He explores the queasy relationships between life and art, love and estrangement, and the bane that is American identity drift, with unsparing but compassionate candor.” –Misha Berson, Seattle Times“Margulies’s remarkable gift of building characterization through realistic dialogue is undiminished. Full of aching ruefulness that underlies the comedy, Brooklyn Boy’s scenes are written with precision and humor. The play isn’t about Brooklyn, nor is it about a boy—it’s about a man without a home.” –Don Shirley, Los Angeles TimesThis new play by the Pulitzer Prize-winning author of Dinner with Friends follows the career of Eric Weiss, a writer whose novel hits the bestseller list the same time his life begins to unravel. His wife is out the door, his father is in the hospital, and his childhood friend thinks he has sold himself to the devil. A funny and emotionally rich look at family, friends and fame.Donald Margulies received the 2000 Pulitzer Prize for Drama for Dinner with Friends. The play received numerous awards, including the American Theatre Critics Association New Play Award, the Dramatists Guild/Hull-Warriner Award, the Lucille Lortel Award, the Outer Critics Circle Award and a Drama Desk nomination, and has been produced all over the United States and around the world. In addition to his adaptation of God of Vengeance, his many plays include Collected Stories, The Country House, Sight Unseen, The Model Apartment, The Loman Family Picnic, What’s Wrong with This Picture? and Time Stands Still. Mr. Margulies currently lives with his wife and their son in New Haven, Connecticut, where he teaches playwriting at Yale University.

    The story of two white-collar managers, Chad and Howard, who maliciously plot to jointly romance the lonely, deaf, beautiful office temp Christine before simultaneously dumping her, is cool and compelling in its depiction of the worst sorts of emotional abuse. What begins as a cat-and-mouse game of one-upmanship quickly escalates into full-scale psychological warfare. Only too late does this 'frat boy' prank reveal itself as deadly serious, with a struggle between the two men at the heart of the battle. The woman is only a means to an end, a pawn easily captured and tossed aside in a dark, wicked duel for corporate ascension.

    As his second marriage crumbles, Jake's women "characters" enter his days and nights--with the most uncomfortably astute observations about his life.

    In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.

    The first scene of the play is a conversation between two lovers, Tommy and Donna, who broke up some time earlier but who are obviously still attracted to each other. Donna is enraged because Tommy, a would-be artist, is now having an affair with her younger sister, but Tommy, stretched out on his recliner (which, apart from a refrigerator full of beer, comprises the entire furnishings of his spartan apartment), is seemingly unmoved by her harangue. In the second scene Donna visits her father, a once successful artist who stopped painting at the death of his wife, whom he had bullied and betrayed despite his professed love for her. Combative and complex (but also very funny) the father sits and drinks and eventually gives in to his daughter's demand that he force Tommy to marry her or beat him up. Then, in the third and final scene, the father and Tommy confront each other, with results that are sometimes menacing, sometimes antic, with a lively discussion about art and women eventually leading to a sort of tenuous truce—and a grudging recognition of the responsibility that love, in its various guises, imposes.

    So when the British Secret Service asks him to become their ‘man in Havana’ he can’t afford to say no. There’s just one problem…he doesn’t know anything! To avoid suspicion, he begins to recruit nonexistent sub-agents, concocting a series of intricate fictions. But Wormold soon discovers that his stories are closer to the truth than he could have ever imagined… In Clive Francis’ adaptation, Graham Greene’s classic satirical novel becomes a wonderfully funny and fast-moving romp.

    Back-in-print early work by the author of subUrbia and Sex, Drugs, Rock & Roll.

    At first, the new doctor cures anything

    Using the format of an end-of-term play, the new drama teacher's progress through two terms of recalcitrant classes, synical colleagues and obstructive caretakers is reviewed. Disillutioned, he departs for a safer private school.

    Nothing but a four letter word and in part two of Treat Me Like Somebody, you'll find out just how true that is. After forgiving Justice for sleeping with Tammi, Jaz gives him one more chance to prove that she is all he wants. She thinks he is on a straighten narrow until a certain someone moves back in town. Finding out that your mother isn't your mother is heart breaking. After confronting his mother he realized that he never really knew her. He fought hard to get Jaz to forgive him and just when everything is going good, the unexpected happens. Not wanting to lose the love of her life, Mya finally tells Harlem her big secret. After being caught in a room with Diesel, it really left her no choice. She thought that once she came clean, he would understand but she was sadly mistaken and regretted even opening her mouth. Harlem hated the day he met Mya. After learning her secret he wanted nothing more than to forget he even know Mya but after a tragic accident and almost losing her, he knows he don't want to witness life without her. There's only one problem Diesel. Take a ride with these couples as they witness betrayal, long lost lovers and damaged hearts. Will they find out what love truly is or will they fall deep into temptation.

    Only months before her retirement, new mandatory background checks threaten to expose Jackie’s darkest secrets, secrets she’s kept buried for nearly fifty years. As Jackie pleads with her husband Peter for help, her carefully hidden past unfolds.Alabama, 1961- As an ambitious student, Jackie is looking forward to her senior year, with hopes for college. However, on Homecoming morning, her father’s infidelity causes her world to change suddenly and irrevocably. In the year that follows, Jackie and her sister are increasingly trapped by poverty, Jim Crow, and ongoing violence and abuse—and Jackie is ultimately forced to protect herself in ways she never imagined. Ways which now, fifty years later, may prove to be her undoing.

    Successful and independent, she didn't need a man for anything. And if a man did catch her eye he'd have to meet her high standards. Well, that was up until she met the sexy, charming, and not to mention, wealthy, Lenox Lately. She had vowed to never date a drug dealer. But as fate would have it, Paris ended up marrying one. Lenox was the boss of all bosses. He was the king of Florida pushing over 75% of the most potent drugs on the streets. He had a beautiful, loyal wife at home but Lenox couldn't seem to realize that. The fame, money & side pieces were more important than taking care of home. Still, no matter how awful he treated his wife she was always his backbone. With a fed up wife, and drama on the rise he had no one to turn to when things really started to heat up. The battle between leaving or working on her marriage had taken her on an emotional roller-coaster ride. How much more could Paris take? Will Lenox eventually realize the value of the prized possession he has at home or will it be too late? Will Lenox's empire crash and burn at the hands of an old enemy? Or will he remain unstoppable?

    They say love and soulmates exist no more, Yet they breathe an unseen air to live for sure. Not every story begins in the here and now. Some transit through time never ending. If time were to cease, then some things would live forever… It began in the garden beneath which rivers flow, the place where the Sand and the Sea were born before creation ¬– the first soulmates, the two halves of one whole, the two parts of the eternity sign. A part Koli, East Indian Catholic, Hannah lives in Mumbai where the Sea always watches over her. Yet her dreams are haunted by a voice that calls to her through the breeze… True love walks beside her in another life, yet she is unable to find a way back in time. Riddled with disappointment and distressing heartbreak, she is hopelessly drawn to the path the Universe has laid before her feet. Drawn to Istanbul, she finds part of the puzzle in the Ezan of the Blue Mosque. Could the man from her dreams be real? What could an Indian woman and a Turkish Imam have in common? Will Hannah find what she searches for? Only those who believe will pass the test. Everyone has their own journey; some get on to the path and to some, the path comes calling. This is the tale of the Sand and the Sea, Hanging on the edge of wait, watch and let’s see.

    Everything seems to be looking good for the couple. They’re happily in love and expecting the new addition to their family. But trouble is never too far behind. After two death attempts on her life, Angel finally get the moment she’s been waiting for as she comes face to face with Lexi. After months of searching for Martell and Mook, Parker finally have them both where he wants them. Will it all come to an end like he hopes or will they slip through his fingers once again? Missy has shown that she’ll do just about anything so that Angel can get the happily ever after that she so desperately wants. Even if that means stupidly putting herself in danger or even getting herself killed just to make it happen. Chris feelings for Missy causes his carefree nature to crumble as he is force to come face to face with a past that he kept buried away for ten years. Will Chris be able to open up to Missy and let her see the real Christian or will the fear of history repeating itself keep him running away.