When she was young, and had been first taught the art of conjuring by the necromancer, her father, she was always practicing her skill, whizzing about from one kingdom to another upon her black stick, and conferring her fairy favors upon this Prince or that.

    She has crazy red pigtails, no parents to tell her what to do, a horse that lives on her porch, and a flair for the outrageous that seems to lead to one adventure after another!

    The heroine's grit and determination, backed by the support of her eccentric and loving family, offer an inspiring example of the struggles and rewards of following a dream."The book is one that horse lovers of every age cannot fail to enjoy."--"The New York Times""Humorous, charming, National Velvet is a little masterpiece."--"Time""Put on your not-to-be-missed list."--"The New Yorker"

    When Heidi goes to Frankfurt to work in a wealthy household, she dreams of returning to the mountains and meadows, her friend Peter, and her beloved grandfather.

    It began on a rainy morning in Australia, as part of a game played by Mark and his friends. It was a storytelling game, and the four friends took turns weaving tales about fairies and mermaids and horses. But Anna's story was different this time: it was not a fairy tale or an adventure story. The story was about a young girl who lived during World War II. Her name was Heidi, and she was Hitler's daughter.As Anna's story unfolds, Mark is haunted by the image of Hitler's daughter. He wonders what he would have done in her place if he had known his father was an evil man leading the world into a war that was destroying millions of lives. And if Mark had known, would he have had the power and determination to stop him?

    When the Phonies move into 45 Stella Street, the neighborhood is in for a shake-up, explains Henni. Former occupant Auntie Lillie's open-door welcome becomes Mr. and Mrs. Phonies' magazine house of swanky new appliances. Keep Away! The Phonies, through their attorneys, launch an artillery of snottily outrageous letters at the freindly folks at 47 Stella Street, complaining about garbage, blocked driveways, and a magenta fence! Zev, Henni, Danielle and Frank feel as if the sun has stopped shining on Stella Street. When the kids are called in for questioning, they decide to do a little detective work of their own.

    This collection of twenty-one classic tales about this resourceful and thoughtful little girl reflect with accuracy the dilemmas and challenges of a child's world. Young children today will love to hear how Milly-Molly-Mandy decides to spend her first penny, looks after a hedgehog, and spends her first night away from home. These timeless stories are perfect for reading aloud, for older children to read by themselves, or as a story before bedtime, and will bring back many happy memories for many parents and grandparents. The book's endpaper feature a two-page map of Milly-Molly-Mandy's village complete with drawings of cottages, fields, streets, and shops making it easy for children to follow Milly-Molly-Mandy from place to place.

    Meg is a cute well-meaning witch who lives with Mog and her owl. In Meg and Mog, we are introduced to a witch wardrobe and a witch's breakfast. Later Meg flies off to meet her witch friends for some spell-making at a Halloween Party. Unfortunately the spell does not go exactly to plan... The illustration is simple and with very bold, deep colours. Designed specifically to appeal to very young children, Meg and Mog has short simple sentences on each page, allowing the illustration to play an important part in the storytelling. If you enjoy the first Meg and Mog, enjoy more adventures in Meg on the Moon and Mog at the Zoo. (Ages 1 to 3 years.) --Victoria MacKenzie

    Unrest is spreading among the peasants of Southern England, who are tired of the injustice they suffer at the hands of landlords. Rebellion is in the air, and life is about to change for man and dog.

    But though the lake is long gone and the resort faded away, the houses still hold a secret life: two people who have never left Gone-Away...and who can tell the story of what happened there.

    Funny and entertaining.

    Mary and her younger brother Peter set out on foot, lost in the vast, hot Australian outback. They are saved by a chance meeting with an Aboriginal boy on walkabout, who teaches them to find food and water in the wilderness, but whom Mary can’t bring herself to trust. Though on the surface Walkabout is an adventure story, darker themes lie just beneath. Peter’s innocent friendship with the Aboriginal throws into relief Mary’s no longer childish anxiety, and together raise questions about how Aboriginal and Western culture can meet. And in the vivid descriptions of the natural world, we realize that this story—a deep fairy tale in the spirit of Adalbert Stifter’s Rock Crystal—must also be a story about the closeness of death and the power of nature.

    Escaping over the orphanage wall to explore the outside world, Mandy discovers a tiny deserted cottage in the woods. All through the spring, summer, and fall, Mandy works to make it truly hers. Sometimes she "borrows" things she needs from the orphanage. Sometimes, to guard her secret, she even lies. Then, one stormy night at the cottage, Mandy gets sick, and no one knows how to find her--except a special friend she didn't know she had.

    Together, they had another child, making seven. The Captain felt it was necessary to run the family with army discipline, but his rules and regulations were no match for the fun loving children, led by the redoubtable Judy."But now it was morning, and she could disbelieve it no longer. Esther had come to her bedside and kissed her sorrowfully, her beautiful face troubled and tender. The kind-hearted stepmother had begged as she had never done before for a remission of poor Judy's sentence, but the Captain was adamant. To boarding school she must go!"

    In this collection of sixty-six poems, Stevenson recalls the joys of his childhood, from sailing boats down a river, to waiting for the lamplighter, to sailing off to foreign lands in his imagination.Tasha Tudor's watercolour paintings evoke a simpler time in the past, and celebrate two of the things she loves most — children and nature. Her talents are the perfect match for these inspiring poems, making this a handsome gift edition that will be cherished by families for generations.