At stake were not only the reputations of two historians but the record of history itself.

    There had been whispers and murmurs of discontent from certain quarters and the British government began to prepare for the inevitable war. After seven weeks training with the 2nd/5th Battalion Leicester, he found himself facing the might of the German army in a muddy field in Northern France, with just 30 rounds of ammunition in his weapon pouch. Horace's war didn't last long. He was taken prisoner on May 25th, 1940 and forced to endure a 10 week march across France and Belgium en route to Holland. Horace survived, barely, but many of his comrades were not so fortunate. Falling by the side of the road through exhaustion and malnourishment meant a bullet through the back of the head and the corpse left to rot. After a three day train journey without food and water, Horace found himself incarcerated in a prison camp in Poland. It was there he embarked on an incredible love affair with a German girl interpreting for his captors. He experienced the sweet taste of freedom each time he escaped to see her, yet incredibly he made his way back into the camp each time—sometimes two or three times a week. He broke out of the camp more than 200 times, often bringing food back to his fellow prisoners to supplement their meager rations, and toward the end of the war even managed to bring radio parts back in, allowing the BBC news to be delivered daily to more than 3,000 prisoners.

    Every individual story, every picture, every description is but a stone in that monument which will stand forever to remind the world of this shameful phase of history, and to ask of it vigilance, lest the events of these years be repeated.

    Until then, being Jewish in the Netherlands had not been an issue. But by 1941 it had become a matter of life or death. On several occasions, Selma barely avoided being rounded up by the Nazis. While her father was summoned to a work camp and eventually hospitalized in a Dutch transition camp, her mother and sister went into hiding—until they were betrayed in June 1943 and sent to Auschwitz. In an act of defiance and with nowhere else to turn, Selma took on an assumed identity, dyed her hair blond, and joined the Resistance movement, using the pseudonym Margareta van der Kuit. For two years “Marga” risked it all. Using a fake ID, and passing as Aryan, she traveled around the country and even to Nazi headquarters in Paris, sharing information and delivering papers—doing, as she later explained, what “had to be done.” In July 1944 her luck ran out. She was transported to Ravensbrück women’s concentration camp as a political prisoner. Unlike her parents and sister who she later found out died in other camps—Selma survived by using her alias, pretending to be someone else. It was only after the war ended that she could reclaim her identity and dared to say once again: My name is Selma. “We were ordinary people plunged into extraordinary circumstances,” she writes in this “astonishing, inspirational, and important” memoir (Ariana Neumann, author of When Time Stopped). Full of hope and courage, this is Selma’s story in her own words.

    At its controls was a 21-year-old pilot. Half his crew lay wounded or dead. It was their first mission. Suddenly, a sleek, dark shape pulled up on the bomber’s tail—a German Messerschmitt fighter. Worse, the German pilot was an ace, a man able to destroy the American bomber in the squeeze of a trigger. What happened next would defy imagination and later be called the most incredible encounter between enemies in World War II.This is the true story of the two pilots whose lives collided in the skies that day—the American—2nd Lieutenant Charlie Brown, a former farm boy from West Virginia who came to captain a B-17—and the German—2nd Lieutenant Franz Stigler, a former airline pilot from Bavaria who sought to avoid fighting in World War II.A Higher Call follows both Charlie and Franz’s harrowing missions. Charlie would face takeoffs in English fog over the flaming wreckage of his buddies’ planes, flak bursts so close they would light his cockpit, and packs of enemy fighters that would circle his plane like sharks. Franz would face sandstorms in the desert, a crash alone at sea, and the spectacle of 1,000 bombers each with eleven guns, waiting for his attack. Ultimately, Charlie and Franz would stare across the frozen skies at one another. What happened between them, the American 8th Air Force would later classify as “top secret.” It was an act that Franz could never mention or else face a firing squad. It was the encounter that would haunt both Charlie and Franz for forty years until, as old men, they would search for one another, a last mission that could change their lives forever.

    The Fuehrer had begun cataloguing the art he planned to collect as well as the art he would destroy: "degenerate" works he despised.In a race against time, behind enemy lines, often unarmed, a special force of American and British museum directors, curators, art historians, and others, called the Momuments Men, risked their lives scouring Europe to prevent the destruction of thousands of years of culture.Focusing on the eleven-month period between D-Day and V-E Day, this fascinating account follows six Monuments Men and their impossible mission to save the world's great art from the Nazis.

    But one day she is suddenly forced to confront the cruel reality of the Holocaust, together with the rest of French Jewry. Paulette is forced to separate from her family, and as a result, abandoned by her father. But despite her difficult and shocking life experiences, she remains naïve and optimistic, holding on to her thirst for life even in the darkest hours. An authentic and moving life story I Love You My Child, I'm Abandoning You is an exciting human documentary, taking place in France during the Holocaust. It honors the memory of the French Jews who perished in the Second World War, while simultaneously giving voice the persistent will to live, and the strength and bravery that characterize those who survived and gave rise to the future generations of the Jewish people. An existential odyssey that puts a spotlight on the human need and right to belong Ariela Palacz shares her life story through the character of little Paulette Szenker, sensitively weaving past and present into an authentic and moving journey that shifts between WWII France and contemporary Jerusalem. A story about the human spirit and the thirst for a family, a tradition, and a nation, that will touch your heart. Get your copy of I Love You My Child, I'm Abandoning You now!

    An unexpected phone call hurls Reshef into an intensive two-year journey, during which he has to solve a mystery that took shape in the 1930s and gradually unfolded in the present. A mysterious lot, a forgotten bank account, a people long gone – along with their memory which were obliterated during the Holocaust. All of these rise to the surface, bearing with them memories and emotions previously hidden away in the shoebox. “I had no intention of writing a book. I had no need to write a story in general nor a story about my family and the Holocaust in particular. But life being what it is, sometimes things happen in mysterious, even surprising ways. Stuff that used to take center stage moves to the background, and background stuff moves downstage and center. That’s what happened in my case.” (Yaron Reshef)

    It is the profoundly moving and poetic memoir by Marceline Loridan-Ivens, who at the age of fifteen was arrested in occupied France, along with her father. Later, in the camps, he managed to smuggle a note to her, a sign of life that made all the difference to Marceline—but he died in the Holocaust, while Marceline survived. In But You Did Not Come Back, Marceline writes back to her father, the man whose death overshadowed her whole life. Although her grief never diminished in its intensity, Marceline ultimately found her calling, working as both an activist and a documentary filmmaker. But now, as France and Europe in general faces growing anti-Semitism, Marceline feels pessimistic about the future. Her testimony is a memorial, a confrontation, and a deeply affecting personal story of a woman whose life was shattered and never totally rebuilt.

    Casts light into dark and previously neglected corners of the horror that was the Third Reich.'' —Richard John Neuhaus, Editor in Chief First Things ''Father Jean Bernard's portrait of survival in a German concentration camp is simple, forceful and vivid and therefore impossible to put down or forget. It ranks with the great 20th Century personal testimonies against totalitarian violence... Priestblock 25487 is a diary of Catholic discipleship under extreme conditions that will deeply move all persons of conscience.'' —Charles J. Chaput, Archbishop of Denver ''Gripping! This crisp story of the 3,000-plus Christian clergy at Dachau in 1941 forces me to turn pages quickly, in horror... In its understated power, this brief book is unforgettable.'' —Michael Novak, author of Washington's God (with Jana Novak) ''Many hundreds of books have been written and published about German concentration and extermination camps during World War II, including at least two or three dozens written or dictated by their actual survivors. Of these, Father Jean Bernard's Priestblock 25487 is among the very best, because of the exceptional intelligence and honesty of its author. Dachau, where he was imprisoned, was not the worst of all those camps, and Father Bernard was, surprisingly, released after two years of imprisonment: but perhaps because of these very circumstances his diary is extraordinarily telling, convincing, and graphic. Every scholar and student of that dreadful chapter of twentieth-century history ought to read—and ponder—its contents.'' —John Lukacs, author of The Hitler of History; and Five Days in London: May 1940 ''Father Bernard has left readers with a gripping testimony of the brutal treatment the Catholic clergy received at the hands of the Nazis in Dachau. Despite t

    In the pages of MetaMaus, Art Spiegelman re-enters the Pulitzer prize-winning Maus, the modern classic that has altered how we see literature, comics, and the Holocaust ever since it was first published twenty-five years ago. Does he probe the questions that Maus most often evokes—Why the Holocaust? Why mice? Why comics?—and gives us a new and essential work about the creative process. MetaMaus includes a bonus DVD-R that provides a digitized reference copy of The Complete Maus linked to a deep archive of audio interviews with his survivor father, historical documents, and a wealth of Spiegelman’s private notebooks and sketches. Compelling and intimate, MetaMaus is poised to become a classic in its own right.

    The story of the Warsaw Rising from the the leading British authority on the history of Poland.

    Irena Sendler was a young Polish woman living in Warsaw during World War II. Irena smuggled thousands of children out of the walled Jewish ghetto in toolboxes and coffins, snuck them under overcoats at checkpoints, and slipped them through the dank sewers and into secret passages that led to abandoned buildings, where she convinced her friends and underground resistance network to hide them.

    Army officer and his infantry unit as they fought from the invasion of Italy to the liberation of Dachau at war's end.From July 10, 1943, the date of the Allied landing in Sicily, to May 8, 1945, when victory in Europe was declared-roughly 500 days-no regiment saw more action, and no single platoon, company, or battalion endured worse, than the one commanded by Felix Sparks, a greenhorn second lieutenant when The Liberator begins. Historian Alex Kershaw vividly portrays the immense courage and stamina of Sparks and his men as they fought terrifying engagements against Hitler's finest troops in Sicily and Salerno and as they endured attack after attack on the beaches of Anzio (with Sparks miraculously emerging as his 200-man company's sole survivor). In the bloody battle for southern France, Sparks led his reconstituted unit into action against superbly equipped and trained die-hard SS troops and demonstrated how the difference between defeat and victory would be a matter of character, not tactics or hardware. Finally, he and his men were ordered to liberate Dachau, the Nazis' first concentration camp. It would be their greatest challenge, a soul-searing test of their humanity.

    Professional photographer Wilhelm Brasse is deported to Auschwitz-Birkenau and finds himself in a deadly race to survive, assigned to work as the camp's intake photographer and take "identity pictures" of prisoners as they arrive by the trainload. Brasse soon discovers his photography skills are in demand from Nazi guards as well, who ask him to take personal portraits for them to send to their families and girlfriends. Behind the camera, Brasse is safe from the terrible fate that so many of his fellow prisoners meet. But over the course of five years, the horrifying scenes his lens capture, including inhumane medical "experiments" led by Josef Mengele, change Brasse forever.Based on the true story of Wilhelm Brasse, The Auschwitz Photographer is a stark black-and-white reminder of the horrors of the Holocaust. This gripping work of World War II narrative nonfiction takes readers behind the barbed wire fences of the world's most feared concentration camp, bringing Brasse's story to life as he clicks the shutter button thousands of times before ultimately joining the Resistance, defying the Nazis, and defiantly setting down his camera for good.