth.But sometimes rules need to be bent, maybe even broken to succeed in the world of crime, especially when the "brains" of the operation knows less than nothing.

    It’s the perfect sting: the dealers they target are too small to look for revenge and too guilty to call the police, nobody has to die, nobody innocent gets hurt, and Ray and Manny score plenty.But it can’t last forever. Eventually, they choose the wrong mark and walk out with hundreds of thousands of dollars, and a heavy hitter, who is more than willing to kill to get his money back, is coming after them. Now Ray couldn’t care less about the score. He wants out—out of the scam, out of a life he feels like he never chose. Whether the victim of his latest job—not to mention his partner—will let him is another question entirely.Dennis Tafoya brings a rich, passionate, and accomplished new voice to the explosive story of a small-time crook with everything to lose in Dope Thief, his outstanding hardboiled debut.

    She used those attributes to survive a divorce in 1940s America with two children and to claw her way out of poverty, becoming a successful businesswoman. But Mildred also had two weaknesses: a yen for shiftless men and an unreasoning devotion to her monstrous daughter.Out of these elements, Cain created a novel (later made into a film noir classic) of acute social observation and devastating emotional violence—and a heroine whose ambitions and sufferings are never less than recognizable.

     A concrete floor three hundred feet up in the Aurora Tower condo development in SoHo has collapsed, hurling three workers to their deaths. The developer, Roth Properties (owned by the famously abrasive Simon Roth), faces a vast tangle of legal problems, including allegations of mob connections. Roth’s longtime lawyers, the elite midtown law firm of Blake and Wolcott, is assigned the task of cleaning up the mess. Much of the work lands on the plate of smart, cynical, and sea­soned associate Duncan Riley; as a result, he falls into the pow­erful orbit of Leah Roth, the beautiful daughter of Simon Roth and the designated inheritor of his real estate empire. Meanwhile, Riley pursues a seemingly small pro bono case in which he attempts to forestall the eviction of Rafael Nazario and his grandmother from public housing in the wake of a pot bust. One night Rafael is picked up and charged with the mur­der of the private security cop who caught him, a murder that took place in another controversial “mixed income” housing development being built by . . . Roth Properties. Duncan Riley is now walking the knife edge of legal ethics and personal morality. Blind Man’s Alley is a suspenseful and kaleidoscopic journey through a world where the only rule is self- preservation. The New York Times Book Review said of A Cure for Night that “[Peacock] heads toward Scott Turow country . . . he’s got a good chance to make partner.” This taut, topical, and socially alert thriller delivers on that promise.

    There's no identification on the body. Only the dogged work of a pair of local newspapermen and a graduate student in forensics turns up any clues. But that's just the beginning of the mystery. Because the more they learn about the man and the baffling circumstances of his death, the less they understand. Was it an impossible crime? Or something stranger still...? No one but Stephen King could tell this story about the darkness at the heart of the unknown and our compulsion to investigate the unexplained. With echoes of Dashiell Hammett's The Maltese Falcon and the work of Graham Greene, one of the world's great storytellers presents a surprising tale that explores the nature of mystery itself...

    What do you do?Well, if you're David Lindsay from Arbroath, you get the hell out of there and don't return. Not for at least fifteen years. Until Nicola Cruickshank - yes, that Nicola, the girl you always fancied but never had the guts to approach - gets in touch and asks - no, demands - that you go back for a school reunion. To the place where it happened. The place you've been running from for fifteen years. Of course you go. Not to belatedly lay your mate to rest, but because you still fancy Nicola.The thing is, if you are David Lindsay, then returning to Arbroath isn't going to lay any ghosts to rest. And when someone else takes a dive off the cliffs - an act the locals have taken to calling 'tombstoning' - while David's there, he has a choice: run away again, or finally find out why people keep dying around him . . .

    At once knowing and unabashedly romantic, The Thin Man is a murder mystery that doubles as a sophisticated comedy of manners.

    It was published, and the rest is history.One Night Stands and Lost Weekends is a sterling collection of short crime fiction and suspense novelettes penned between 1958 and 1962 by a budding young master and soon-to-be Grand Master—an essential slice of genre history, and more fun than a high-speed police chase following a bank job gone bad.

    The author of The Winter of Frankie Machine is back with a razor-sharp novel as cool as its California surfer heroes, and as heart-stopping as a wave none of them sees coming.

    Even the mayor’s Street Saviors taskforce of ex-cons, devoted to steering kids out of the thug life, are working overtime to stop the bloodshed. But who will stop the even greater threat that’s about to descend when a murderous psychopath steps out of the past?Memories of the infamous Blood Bath Killer still loom large, especially for homicide detective Angel Alves, who helped bring down the multiple-murderer whose rampage shocked the city. So when a pair of students turn up bizarrely slain, Alves fears that another serial killer is stalking Boston. A fear that becomes fact when his ex-partner, Wayne Mooney, recognizes the murders as the work of the Prom Night Killer—whose unsolved crimes have haunted Mooney for a decade. Now, with hands-on assistant DA Conrad Darget backing them, Alves and Mooney set out to stop grim history from repeating itself. But matching wits with a twisted mind is a dangerous game. Especially when there are no rules—and your allies really may be your enemies. Mixing edgy psychological suspense, hard-boiled realism, and staccato bursts of pulse-quickening action, 2 in the Hat makes another slam-dunk winning case for Raffi Yessayan, hailed by Robin Moore, author of The French Connection, as “the best prosecutor-turned-crime-writer to hit the streets since George V. Higgins and Scott Turow.”

    The United States teeters on the edge of war. The roundup of allegedly treasonous Japanese Americans is about to begin. And in L.A., a Japanese family is found dead. Murder or ritual suicide? The investigation will draw four people into a totally Ellroy-ian tangle: a brilliant Japanese American forensic chemist; an unsatisfiably adventurous young woman; one police officer based in fact (William H. "Whiskey Bill" Parker, later to become the groundbreaking chief of the LAPD), the other the product of Ellroy's inimitable imagination (Dudley Smith, arch villain of The Big Nowhere, L.A. Confidential, White Jazz). As their lives intertwine, we are given a story of war and of consuming romance, a searing exposé of the Japanese internment, and an astonishingly detailed homicide investigation. In Perfidia, Ellroy delves more deeply than ever before into his characters' intellectual and emotional lives. But it has the full-strength, unbridled story-telling audacity that has marked all the acclaimed work of the Demon Dog of American Crime Fiction.

    Sallis combines murder, treachery and payback in a sinister plot with resonances of 1940s pulp fiction and film noir. Told through a cinematic narrative that weaves back and forth through time and place, the story explores Driver's near existential moral foundations, intercut with moments of bloody violence.