The tales are bawdy and irreverent but also tender and whimsical, acute in psychological characterization and encyclopedic in description. They are also evocative of marvelous worlds of fairy-tale unreality as well as of the everyday rituals of life in seventeenth-century Naples. Yet because the original is written in the nonstandard Neopolitan dialect of Italian—and was last translated fully into English in 1932—this important piece of Baroque literature has long been inaccessible to both the general public and most fairy-tale scholars.Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is a modern translation that preserves the distinctive character of Basile’s original. Working directly from the original Neopolitan version, translator Nancy L. Canepa takes pains to maintain the idiosyncratic tone of The Tale of Tales as well as the work’s unpredictable structure. This edition keeps the repetition, experimental syntax, and inventive metaphors of the original version intact, bringing Basile’s words directly to twenty-first-century readers for the first time. This volume is also fully annotated, so as to elucidate any unfamiliar cultural references alongside the text. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” is also lushly illustrated and includes a foreword, an introduction, an illustrator’s note, and a complete bibliography.The publication of The Tale of Tales marked not only a culmination of the interest in the popular culture and folk traditions of the Renaissance period but also the beginning of the era of the artful and sophisticated “authored” fairy tale that inspired and influenced later writers like Charles Perrault and the Brothers Grimm. Giambattista Basile’s “The Tale of Tales, or Entertainment for Little Ones” offers an excellent point of departure for reflection about what constitutes Italian culture, as well as for discussion of the relevance that forms of early modern culture like fairy tales still hold for us today. This volume is vital reading for fairy-tale scholars and anyone interested in cultural history.

    More Grimm than Disney, in this collection you’ll find twists on Snow White, Hansel & Gretel, Rumplestilstskin, The Snow Queen, Cinderella, The Pied Piper, Alice in Wonderland, and Red Riding Hood, plus new tales paying homage to the old traditions. Shadows cannot exist without light, however, and you’ll find enough happily-ever-afters to lift your spirits in this anthology full of adventure, dark powers, and ultimately the enduring power of true love.   YARROW, STURDY AND BRIGHT by Devon Monk – Sweet music cannot hide a wicked heart… FAE HORSE by Anthea Sharp – Faerie bargains can grant any desire, but be careful what you wish for. THE QUEEN OF FROST AND DARKNESS by Christine Pope - Her heart is the only thing colder than a Russian winter…. BONES by Yasmine Galenorn - Sometimes, your most cherished dream can turn out to be a nightmare. MAGIC AFTER MIDNIGHT by C. Gockel – The Wicked Stepmother is about to meet her match… DANCE WITH THE DEVIL by Donna Augustine - When the devil makes a deal with a dancer, he gets more than he bargained for. NO GIFT OF WORDS by Annie Bellet - Never steal from a witch... THE GRIM BROTHER by Audrey Faye – Not all walks in the wood end well… BEAUTY INSIDE BEAST by Danielle Monsch - Happily Ever After ain't guaranteed when Once Upon a Time is here. FAESCORNED by Jenna Elizabeth Johnson - The Morrigan, Celtic goddess of war and strife, must relive a painful memory that reminds her of what she can never have. DRAWN TO THE BRINK by Tara Maya - Sajiana's job is to hunt down monsters brought alive from paintings. She never expected to meet one so handsome... or to need his help. THE VARIANCE COURT by Alexia Purdy - Anna, a struggling college student, discovers a mysterious ring that turns her quiet life chaotic when the ring's magic doesn't do what it's told. THE MORRIGAN by Phaedra Weldon – A young man discovers he has leprechaun blood – and is wanted by dark faerie forces. ALICE by Julia Crane - A twisted tale of Alice and Wonderland. Facing madness and an ominous prophecy, Alice chooses to follow her heart despite knowing her world is about to change forever. STILL RED by Sabrina Locke – When the Hunters come, can there be any escape? THE FINAL STRAW by Jennifer Blackstream - To banish a gold-spinning demon, first you must guess his name... THE UNICORN HUNTER by Alethea Kontis – Only Snow White knows what really happened in the forest…

    The Montgomeries, distinguished folklorists, gathered traditional stories from all parts of Scotland. Their collection, first published in 1956, became a classic of the storytelling tradition, with the stories retold in a simple, dramatic style, appealing to adult and child alike. Now republished by Birlinn Ltd in a handsome gift edition and illustrated with Norah Montgomerie's own original drawings, it is a book to be treasured for years as the key to an enchanted, timeless world.

    Her grandfather, on the other hand, intends to see her starched and pressed into a fine society lady. When she's sent to Miss Eliza Crumb-Biddlecomb's Finishing School for Young Ladies, Jocelyn's hopes of following in her father's fearsome footsteps are lost in a heap of dance lessons, white gloves, and way too much pink.So when Jocelyn receives a letter from her father challenging her to avenge his untimely demise at the jaws of the Neverland crocodile, she doesn't hesitate-here at last is the adventure she has been waiting for. But Jocelyn finds that being a pirate is a bit more difficult than she'd bargained for. As if attempting to defeat the Neverland's most fearsome beast isn't enough to deal with, she's tasked with captaining a crew of woefully untrained pirates, outwitting cannibals wild for English cuisine, and rescuing her best friend from a certain pack of lost children, not to mention that pesky Peter Pan who keeps barging in uninvited.The crocodile's clock is always ticking in Heidi Schulz's debut novel, a story told by an irascible narrator who is both dazzlingly witty and sharp as a sword. Will Jocelyn find the courage to beat the incessant monster before time runs out?

    In this elegant and thought-provoking collection of original essays, Kate Bernheimer brings together twenty-eight leading women writers to discuss how these stories helped shape their imaginations, their craft, and our culture. In poetic narratives, personal histories, and penetrating commentary, the assembled authors bare their soul and challenge received wisdom. Eclectic and wide-ranging, Mirror, Mirror on the Wall is essential reading for anyone who has ever been bewitched by the strange and fanciful realm of fairy tales.Contributors include: Alice Adams, Julia Alvarez, Margaret Atwood, Ann Beattie, Rosellen Brown, A. S. Byatt, Kathryn Davis, Chitra Banerjee Divakaruni, Deborah Eisenberg, Maria Flook, Patricia Foster, Vivian Gornick, Lucy Grealy, bell hooks, Fanny Howe, Fern Kupfer, Ursula K. Le Guin, Carole Maso, Jane Miller, Lydia Millet, Joyce Carol Oates, Connie Porter, Francine Prose, Linda Gray Sexton, Midori Snyder, Fay Weldon, Joy Williams, Terri Windling.

    As A.S. Byatt renders this relationship with a powerful combination of erudition and passion, she makes the interaction of the natural and the supernatural seem not only convincing, but inevitable.The companion stories in this collection each display different facets of Byatt's remarkable gift for enchantment. They range from fables of sexual obsession to allegories of political tragedy; they draw us into narratives that are as mesmerizing as dreams and as bracing as philosophical meditations; and they all us to inhabit an imaginative universe astonishing in the precision of its detail, its intellectual consistency, and its splendor.

    They offer the shortest path to the age's dreams, desires, and wishes. Authors central to the nineteenth-century canon such as Thackeray, Oscar Wilde, Ford Madox Ford, and Rudyard Kipling wrote fairy tales, and authors primarily famous for their work in the genre include George MacDonald, Juliana Ewing, Mary De Morgan, and Andrew Lang. This anthology brings together fourteen of the best stories, by these and other outstanding practitioners, to show the vibrancy and variety of the form and its ability to reflect our deepest concerns.The stories in this selection range from pure whimsy and romance to witty satire and darker, uncanny mystery. Paradox proves central to a form offered equally to children and adults. Fairyland is a dynamic and beguiling place, one that permits the most striking explorations of gender, suffering, love, family, and the travails of identity. Michael Newton's introduction and notes explore the literary marketplace in which these tales appeared, as well as the role they played in contemporary debates on scepticism and belief. The book also includes a selection of original illustrations by some of the masters of the field such as Richard Doyle, Arthur Hughes, and Walter Crane.

    This work features ten stories from the 'Tales of a Thousand and One Nights' including the well-known ones of 'Aladdin and the Lamp', 'Ali Baba and the forty thieves', and 'Sinbad the Sailor'.

    They spend their time telling stories to the unborn baby, trying to pass on the lessons they've learned: tales of circuses and stargazing, selkie fishermen and domestic werewolves, child-eating witches and broken-toothed dragons. But each must keep their storytelling a secret from the other, as they've agreed to only ever tell the plain truth. Ruth tells her stories when Liska is at work, to a background of shrieking seabirds; Liska tells hers when Ruth is asleep, with the lighthouse sweeping its steady beam through the window. As their tales build and grow along with their child, Liska and Ruth realise that the truth lives in their stories, and they cannot hide from one another. A Portable Shelter is a beautifully produced collection of elegant, haunting short stories from one of Britain's most exciting new talents. Each story is accompanied by an illustration by award-winning artist Liz Myhill. Produced with the assistance of the Dr Gavin Wallace Fellowship.

    She has a husband and a young daughter called Jane, a life in London. But on night, after all these years, Peter Pan returns. Wendy finds him outside her daughter's window, looking to claim a new mother for his Lost Boys. But instead of Wendy, he takes Jane.Now a grown woman, a mother, a patient and a survivor, Wendy must follow Peter back to Neverland to rescue her daughter and finally face the darkness at the heart of the island...

    In this enchanting anthology, Funke presents lesser-known stories that challenge the traditional 'happily-ever-after' alongside more familiar tales. From her native Germany, to snowy Siberia, from Japan to Vietnam, this collection includes wondrous tales from around the world, 'The Girl Who Gave a Knight a Kiss out of Necessity', 'The Frog Princess', 'The Boy Who Drew Cats' and many more besides to delight readers of all ages.

    Spanning the centuries from the first wars of the ancient Irish kings through the Celtic Renaissance of Yeats to our own time, they are set in cities, villages, fields and forestsfrom the wild Gaelic western coast to the modern streets of Dublin and Belfast.Part of the Pantheon Fairy Tale and Folklore Library

    Not a mark on her body. No trace of her murderer. Only her chipped glass slippers hint at her identity.The Woodcutter, keeper of the peace between the Twelve Kingdoms of Man and the Realm of the Faerie, must find the maiden’s killer before others share her fate. Guided by the wind and aided by three charmed axes won from the River God, the Woodcutter begins his hunt, searching for clues in the whispering dominions of the enchanted unknown.But quickly he finds that one murdered maiden is not the only nefarious mystery afoot: one of Odin’s hellhounds has escaped, a sinister mansion appears where it shouldn’t, a pixie dust drug trade runs rampant, and more young girls go missing. Looming in the shadows is the malevolent, power-hungry queen, and she will stop at nothing to destroy the Twelve Kingdoms and annihilate the Royal Fae…unless the Woodcutter can outmaneuver her and save the gentle souls of the Wood.Blending magic, heart-pounding suspense, and a dash of folklore, The Woodcutter is an extraordinary retelling of the realm of fairy tales.

    Honoured for their gifts and feared for their wrath, the fairies remind us to respect both the world we live in and forces we cannot see.In Meeting the Other Crowd, Eddie Lenihan presents a book about a hidden Ireland, a land of mysterious taboos, dangers, other worldly abductions, enchantments and much more. It is a world which most Irish people acknowledge exists, but which few of them, except the very oldest or professional folklorists, know much more about.Eddie Lenihan opens our eyes to this invisible world with the passion and bluntness of a great storyteller. In doing so he provides one of the finest collections of Irish folklore in modern times.

    "You've got to get the girl to fall in love with you!"The Beast's only chance to break the spell is for him to fall in love with Belle and earn her love in return.