-- Alan Dundes. Propp's work is seminal...[and], now that it is available in a new edition, should be even more valuable to folklorists who are directing their attention to the form of the folktale, especially to those structural characteristics which are common to many entries coming from even different cultures. -- Choice

    A directory at the end of the book summarizes theprincipal types of myth from around the world (Native American, Judeo-Christian, Greek, Nordic, Aboriginal, and so forth) and includes familytrees that show exactly how various supernatural beings are related.

    Here are myths of gods, heroes and warriors; legends of Buddha, and of the goddess Benten and the god Daikoku; tales of the sea and of Mount Fuji; accounts of superstitions and supernatural beings; observations on the spiritual properties of fans, flowers, dolls and butterflies and much more.The collection begins with the early myths of Japan, which the author describes as "quaint, beautiful, quasi-humorous." These are followed by legends celebrating early heroes and warriors, and the earliest examples of the Japanese romance, "The Bamboo-Cutter and the Moon-Maiden." Many of the legends that follow reflect a poetic love of beauty and of nature. But as the author points out, "there is plenty of crude realism in Japanese legend. We are repelled by the Thunder God's favorite repast, amazed by the magical power of foxes and cats; and the story of 'Hōïchi-the-Earless' and of the corpse-eating priest afford striking examples of the combination of the weird and the horrible."Thirty-two full-page illustrations offer compelling images of Buddha and the Dragon; A Kakemono Ghost; The Jelly-Fish and the Monkey; The Firefly Battle; Tokoyo and the Sea Serpent; Sengen, the Goddess of Mount Fuji; and other subjects of these timeless myths. In addition, the author has included several invaluable appendixes that offer a helpful note on Japanese poetry, a listing of gods and goddesses, a genealogy of The Age of the Gods, and an index of poetical quotations.

    Equally impressive is the number of beliefs and superstitions the industrious insect has inspired. Its honey, which was known to the ancient Greeks as the “food of the Gods,” played an important role in early religious rites and was also mentioned in the folklore of many peoples. Hilda Ransome's well-documented and copiously illustrated study of bees focuses on this valuable byproduct of nature and its creator — the "sacred" bee.Chapters cover the folklore of bees and bee culture — from Egyptian, Babylonian, Chinese, Hittite, and other ancient sources as well as practices in modern England, France, and Central Europe. Thirty-five plates of rare black-and-white illustrations depict bees, hives, and beekeepers as they appear in ancient paintings and sculpture, on coins, jewelry, and Mayan glyphs; and carved into African tree trunks. Folk stories from Finland and the bee in America are also described. Hailed by The New York Times as possessing an "oddity, beauty, and broad scholarly interest," this unusual book will attract a wide audience — nature lovers and folklore enthusiasts included.

    This fully illustrated, greatly expanded edition of Kris Waldherr's best-selling classic includes 100 goddesses (74 more than the original edition) along with their stories, symbolic significance and cultural roles applicable to life today. While the original book was structured alphabetically - one goddess for every letter of the alphabet - this new edition is structured around the feminine rites of passage: Beginnings, Love, Motherhood, Creativity, Strength and Transformations. Lavishly designed, this visually stunning book is testament to the power, passion, wisdom and beauty of women of all ages, all stages in life, everywhere.

    Not for the faint-hearted. Adults only.

    Now, with a new introduction and full-color artwork, this passionate and important text shows even more clearly that the religion of the Goddess—which is tied to the cycles of women’s bodies, the seasons, the phases of the moon, and the fertility of the earth—was the original religion of all humanity.

    Using the popular literature of the seventeenth, eighteenth, and early nineteenth centuries-including captivity narratives, the Daniel Boone tales, and the writings of Hawthorne, Thoreau, and Melville-Slotkin traces the full development of this myth.

    In order to understand both the spirit of Tradition and its antithesis, modern civilization, it is necessary to begin with the fundamental doctrine of the two natures. According to this doctrine there is a physical order of things and a metaphysical one; there is a mortal nature and an immortal one; there is the superior realm of "being" and the inferior realm of "becoming." Generally speaking, there is a visible and tangible dimension and, prior to and beyond it, an invisible and intangible dimension that is the support, the source, and the true life of the former." -- from chapter one. With unflinching gaze and uncompromising intensity Julius Evola analyzes the spiritual and cultural malaise at the heart of Western civilization and all that passes for progress in the modern world. As a gadfly, Evola spares no one and nothing in his survey of what we have lost and where we are headed. At turns prophetic and provocative, Revolt against the Modern World outlines a profound metaphysics of history and demonstrates how and why we have lost contact with the transcendent dimension of being. The revolt advocated by Evola does not resemble the familiar protests of either liberals or conservatives. His criticisms are not limited to exposing the mindless nature of consumerism, the march of progress, the rise of technocracy, or the dominance of unalloyed individualism, although these and other subjects come under his scrutiny. Rather, he attempts to trace in space and time the remote causes and processes that have exercised corrosive influence on what he considers to be the higher values, ideals, beliefs, and codes of conduct--the world of Tradition--that are at the foundation of Western civilization and described in the myths and sacred literature of the Indo-Europeans. Agreeing with the Hindu philosophers that history is the movement of huge cycles and that we are now in the Kali Yuga, the age of dissolution and decadence, Evola finds revolt to be the only logical response for those who oppose the materialism and ritualized meaninglessness of life in the twentieth century. Through a sweeping study of the structures, myths, beliefs, and spiritual traditions of the major Western civilizations, the author compares the characteristics of the modern world with those of traditional societies. The domains explored include politics, law, the rise and fall of empires, the history of the Church, the doctrine of the two natures, life and death, social institutions and the caste system, the limits of racial theories, capitalism and communism, relations between the sexes, and the meaning of warriorhood. At every turn Evola challenges the reader's most cherished assumptions about fundamental aspects of modern life.

    In photos and stories, this fascinating book explores modern travelers who live in vans, pickup trucks, buses, trailers, sailboats, and houseboats that combine the comforts of home with the convenience of being able to pick up and go at any time. With over 1,000 color photos accompanying the stories and descriptions of these moveable sanctuaries, this is a valuable and inspirational book for anyone thinking outside the box about shelter.

    Rich with magic and achingly beautiful, they speak of a land of heroic battles, intense love and warrior ideals, in which the otherworld is explored and men mingle freely with the gods. From the vivid adventures of the great Celtic hero Cu Chulaind, to the stunning 'Exile of the Sons of Uisliu' - a tale of treachery, honour and romance - these are masterpieces of passion and vitality, and form the foundation for the Irish literary tradition: a mythic legacy that was a powerful influence on the work of Yeats, Synge and Joyce.

    This classic of Japanese literature invites you to take your choice if you dare.In Ghostly Japan collects twelve ghostly stories from Lafcadio Hearn, deathless images of ghosts and goblins, touches of folklore and superstition, salted with traditions of the nation. While some of these stories contain nightmare imagery worthy of a midnight creature feature, others are not ghostly or ghastly at all. "Bits of Poetry" offers an engaging study on verse, and "Japanese Buddhist Proverbs" explains the meaning of several aphorisms based on Japanese cultural references.Whether you're looking to spot the demons that walk among us, or simply to enjoy the prose of a legendary craftsman, In Ghostly Japan affords countless delights. Stories include:"Fragment" about a young pilgrim who encounters a mountain of skulls"Ingwa-banashi" about a dying wife who bequeaths a rival a sinister legacy"A Passional Karma" about a spectral beauty who returns for her handsome samurai lover

    Pat Monaghan has studied and taught many integrated studies in poetry, science, mythology, feminist spirituality, environmental studies, chaos theory, and religion. All of these disciplines inform her writing, but none distract from the poetic story-telling or the mystical lore she encounters and then conveys. Her journey takes her to a churchyard with a fountain representing St. Bridget, perhaps a Christian representation of the Celtic goddess of water, fire, and transformation, called Brigit. Monaghan describes spiral petroglyphs and ancient sacred caves, bogs and woods where fairies have played their tricks on humans, and water falls that became sacred spots. The stories instruct and teach, as Monaghan points to ways that these myths still reveal the truths of human life, and the contradictions of love and hate, mother and seductress, harmony and struggle that are embodied in women’s lives — in all of human existence.

    Many of the old-time superstitions and customs have been nurtured and kept alive through the area's relative isolation and the strong attachment of the hillfolk to these old attitudes. Though modern science and education have been making important inroads in the last few decades, the region is still a fertile source of quaint ideas, observances, and traditions.People are normally reticent about their deepest beliefs, especially with outsiders. The author, however, has lived in the Ozarks since 1920 and has long since been a student of Ozark life—and a writer of a number of books and articles on various aspects of the subject. Through casual conversations rather than by direct questioning, he has been able gradually to compile a singularly authentic record of Ozark superstition. His book contains a vast amount of folkloristic material, including legends, beliefs, ritual verses and sayings and odd practices of the hillpeople, plus a wealth of general cultural data. Mr. Randolph discusses weather signs; beliefs about auspicious times for planting crops, butchering hogs, etc.; prenatal influence in "marking" babies; backwoods beauty treatments; lucky charms, omens and auguries; courtship jinxes, love potions, etc.; dummy suppers; and numerous other customs and convictions—many racy and amusing, others somewhat grisly or spooky.Here you'll meet and learn about the yarb doctor who prepared curious remedies of herbs and odd concoctions; power doctors who use charms, spells, and exorcism to effect cures; granny-women (mountain midwives); "doodlebuggers" and witch wigglers who find water with the aid of divining rods; "conjurefolk" and Holy Rollers; witches and goomer doctors; clairvoyants and fortune-tellers; plus the ordinary finger-crossing, wish-making citizens of the area. The general reader as well as the specialist in particular fields of cultural anthropology, etc. will truly enjoy this lively survey of lore and practice—a little-known but fascinating slice of American life.Its gentle humor takes the reader into the hills with the author. The book deserves a place in any general collection of Americana and in all collections of folklore," U.S. QUARTERLY BOOKLIST. "A veritable treasury of backwoods custom and belief… [ a ] wealth of circumstantial detail and cultural background," Carl Withers, N.Y. TIMES.

    It dramatizes a 13th century view of the past, from the pagan anarchy of the Viking age to the settlement of Iceland, the coming of Christianity and the beginnings of organized society.