The title of his most famous work, Ab Urbe Condita ("From the Founding of the City"), expresses the scope and magnitude of Livy's undertaking. He wrote in a mixture of annual chronology and narrative. Livy claims that lack of historical data prior to the sacking of Rome in 387 BC by the Gauls made his task more difficult. He wrote the majority of his works during the reign of Augustus. However, he is often identified with an attachment to the Roman Republic and a desire for its restoration. His writing style was poetic and archaic in contrast to Caesar's and Cicero's styles. Also, he often wrote from the Romans' opponent's point of view in order to accent the Romans' virtues in their conquest of Italy and the Mediterranean.

    One of the most hyped high school players of all time, with a $20 million Adidas deal in hand, Sebastian found himself in the same position as NBA superstars like Kobe Bryant and LeBron James, both of whom shot to stardom without playing a day of college ball. THE JUMP offers an inside view of Sebastian's journey-a rags-to-riches story of a kid from the Coney Island projects who succeeds in leaving behind the chaos, violence and economic hardship at home for a multi-million dollar life of professional ball and product endorsement. Drawing on exclusive interviews with friends, family, coaches, recruiters, agents and players, USA Today columnist Ian O'Connor offers an intimate portrait of the promising young player's senior year at Lincoln High School and explores the changing nature of basketball in America today.Sebastian Telfair exemplifies a new dynamic emerging in basketball-young, talented teenagers who skip college on the way to NBA fortune and fame. But what is this trend doing to the sport? And do the adults who have hitched their hopes on Sebastian's rising star have the young player's best interests in mind? THE JUMP dives head first into today's high-stakes, anything-goes basketball culture, examining the sneaker companies intent on securing charismatic and mediagenic players to hawk their wares; college boosters willing to break NCAA rules by offering cash incentives to lure promising players to their schools; high school administrators securing big appearance fees from promoters; agents wooing players and their families-and walking the thin line dictating amateur status rules for high school and college ball.O'Connor also delves into the dream that the NBA holds for so many families-a child drafted into the pros offers a first class ticket out of the projects. A colorful cast of characters featured in THE JUMP includes the faces shaping the sport today: Rick Pitino, head coach of the University of Louisville, who recruits Sebastian with the hope of delivering his team to an NCAA championship only to see his dreams dashed by Sebastian's decision to enter the NBA draft; Andy Miller, the agent who vies to sign up Sebastian despite Erica and Otis Telfair's reservations; Stephon Marbury, star of the New York Knicks, who sees Sebastian more as a rival than a cousin (THE JUMP delivers exclusive details on the fracture in the Marbury and Telfair relationship, including interviews with the point guards and relatives on the subject of the family feud); Sonny Vacaro, at different times the face of Nike, Adidas, and Reebok, who uses sneaker company cash to entice coaches and young players; Jay-Z, rapper and owner of Telfair's summer-league team.Under O'Connor's penetrating scrutiny, Sebastian Telfair becomes the prism through which the circus of modern basketball is explored. Can he succeed, or will he flame out-too young, too small, too unprepared? And what is this new trend in basketball doing to the athletes, to college basketball programs, to the quality of play in the NBA and to society at large? As Dave Kindred of The Sporting News states, "THE JUMP is a 21st-century thrill ride into the shadows and bright lights of a basketball culture that breaks hearts and makes superstars."

    

    

    The dignity of movement of an ice-berg is due to only one-eighth of it being above water. A writer who omits things because he does not know them only makes hollow places in his writing." – Ernest Hemingway, Death in the Afternoon (from Amazon)

    Our hearts break and God tenderly mends them again. He holds us in His love and comforts us with His peace. In this book you’ll discover why God let’s bad things happen. You’ll learn what His plan is and how He intends to use it for good. You’ll find His comfort and a place of peace again.

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    It is fundamental to Philosophical Taoism. Specially formatted for the Amazon Kindle, with easy navigation table of contents, and adjustable font size.

    Works include:Le Monsieur De La Petite DameSurly Tim, A Lancashire StoryThe Dawn of a To-morrowEmily Fox-SetonBeing ''The Making of a Marchioness'' and ''The Methods of Lady Walderhurst''EsmeraldaA Fair BarbarianThe Head of the House of CoombeHis Grace of OsmondeBeing the Portions of That Nobleman's Life Omitted in the Relation of His Lady's Story Presented to the World of Fashion under the Title of 'A Lady of Quality'In Connection with the De Willoughby ClaimIn the Closed RoomA Lady of QualityThe Land of the Blue FlowerThe Little Hunchback ZiaLittle Lord FauntleroyA Little PrincessLittle Saint Elizabeth and Other StoriesLoduskyThe Lost PrinceMère Girauds Little DaughterMy RobinOne Day At ArleThe Pretty Sister of JoséRacketty-Packetty HouseAs told by Queen CrosspatchRobinSara Crewe, or, What Happened at Miss Minchin'sThe Secret GardenSethThe ShuttleT. TembaromThat Lass O' Lowrie'sTheo, A Sprightly Love StoryVagabondiaThe White People

    Two white house maids, a remarkable mother and her daughter, reveal what it was really like upstairs, downstairs at the white house.

    And that persistence paid off. Miley was cast as Hannah — the TV pop superstar who is trying to balance her celebrity with a normal life as Miley Stewart, thus living a secret identity along the lines of Clark Kent and Superman — and Hannah instantly connected with the television audience, which turned the character and Miley herself into a sensation. And since that debut, there have been CDs that have sold in the millions, fashion and book lines, best-selling DVDs, a concert tour that sold out literally within seconds of tickets going on sale (with one woman going so far as to spend $13,000 on a set of four tickets!), a 3-D concert movie, and a full-length feature film to come. Living the Dream tells the story of the auditions, the casting of Hannah Montana, and what was involved in creating the Stewart family. There are biographies of the principal cast members – Miley, Billy Ray, Emily Osment, Mitchel Musso, and more – and interviews with the creators of the show. There’s a look at the phenomena outside of the show: the CDs, the concert tours (including photos from fans), and the buzz on the upcoming movie. An episode guide reveals the story behind the scenes, as well as things to watch for in each episode to date, and a news diary tracks the rise of the Miley/Hannah phenomenon. Plus there’s more than a hundred full-colour photos. For the growing numbers of MIley Cyrus and Hannah Montana fans, this is a book that will make them appreciate the show and the stars even more.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    The result was a classic column full of Bombecks signature wit and warmth. Now the beloved column that has hung on hundreds of refrigerator doors has been cheerily illustrated and designed as a handsome gift book, Eat Less Cottage and More Ice Cream. In it, Bombeck gently reminds us of what is really important in life: If I had my life to live over again I would have waxed less and listened more.I would have cried and laughed less while watching television . . . and more while watching real life.But mostly, given another shot at life, I would seize every minute of it . . . look at it and really see it . . . try it on . . . live it . . . exhaust it . . . and never give that minute back until there was nothing left of it. . . . Long-time fans of Erma Bombeck will be thrilled to have this favorite column in the form of a beautiful keepsake. Readers discovering Bombeck for the first time will become fans instantly. Eat Less Cottage and More Ice Cream offers wisdom to inspire all of us.

    From the isolated farmhouse of her childhood, to the series of houses her family occupied in small towns across Nebraska as her father pursued his dream of becoming a minister, to the equally small houses she lived in as a single mother and graduate student, houses have shaped her understanding of her place in the world and served as touchstones for a life marked by both constancy and endless cycles of change. On September 12, 2001, Randolph and her husband bought a dilapidated farmhouse on twenty acres outside Lincoln, Nebraska, and set about gutting and rebuilding the house themselves. They had nine months to complete the work. The project, undertaken at a time of national unrest and uncertainty, led Randolph to reflect on the houses of her past and the stages of her life that played out in each, both painful and joyful. As the couple struggles to bring the dilapidated house back to life, Randolph simultaneously traces the contours of a life deeply shaped by the Nebraska plains, where her family has lived for generations, and how those roots helped her find the strength to overcome devastating losses as a young adult. Weaving together strands of departures and arrivals, new houses and deep roots, cycles of change and the cycles of the seasons, Leaving the Pink House is a richly layered and compelling memoir of the meaning of home and family, and how they can never really leave us, even if we leave them.