The resulting volume is guaranteed to shake the assumptions of readers of every pigmentation and political allegiance.   In What's Going On, McCall adds up the hidden costs of the stereotype of black athletic prowess, which tells African American teenagers that they can only succeed on the white man's terms. He introduces a fresh perspective to the debates on gangsta rap and sexual violence. He indicts the bigotry of white churches and the complacency of the black suburban middle class, celebrates the heroism of Muhammad Ali, and defends the truth-telling of Alice Walker. Engaging, provocative, and utterly fearless, here is a commentator to reckon with, addressing our most persistent divisions in a voice of stinging immediacy.

    This shift was triggered by the release of the Sugarhill Gang's single, Rapper's Delight. Not only did it usher rap music into the mainstream's consciousness, it brought us the word "hip-hop." And It Don't Stop, edited by the award winning journalist Raquel Cepeda, with a foreword from Nelson George is a collection of the best articles the hip-hop generation has produced. It captures the indelible moments in hip-hop's history since 1979 and will be the centerpiece of the twenty-fifth-anniversary celebration. This book epitomizes the media's response by taking the reader on an engaging and critical journey, including the very first pieces written about hip-hop for publications like The Village Voice--controversial articles that created rifts between church and state, the artist and journalist, and articles that recorded the rise and tragic fall of the art form's appointed heroes, such as Tupac Shakur, Eazy-E, and the Notorious B.I.G. The list of contributors includes Toure, Kevin Powell, dream hampton, Harry Allen, Cheo Hodari Coker, Greg Tate, Bill Adler, Hilton Als, Danyel Smith, and Joan Morgan.

    One cannot categorize these poems simply as confessional, narrative, or lyrical. They are all these things at once. They move beyond usual explorations of childhood or family to blend themes and influences that range from Neruda to Coltrane, Fat Albert to Orpheus, John Shaft to Gershwin. This book gives us an almost Whitmanesque account of an America, and an African American, replete with grace and imperfection. Moreover, it gives us a voice that does not sacrifice truth for music or music for accessibility. At the end of a poem that includes Bill Strayhorn, Andrew Carnegie, and Dante, Hayes says, "I know one of the rings of hell is reserved for men who refuse to weep. So I let it come. And it does not move from me." These lines reflect what is always at the core of Hayes's poetry: a faithfulness, not to traditional forms or themes, but to heart and honesty. It is a core bounded by and cradled by a passion for the music in all things.

    ODB was one of the Clan’s wildest icons and most inventive performers, and when he died of an overdose in 2004 at the age of thirty-five, millions of fans mourned the loss. ODB lives on in epic proportions and his antics are legend: he once picked up his welfare check in a limousine; lifted a burning car off a four-year-old girl in Brooklyn; stole a fifty-dollar pair of sneakers on tour at the peak of his success. Many have questioned whether his stunts were carefully calculated or the result of paranoia and mental instability.Now, Dirty’s friend since childhood, Buddha Monk, a Wu-Tang collaborator on stage and in the studio, reveals the truth about the complex and talented performer. From their days together on the streets of Brooklyn to the meteoric rise of Wu-Tang’s star, from bouts in prison to court-mandated rehab, from Dirty’s favorite kind of pizza to his struggles with fame and success, Buddha tells the real story—The Dirty Version—of the legendary rapper.

    With a ring on her finger from James Wilcox and the woman she loves firmly between her sheets, no one can match Alexis when it comes to scheming. And her duplicity just makes her better at helping her siblings get revenge on the lovers who are doing them wrong . . .   Devereaux Crystal is the producer of TV’s hottest new show, engaged to sexy entrepreneur Phoenix, and will do anything for their adorable two-year-old, Nya. But lately Devereaux is starting to question whether Phoenix will ever make his own success, much less set a wedding date. Soon, his seductive excuses lead her to an unthinkable truth: Ebony, the fiery star of Devereaux’s series, is keeping Phoenix at her beck and call.   With the help of her sisters, Devereaux sets out to blow up Phoenix's house of lies. But the explosion ignites its own chain of devastating consequences. Because no one should mess with the Crystal women without expecting some fierce payback . . .   “Blake and her daughters are sexy, loyal, and quick to have each other’s back.” —Library Journal on Baby, You’re the Best

    She left Latin America twenty years ago, but recently returned to look critically at our Church, our Constitution, our daily lives. Told in a lyrical and personal voice, but backed up by solid research, In the Land of God and Man draws a new map of Latin and Latino America -- from Quito, Ecuador to Queens, New York -- exposing its hidden cultural undercurrents and bringing women out of the factories and favelas, the brothels and the boardrooms, and allowing them to tell their own stories.

    By allowing God to transform her circumstances, Ruth went from a widow who would be excluded from society to a wife with a secure and protected future, a future that ultimately paved the way for the birth of King David! Her story is full of collision--loss, heartache, poverty, even shame--but she never let her past define her. Instead, the most painful time of her life became her most pivotal, propelling her to a destiny she never imagined.Perhaps you have a past you're struggling to overcome. If disappointments, whether a result of your own choices or the actions of others, have kept you from being your true self, this book is for you. Follow Ruth's life and discover the hope available to each of us. Your yesterday does not have to dictate your tomorrow. Despite your past pain, you, too, can find redemption and restoration.

    I was looking for a mentor. When renowned photographer Luca Romano returned home to teach a Photo Storytelling workshop, Hamilton University was buzzing. But a campus wide email warned us not to approach Luca if we weren’t selected to participate—and I wasn’t selected. I wasn’t looking to break the rules. I was looking to break into the industry. I knew getting photographed by Luca Romano would catapult my career. I hoped he’d call, but I had no expectations. I wanted to converse with him, pick his brain, expand my portfolio. That’s all. Listen… I wasn’t looking to be his muse. But I wasn’t going to tell him no. ** Cuffing Season is a standalone spin-off of Sweatpants Season **

    student, walks into Brown Betty Books, her righteousness kicks in to overdrive amid the self-identified "talented tenth" who wear their double degrees and five-hundred-dollar shoes like badges of honor. And then Innocent, a well-heeled investment banker from Côte d'Ivoire, West Africa, walks in and turns her on her head. Innocent seems interested in her -- but he's one of them.Before meeting him, Noire shunned the "bourgie" world of black-moneyed cosmopolitans like Innocent, opting instead for socially conscious (but economically challenged) artists and urban intellectuals. Their mutual attraction blossoms into lust -- and eventually love -- but it lives in the shifting sands of personal beliefs and professional ambitions that are often at odds.Set in New York City with jaunts to Africa, Europe, and the Caribbean, A Love Noire is the story of an unlikely couple that transcends all they've known to learn the redemptive power of love.

    Madu, a young African, is captured by the Elizabethan slave-trader, Sir John Hawkins. Tom Oakley is a young sailor in charge of the slaves. At first the two boys hate each other. But as the story develops their roles are reversed, and each comes to depend on the other more than either would have once thought possible.This is a fast-moving adventure story based around real historical events. History as you never learned it in school!

    An uncompromising work that will challenge the mindset of every reader, Member of the Club is a searching book of essays ranging from examining life as a black Princetonian and corporate lawyer to exploring life as a black busboy at an all white country-club. From New York magazine cover stories Invisible Man and Harlem on My Mind to such new essays as "I Never Dated a White Girl" and "My Dinner with Mister Charlie: A Black Man's Undercover Guide to Dining with Dignity at Ten Top New York Restaurants," Graham challenges racial prejudice among White Americans while demanding greater accountability and self-determination from his peers in black America. "In Member of the Club. [Graham writes of] heartbreaking ironies and contradictions, indignities and betrayals in the life of an upper-class black man." --Philadelphia Inquirer"Lawrence Graham Surely knows about the pressures of being beholden to two very different groups." --Los Angeles TimesLawrence Otis Graham is a popular commentator on race and ethnicity. The author of ten other books, his work has appeared in New York magazine, the New York Times and The Best American Essays.

    finally obtained the suit O. J. Simpson wore in court the day he was acquitted, and it now stands as both an artifactin their “Trial of the Century” exhibit and a symbol of the American media’s endless hunger for the criminal and the celebrity. This event serves as a launching point for Ishmael Reed’s Juice!, a novelistic commentary on the post-Simpson American media frenzy from one of the most controversial figures in American literature today. Through Paul Blessings—a censored cartoonist suffering from diabetes—and his cohorts—serving as stand-ins for the various mediums of art—Ishmael Reed argues that since 1994, “O. J. has become a metaphor for things wrong with culture and politics.” A lament for the death of print media, the growth of the corporation, and the process of growing old, Juice! serves as a comi-tragedy, chronicling the increased anxieties of “post-race” America.

    After the loss of their mother at their father’s hand, Aja has kept a close watch over her siblings. The three siblings much find a way to recover from their family’s history, but it’s not clear how. Tired of carrying the weight of the world on her shoulders, Aja is finally ready for a change that she hopes could lead her down the path of recovery: find someone to love. Her best friend, Roxie, knows just what to do—she sets Aja up on a date with one of the most sought-after bachelors in town, handsome sportscaster Charles Clayton. Charles is everything Aja has ever dreamed of—sensitive, sexy, and charming. But "happily ever after" isn't that simple. While Aja has begun to heal from the loss of her parents, her sister and brother have not. Jada is lost in a world of silence with no way for Aja to reach her, and Eric's uncontrollable rage is wreaking havoc on his life. As Aja sees her brother heading down the same violent path that destroyed their family, she makes it her business to stop the cycle—even if it means putting her own life, and her own chance at love, on hold. My Brother's Keeper is a poignant novel about a resilient family learning that sometimes you have to forgive in order to find the strength to move on.

    But jealousy and competition threaten to tarnish their picture-perfect image. Playboy Toussaint is a risk-taker, determined to expand at a record pace. Levelheaded family man Malcolm insists on challenges Toussaint's goals. And at home, there's more brewing than grits and collard greens.

    When the daughters from each family meet and form a friendship, only one of them knows they are sisters. It is a relationship destined to explode when secrets are revealed and illusions shattered. As Jones explores the backstories of her rich and flawed characters, she also reveals the joy, and the destruction, they brought to each other’s lives.At the heart of it all are the two girls whose lives are at stake, and like the best writers, Jones portrays the fragility of her characers with raw authenticity as they seek love, demand attention, and try to imagine themselves as women.