The night Annie makes her shattering appraisal, the janitor on duty in the museum is killed and Ernst disappears. A well-known art dealer has absconded with multiple Old Master drawings, leaving forgeries in their places. Finding the originals and pocketing the reward money will help Annie get her landlord off her back. A close encounter with a fickle art thief could draw her into the underworld of fakes and forgers she swore she left behind...

    Suspicion now swirls around her and her critique group, making her confidence drop as severely and unexpectedly as her royalty payments.The police care more about Charlee's feeble alibi and financial problems than they do her panicky claims of innocence. To clear her name and revive her career, she must figure out which of her friends is a murderer. Easier said than done, even for an author who's skilled at creating tidy endings for her mysteries. And as her sleuthing grows dangerous, Charlee's imagination starts working overtime. Is she being targeted, too?

    With the exception of his chosen career, too sordid for his blue-blooded family to condone, his life has been safe and predictable. But then he meets Detective Sergeant Kate Wakefield — beautiful, willful, and nearly half his age. When Hetheridge saves the outspoken, impetuous young detective from getting the sack, siding with her against Scotland Yard's powerful male hierarchy, his cold, elegantly balanced world spins out of control. Summoned to London's fashionable Belgravia to investigate the brutal murder of a financier, Hetheridge must catch the killer while coping with his growing attraction to Kate, the reappearance of an old flame, and the secret that emerges from his own past.

    Aptly enough, among her first guests is a gaggle of gardening enthusiasts gathered together for the regional Iris Growers Convention--a thorny bunch more interested in digging up dirt than in weeding and watering. And when one of them turns up dead in Tess's magnificent garden--a cake knife planted firmly in her chest--it falls to the harried hostess to unearth the killer...before any more corpses spring up.

    The killer has left behind a clue connecting the two cases to First Date, a popular online dating service, and Flann McIlroy, an eccentric, publicity-seeking homicide detective, is convinced that only Ellie can help him pursue his terrifying theory: someone is using the lure of the Internet and the promise of love to launch a killing spree against the women of New York City.   To catch the killer, Ellie must enter a high-tech world of stolen identities where no one is who they appear to be. And for her, the investigation quickly becomes personal: she fits the profile of the victims, and she knows firsthand what pursuing a sociopath can do to a cop--back home in Wichita, Kansas, her father lost his life trying to catch a notorious serial murderer.   When the First Date killer begins to mimic the monster who destroyed her father, Ellie knows the game has become personal for him, too. Both hunter and prey, she must find the killer before he claims his next victim--who could very well be her.   Expertly plotted and perfectly paced, Dead Connection advances Alafair Burke to the front ranks of American thriller writers.

    Stanley, Virginia. But all that changes when Sam Collins, her old flame, moves back to town as the new sheriff. On top of that, Claire Freemont, a librarian and the newest member of the Good Buy Girls, starts acting utterly strange.When Maggie goes to visit her the next day at the library, she finds the body of a very dead man. Turns out the man is someone from Claire's past. As the handsome new sheriff zeroes in on Claire, it's up to Maggie and the rest of the Good Buy Girls to use their bargain-hunting skills to hunt a killer-while making sure they don't pay too much in the process...

    Martin's Press Best First Traditional Mystery Award Forensic historian Simon Shaw likes his murders old and cold, and his first case fits the bill. An archeologist friend has found a skeleton with a bullet hole in its skull under historic Bloodworth House, and Simon investigates with his usual doggedness until he discovers that the corpse is Anne Bloodworth, an heiress who disappeared in 1926. Shaw feels compelled to find out who killed her. But this turns out to be more than an academic exercise when someone who wants to hide past secrets tries to murder him!"Shaber charms us with her personable prof and her warm, vibrant portrait of small-town Southern life." --"New York Times Book Review"

    At the shop, she sells used items that she has lovingly refurbished and repurposed. But her favorite pet project so far has been adopting a stray cat she names Elvis.Elvis has seen nine lives—and then some. The big black cat with a scar across his nose turned up at a local bar when the band was playing the King of Rock and Roll’s music and hopped in Sarah’s truck. Since then, he’s been her constant companion and the furry favorite of everyone who comes into the store.But when Sarah’s elderly friend Maddie is found with the body of a dead man in her garden, the kindly old lady becomes the prime suspect in the murder. Even Sarah’s old high school flame, investigator Nick Elliot, seems convinced that Maddie was up to no good. So it’s up to Sarah and Elvis to clear her friend’s name and make sure the real murderer doesn’t get a second chance.

    No one knows how Faye's great-great-grandmother Cally, a newly freed slave barely out of her teens, came to own Joyeuse in the aftermath of the Civil War. No one knows how her descendants hung onto it through Reconstruction, world wars, the Depression, and Jim Crow, but Faye has inherited the island plantation--and the family tenacity. When the property taxes rise beyond her means, she sets out to save Joyeuse by digging for artifacts on her property and the surrounding National Wildlife Refuge and selling them on the black market. A tiny bit of that dead glory would pay a year's taxes. A big valuable chunk of the past would save her home forever.But instead of potsherds and arrowheads, she uncovers a woman's shattered skull, a Jackie Kennedy-style earring nestled against its bony cheek. Faye is torn. If she reports the forty-year-old murder, she'll reveal her illegal livelihood, thus risking jail and the loss of Joyeuse. She doesn't intend to let that happen, so she probes into the dead woman's history , unaware that the past is rushing up on her like a hurricane across deceptively calm Gulf waters. Because the killer is still close at hand, ready to kill again to keep his secrets dead and buried.

    Unwed, unemployed, and over thirty, she's flat broke and about to lose the family plantation. Not to mention being haunted by the ghost of her great-great-grandmother's nanny, who never misses an opportunity to remind her of her sorry state--or to suggest a plan of action, like ransoming her friend's prize pooch to raise some cash.But soon Sarah Booth's walk on the criminal side leads her deeper into unladylike territory, and she's hired to solve a murder. Did gorgeous, landed Hamilton Garrett V really kill his mother twenty years ago? And if so, what is Sarah Booth doing falling for this possible murderer? When she asks one too many questions and a new corpse turns up, she is suddenly a suspect herself...and Sarah Booth finds that digging up the bones of the past could leave her rolling over in her grave.

    Violet doesn’t need to read between the lines: her grandma wants Violet back home and working in her magical store, Charming Books. It’s where the perfect book tends to fly off the shelf and pick you...Violet has every intention to hightail it back to Chicago, but then a dead man is discovered clutching a volume of Emily Dickinson’s poems from Grandma Daisy’s shop. The victim is Benedict Raisin, who recently put Grandma Daisy in his will, making her a prime suspect. Now, with the help of a tuxedo cat named Emerson, Violet will have to find a killer to keep Grandma from getting booked for good...

    In between preparing her famous cornbread and mashed potatoes so creamy "they'll make you want to slap your Momma," owner Halia Watkins is about to dip her spoon into a grisly mystery. . .Halia Watkins has her hands full cooking, hosting, and keeping her boisterous young cousin, Wavonne, from getting too sassy with customers. Having fast-talking entrepreneur Marcus Rand turn up in her kitchen is annoying enough when he's alive--but finding his dead body face-down on her ceramic tile after hours is much worse. Marcus had his enemies, and the cast iron frying pan beside his corpse suggests that at last, his shady business deals went too far. Halia is desperate to keep Sweet Tea's name out of the sordid spotlight but her efforts only make Wavonne a prime suspect. Now Halia will have to serve up the real villain--before the killer returns for a second helping. . .Features delicious recipes from Mahalia's Sweet Tea, including Sour Cream Corn Bread and Sweet Corn Casserole!

    Her beloved cat Mr Grey's been put to sleep, and her new room-mate, Tim, is a jerk. Walking home, she sees a cat the spitting image of Mr Grey, and hears a voice say, I wouldnt go in just now. She enters to find Tim dead stabbed with her own knife. Dulcie's in the frame for murder and she hasn't seen the last of Mr Grey, either . . .

    When a girl makes an appointment for a tattoo of the name of her fiancé embedded in a heart, Brett takes the job but the girl never shows. The next thing Brett knows, the police are looking for her client, and the name she wanted on the tattoo isn't her fiancé's...

    But when she applies to be a food critic for a Key West style magazine, she discovers that her new boss would be Kristen Faulkner-the woman Hayley caught in bed with her boyfriend! Hayley thinks things are as bad as they can get-until the police pull her in as a suspect in Kristen's murder. Kristen was killed by a poisoned key lime pie. Now Hayley must find out who used meringue to murder before she takes all the blame.