“After a promising start with those first books on flying, she tapered off into long silences broken by an infrequent volume of verse or prose.”  Many years later, Lindbergh replied with a quote from Harriet Beecher Stowe, who claimed that writing, for a wife and mother, is “rowing against wind and tide.” In this sixth and final collection of Lindbergh’s diaries and letters, taking us from 1947 to 1986, we mark her progress as she navigated a remarkable life and a remarkable century with enthusiasm and delight, humor and wit, sorrow and bewilderment, but above all devoted to finding the essential truth in life’s experiences through a hard-won spirituality and a passion for literature. Between the inevitable squalls of life with her beloved but elusive husband, the aviator Charles A. Lindbergh, she shepherded their five children through whooping cough, horned toads, fiancés, the Vietnam War, and their own personal tragedies.  She researched and wrote many books and articles on issues ranging from the condition of Europe after World War II to the meaning of marriage to the launch of Apollo 8.  She published one of the most beloved books of inspiration of all time, Gift from the Sea. She left penetrating accounts of meetings with such luminaries as John and Jacqueline Kennedy, Thornton Wilder, Enrico Fermi, Leland and Slim Hayward, and the Frank Lloyd Wrights. And she found time to compose extraordinarily insightful and moving letters of consolation to friends and to others whose losses touched her deeply. More than any previous books by or about Anne Morrow Lindbergh, Against Wind and Tide makes us privy to the demons that plagued this fairy-tale bride, and introduces us to some of the people—men as well as women—who provided solace as she braved the tides of time and aging, war and politics, birth and death. Here is an eloquent and often startling collection of writings from one of the most admired women of our time.

    Savage brings to life the sensational story of the meteoric rise and rapid implosion of the Pistols through layers of rich detail, exclusive interviews, and rare photographs. This fully revised and updated edition of the book covers the legacy of punk twenty-five years later and provides an account of the Pistols' 1996 reunion as well as a freshly updated discography and a completely new introduction.

    His first album Tubular Bells went on to sell fifteen million copies worldwide and catapulted him into a stardom he was ill equipped to cope with.From growing up with an alcoholic mother, to his feelings of alienation and struggles with depression, this book takes Mike from his early years, through his staggering fame, his broken marriages, years as a recluse and to his rebirth experience at a controversial Exegis seminar. Mike Oldfield has been on a journey few of us could ever imagine, and offers a message of hope to anybody who feels they live on the edge of society.

     Johnson, an American slave, born into captivity and longing for freedom--- Spurgeon, an Englishman born into relative ease and comfort, but, longing too for a freedom of his own. Their respective journeys led to an unlikely meeting and an even more unlikely friendship, forged by fate and mutual love for the mission of Christ. Steal Away Home is a new kind of book based on historical research, which tells a previously untold story set in the 1800s of the relationship between an African-American missionary and one of the greatest preachers to ever live.

    I wasn’t submissive or begging him to come back, I was kicking his ass, kicking him out, kicking my own ass too. My Blondie character was an inflatable doll but with a dark, provocative, aggressive side. I was playing it up, yet I was very serious.’ BRAVE, BEAUTIFUL AND BORN TO BE PUNK DEBBIE HARRY is a musician, actor, activist and the iconic face of New York City cool. As the front-woman of Blondie, she and the band forged a new sound that brought together the worlds of rock, punk, disco, reggae and hip-hop to create some of the most beloved pop songs of all time. As a muse, she collaborated with some of the boldest artists of the past four decades. The scope of Debbie Harry’s impact on our culture has been matched only by her reticence to reveal her rich inner life – until now.In an arresting mix of visceral, soulful storytelling and stunning visuals that includes never-before-seen photographs, bespoke illustrations and fan art installations, Face It upends the standard music memoir while delivering a truly prismatic portrait. With all the grit, grime, and glory recounted in intimate detail, Face It recreates the downtown scene of 1970s New York City, where Blondie played alongside the Ramones, Television, Talking Heads, Iggy Pop and David Bowie.Following her path from glorious commercial success to heroin addiction, the near-death of partner Chris Stein, a heart-wrenching bankruptcy, and Blondie’s break-up as a band to her multifaceted acting career in more than thirty films, a stunning solo career and the triumphant return of her band, and her tireless advocacy for the environment and LGBTQ rights, Face It is a cinematic story of a woman who made her own path, and set the standard for a generation of artists who followed in her footsteps – a memoir as dynamic as its subject.

    Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group's history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself.Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast-West Coast rivalry that threatened to destroy the genre, and some record labels' shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he's remembering The Source magazine cover announcing the Tribe's 1998 breakup or writing personal letters to the group after bandmate Phife Dawg's death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that--like the low end, the bass--are not simply heard in the head, but felt in the chest.

    Pitched somewhere between Almost Famous and Withnail & I, this title presents a document of this most fascinating and troubling of decades - a story of inspiration, success and serious burn out.

    This version of the Beatles legend smoothed the rough edges and filled in the fault lines, and for more than forty years this manicured version of the Beatles story has sustained as truth - until now.The product of almost a decade of research, hundreds of unprecedented interviews, and the discovery of scores of never-before-revealed documents, Bob Spitz's The Beatles is the biography fans have been waiting for -- a vast, complete account as brilliant and joyous and revelatory as a Beatles record itself. Spitz begins in Liverpool, a hard city knocked on its heels. In the housing projects and school playgrounds, four boys would discover themselves -- and via late-night radio broadcasts, a new form of music called rock 'n roll.Never before has a biography of musicians been so immersive and textured. Spitz takes us down Penny Lane and to Strawberry Field (John later added the s), to Hamburg, Germany, where -- amid the squalor and the violence and the pep pills -- the Beatles truly became the Beatles. We are there in the McCartney living room when Paul and John learn to write songs together; in the heat of Liverpool's Cavern Club, where jazz has been the norm before the Beatles show up; backstage the night Ringo takes over on drums; in seedy German strip clubs where George lies about his age so the band can perform; on the lonely tours through frigid Scottish towns before the breakthrough; at Abbey Road Studios, where a young producer named George Martin takes them under his wing; at the Ed Sullivan Show as America discovers the joy and the madness; and onward and upward: up the charts, from Shea to San Francisco, through the London night, on to India, through marmalade skies, across the universe...all the way to a rooftop concert and one last moment of laughter and music.It is all here, raw and right: the highs and the lows, the love and the rivalry, the awe and the jealousy, the drugs, the tears, the thrill, the magic never again to be repeated. Open this book and begin to read -- Bob Spitz's masterpiece is, at long last, the biography the Beatles deserve.

    It includes a dozen rare images, most never before seen.

    Little did they know that their next roles, in a new science-fiction television series, would shape their lives in ways no one could have anticipated. In seventy-nine television episodes and six feature films, they grew to know each other more than most friends could ever imagine.Over the course of half a century, Shatner and Nimoy saw each other through personal and professional highs and lows. In this powerfully emotional book, Shatner tells the story of a man who was his friend for five decades, recounting anecdotes and untold stories of their lives on and off set, as well as gathering stories from others who knew Nimoy well, to present a full picture of a rich life.As much a biography of Nimoy as a story of their friendship, Leonard is a uniquely heartfelt book written by one legendary actor in celebration of another.

    But as the end of the millennium neared, cutting-edge bands began emerging from Seattle, Austin, and London, pushing New York further from the epicenter. The behemoth music industry, too, found itself in free fall, under siege from technology. Then 9/11/2001 plunged the country into a state of uncertainty and war—and a dozen New York City bands that had been honing their sound and style in relative obscurity suddenly became symbols of glamour for a young, web-savvy, forward-looking generation in need of an anthem.Meet Me in the Bathroom charts the transformation of the New York music scene in the first decade of the 2000s, the bands behind it—including The Strokes, The Yeah Yeah Yeahs, LCD Soundsystem, Interpol, and Vampire Weekend—and the cultural forces that shaped it, from the Internet to a booming real estate market that forced artists out of the Lower East Side to Williamsburg. Drawing on 200 original interviews with James Murphy, Julian Casablancas, Karen O, Ezra Koenig, and many others musicians, artists, journalists, bloggers, photographers, managers, music executives, groupies, models, movie stars, and DJs who lived through this explosive time, journalist Lizzy Goodman offers a fascinating portrait of a time and a place that gave birth to a new era in modern rock-and-roll.

    The Letters of J.R.R Tolkien sheds much light on Tolkien's creative genius and grand design for the creation of a whole new world: Middle-earth. Featuring a radically expanded index, this volume provides a valuable research tool for all fans wishing to trace the evolution of THE HOBBIT and THE LORD OF THE RINGS.

    At once artist, composer, editor, teacher, wife, and mother of eight children, she was an important force in the musical world of her time. To show how Schumann surmounted the obstacles facing female artists in the nineteenth century, Nancy B. Reich has drawn on previously unexplored primary sources: unpublished diaries, letters, and family papers, as well as concert programs. Going beyond the familiar legends of the Schumann literature, she applies the tools of musicological scholarship and the insights of psychology to provide a new, full-scale portrait.The book is divided into two parts. In Part One, Reich follows Clara Schumann's life from her early years as a child prodigy through her marriage to Robert Schumann and into the forty years after his death, when she established and maintained an extraordinary European career while supporting and supervising a household and seven children. Part Two covers four major themes in Schumann's life: her relationship with Johannes Brahms and other friends and contemporaries; her creative work; her life on the concert stage; and her success as a teacher.Throughout, excerpts from diaries and letters in Reich's own translations clear up misconceptions about her life and achievements and her partnership with Robert Schumann. Highlighting aspects of Clara Schumann's personality and character that have been neglected by earlier biographers, this candid and eminently readable account adds appreciably to our understanding of a fascinating artist and woman.For this revised edition, Reich has added several photographs and updated the text to include recent discoveries. She has also prepared a Catalogue of Works that includes all of Clara Schumann's known published and unpublished compositions and works she edited, as well as descriptions of the autographs, the first editions, the modern editions, and recent literature on each piece. The Catalogue also notes Schumann's performances of her own music and provides pertinent quotations from letters, diaries, and contemporary reviews.

    It will make you happy.   Today’s pop music—genre-crossing, gender-bending, racially mixed, visually stylish, and dominated by dance music with global appeal—is the world that Nile Rodgers created. In the 1970s and 1980s, he wrote and produced the songs that defined that era and everything that came after: “Le Freak,” “Good Times,” “We Are Family,” “Like a Virgin,” “Modern Love,” “I’m Coming Out,” “The Reflex,” “Rapper’s Delight.” Aside from his own band, Chic, he worked with everyone from Diana Ross and Madonna to David Bowie and Duran Duran (not to mention Mick Jagger, Debbie Harry, Bob Dylan, Eric Clapton, Michael Jackson, Prince, Rod Stewart, Robert Plant, Depeche Mode, Paul Simon, Peter Gabriel, Grace Jones, Bryan Ferry, INXS, and the B-52’s), transforming their music, selling millions of records, and redefining what a pop song could be.    But before he reinvented pop music, Nile Rodgers invented himself. He was born into a mixed-race, bicoastal family of dope-fiend bohemians who taught him everything he needed to know about love, loss, fashion, art, music, and the subversive power of underground culture. The stars of the scene were his glamorous teenage mom and heroin-addicted Jewish stepfather, but there were also monkeys, voodoo orishas, jazz cats, and serial killers in the mix. By the time he was sixteen, Nile was on his own, busking through the sixties, half-hippie and half–Black Panther. He jammed with Jimi Hendrix, rocked out at Max’s Kansas City, toured with Big Bird on Sesame Street’s road show, and played in the legendary Apollo Theater house band behind history’s greatest soul singers. And then one night, he discovered disco. During pop’s most glamorous and decadent age, Nile Rodgers wrote the biggest records and lived behind the velvet rope—whether he was holding court in the bathroom stalls at Studio 54, club hopping with Madonna, or scarfing down White Castle burgers with Diana Ross. Le Freak is the fascinating inside story of pop and its tangled roots, narrated by the man who absorbed everything in his topsy-turvy life—the pain and euphoria and fear and love—and turned it into some of the most sparklingly ebullient pop music ever recorded. Nile Rodgers is a brilliant storyteller who gives readers the surprising behind-the-scenes tales of the songs we all know, and lovingly re-creates the lost outsider subcultures—from the backstreets of 1950s Greenwich Village to the hills of 1960s Southern California to the demimonde of New York’s 1970s and 1980s discos and clubs—that live on in his music and in the throbbing, thriving world of pop he helped to set in motion.From the Hardcover edition.

    Johnson had in his friend Boswell the ideal biographer.Notoriously and self-confessedly intemperate, Boswell shared with Johnson a huge appetite for life and threw equal energy into recording its every aspect in minute but telling detail. This irrepressible Scotsman was 'always studying human nature and making experiments', and the marvelously vivacious Journals he wrote daily furnished him with first-rate material when he came to write his biography.The result is a masterpiece that brims over with wit, anecdote and originality. Hailed by Macaulay as the best biography ever written and by Carlyle as a book 'beyond any other product of the eighteenth century', The Life of Samuel Johnson today continues to enjoy its status as a classic of the language.This shortened version is based on the 1799 edition, the last in which the author had a hand.