In another hemisphere civilization rushes headlong into a brutal conflict. Life there is lived from moment to moment.Inevitably, the two young men - sanctuary owner and employee - are drawn to the war, and into the mud and horror of the trenches of Armentieres. Alone on the beach, their friend Imogen, the middle-aged wildlife photographer, must acknowledge for all three of them that the past cannot be held.

    With these characters William will make us laugh and cry. And never again will we think that someone is just a regular bloke - everyone can be a king or a queen in their own suburb.

    It’s November 1948, and the widowed Hanora Sparrow and her teenage daughters, Aria and Rosy, have fallen on tough times; when they move into a housing commission camp on the outskirts of Sydney, their spirits are low and their prospects few. While Hanora copes via various pharmaceutical offerings and Rosy with nothing other than indignity, the spirited Aria rises immediately to the challenge of keeping the family together in such trying circumstances. With her endless curiosity and lively sense of humor, Aria draws the Sparrow women into close friendships with other camp residents and supports her family through her work as a photographic model in the city. Despite the setbacks, Aria strives toward their eventual salvation.

    . . veteran of the Iraq conflict who has suffered such extensive bodily trauma that he can only really survive by means of a mechanical skeleton.Marianna's has been ruined by men . . . A woman who has had to flee the country after her husband lied to the wrong people.John Philip's by too much money . . . Until he receives a surprise inheritance in the evening of his own life.Rodney Hall, two-times winner of the Miles Franklin Literary Award, presents the story of three people experiencing a period of life they never thought possible, and, perhaps, should never have been granted at all...PRAISE FOR RODNEY HALL"Reminiscent of both Joyce and Garcia Marquez" Washington Post"Magnificent. So good that you wish you had written it yourself" Salman Rushdie"A wondrous blend of the fabulous and the surreal" The Australian"Brilliant" David Mitchell

    Since the death of his father, Moniek Prochownik, four years earlier, Toni has been at a creative standstill - until Marina Golding, the wife of his former teacher and mentor, Robert Schwartz, contacts him, and everything changes. Toni finds in Marina the perfect companion of his life in art and his creative energies are re-awakened.But Toni's newfound inspiration and artistic energy come at the direct expense of his relationship with his wife and daughter. The more dependent for his art he becomes on Marina, the more potentially destructive become the tensions between himself and his wife, Teresa. Toni's dilemma is how to reconcile the transgressive nature of his imaginative life with the daily life of his family, who he loves. Robert Schwartz's dying father, Theo, warns him not to confuse art with life. But by what means is he to achieve such clear-sightedness?Immensely satisfying, Prochownik's Dream is a work of great subtlety, strength and intellect. Its examination of the artist at work is complex and completely absorbing. But at its heart, very simply, it is a book about love.

    It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.Undoubtedly one of Australia's favourite plays, the One Day of the Year explores the universal theme of father-son conflict against the background of the beery haze and the heady, nostalgic sentimentality of Anzac Day. It is a play to make us question a standard institution - Anzac Day, the sacred cow among Australian annual celebrations - but it is the likeability and genuineness of the characters that give the play its memorable qualities: Alf, the nobody who becomes a somebody on this day of days; Mum, the anchor of the family; Hughie, their son, with all the uncertainties and rebelliousness of youth; and Wacka, the Anzac, with his simple, healing wisdom.

    His life has been spent on the banks of the Murrumby River at Prosperous House, on Massacre Plains. Albert is determined to pass on the language of his people and everything that was ever remembered. He finds the words on the wind.August Gondiwindi has been living on the other side of the world for ten years when she learns of her grandfather’s death. She returns home for his burial, wracked with grief and burdened with all she tried to leave behind. Her homecoming is bittersweet as she confronts the love of her kin and news that Prosperous is to be repossessed by a mining company. Determined to make amends she endeavours to save their land – a quest that leads her to the voice of her grandfather and into the past, the stories of her people, the secrets of the river.Profoundly moving and exquisitely written, Tara June Winch’s The Yield is the story of a people and a culture dispossessed. But it is as much a celebration of what was and what endures, and a powerful reclaiming of Indigenous language, storytelling and identity.

    Armed with a freshly completed manuscript, a yellow cravat and a machete, Ava strides out into the world in the hope of being published – and so the adventure begins. Despite being dismissed as an eccentric – or worse – by the world around her, and battling poverty and age, Ava’s internal world remains vivid; her purpose, clear.Author Mark O’Flynn first learned about legendary Blue Mountains writer and recluse Eve Langley when he stumbled across her abandoned hut outside the small town of Leura. Though he moved on to other projects, Langley’s voice stayed with him: ‘Why did she change her name (by deed poll) to Oscar Wilde? Why the romantic preoccupation with her past? So little is known of her final days.’ O’Flynn’s fascination with her life eventually led to the creation of the irrepressible Ava Langdon.Rich in wordplay and colourful anecdote, The Last Days of Ava Langdon is an intimate, witty and soulful conjuring of a once-great artist in her final days, which will leave the reader questioning – what passion would sustain you if everything was lost?

    Everything he desires—fame, respect, love—is finally within his reach. But when a rival appears on the scene, Max discovers how quickly he can lose everything he has worked so hard to attain. He knows that the newcomer, Franz Kafka, has the power to eclipse him for good, and he must decide to what lengths he will go to hold onto his success. But there is more to Franz than meets the eye, and Max, too, has secrets that are darker than even he knows, secrets that may in the end destroy both of them.The Lost Pages is a richly reimagined story of Max Brod’s life filtered through his relationship with Franz Kafka. In this inspired novel of friendship, fraud, madness and betrayal, Marija Peričić writes vividly and compellingly of an extraordinary literary rivalry. "To frame The Lost Pages as being about Brod is clever and interesting. The Kafka we meet here is almost the opposite of the one we have come to expect." - Stephen Romei, Literary Editor, The Australian"…the author really understands how tension works. It never lets up. From the very beginning, the strain between Kafka and Brod is hugely entertaining. Brod is anti-social and prefers his own company, just like the best of Kafka’s characters." - Rohan Wilson

    Ten years later, Ruth and Hans are married and living in Weimar Berlin when Hitler is elected chancellor of Germany. Together with Dora and her lover, Ernst Toller, the celebrated poet and self-doubting revolutionary, the four become hunted outlaws overnight and are forced to flee to London. Inspired by the fearless Dora to breathtaking acts of courage, the friends risk betrayal and deceit as they dedicate themselves to a dangerous mission: to inform the British government of the very real Nazi threat to which it remains willfully blind. All That I Am is the heartbreaking story of these extraordinary people, who discover that Hitler’s reach extends much further than they had thought.Gripping, compassionate, and inspiring, this remarkable debut novel reveals an uncommon depth of humanity and wisdom. Anna Funder has given us a searing and intimate portrait of courage and its price, of desire and ambition, and of the devastating consequences when they are thwarted.

    They leave the city, fleeing a past and a future that fill then with fear. On the coast they discover a natural world that is both destructive and rejuvenating. Events sweep them up and they must confront what they have tried to put behind them.Veritgo is an enthralling short novel by one of Australia's leading writers.

    What is art? What’s true courage? I could not put it down.’ —Melissa Ashley,bestselling author of THE BIRDMAN’S WIFELotti lives under the shadow of a genius: her father George Coates is a brilliant and celebrated Australian painter.When Lotti meets the outcast waif Kyla at a suburban Canberra school, two worlds are set to collide. Slowly Kyla is drawn into the orbit of the Coates family. Or is it the other way around?As Lotti and Kyla navigate their way towards adulthood, dark secrets start to unravel, with devastating consequences …WE WERE NEVER FRIENDS is unforgettable novel about friendship, the pursuit of a creative life and the legacies we leave behind.‘Margaret Bearman’s intimate, unsettling novel of family dysfunction perfectly captures the ambivalent passions of girlhood while offering an incisive critiqueof the cult of artistic genius. Sharp and subtle at the same time, refusing any easy certainties, WE WERE NEVER FRIENDS is a haunting portrait of the humancapacity for cruelty and love in equal measure.’ —Kirsten Tranter, bestselling author of THE LEGACY

    At its heart is one day in a Japanese slave labour camp in August 1943. As the day builds to its horrific climax, Dorrigo Evans battles and fails in his quest to save the lives of his fellow POWs, a man is killed for no reason, and a love story unfolds.

    The two young men are taking the long way home after working on an archeological dig in Iraq. It is 1937. The modern world, they say, is waiting to erupt. Among the tales they tell is the story of Gilgamesh, the legendary king of Uruk in ancient Mesopotamia. Gilamesh's great journey of mourning after the death of his friend Enkidu, and his search for the secret of eternal life, is to resonate through all of their lives. In 1939 Edith and her young child set off on an impossible journey of their own, to find themselves trapped by the outbreak of war. The story of this journey is the story of encounters and escapes, of friendship and love, of loss aqnd acceptance. Moving between rural Australia, London, the Caucasus and the Middle East, from the last days of the First World War to the years following the Second, Joan London's stunning novel examines what happens when we strike out into the worlld, and how, like Gagamesh, we find our way home." (from back cover of Picador book)

    When it did, the lives of everyone involved in its construction were utterly changed: some for the better, many for the worse.Helen Pitt tells the stories of the people behind the magnificent white sails of the Sydney Opera House. From the famous conductor and state premier who conceived the project; to the two architects whose lives were so tragically intertwined; to the workers and engineers; to the people of Sydney, who were alternately beguiled and horrified as the drama unfolded over two decades.With access to diaries, letters, and classified records, as well as her own interviews with people involved in the project, Helen Pitt reveals the intimate back story of the building that turned Sydney into an international city. It is a tale worthy of Shakespeare himself.'A drama-filled page turner' - Ita Buttrose AO OBE'Helen Pitt tells us so much about the building of the Sydney Opera House we've never heard before' - Bob Carr, former Premier of NSW'Australia in the seventies: mullets, platform shoes and, miraculously, the Opera House. At least we got one of them right. A great read.' - Amanda Keller, WSFM breakfast presenter