When Spider-man encounters Wolverine, he is told that he is in over his head, but he doesn't realize how true that is until he finds his friend Ned dead in their hotel room. Seeking revenge and answers, Spider-man sets out to find Wolverine, but what he finds is a web of lies and deceptions, all leading to a fateful moment which will forever change the life of Peter Parker!Reprints the one-shot from 1987 with a square spine. The indicia identifies it as "Vol. 2 #1" despite being just a reprint.

    A mysterious deity called Rama Kushna gives Boston Brand the chance to revisit the land of the living as Deadman, with the mission of finding his murderer.DEADMAN features spectacular, bravura artwork by Neal Adams, then leading the field with an amazing, hyper-realistic style and trompe-l’oeil unlike anything seen in comics before or since.

    A deep dive into the masterful work of Steranko including a classic Captain America adventure, guest-starring the Incredible Hulk, and an all-time great X-Men story.

    And just in case you're wondering where Spider-Man is in this soap opera, he's battling Dr. Octopus!

    Anna Karenina, Clarissa Dalloway, Daisy Buchanan...each seems to live on the page through celebrated artist Samantha Hahn's evocative portraits and hand-lettered quotations, with the pairing of art and text capturing all the spirit of the character as she was originally written. The book itself evokes vintage grace re-imagined for contemporary taste, with a cloth spine silk-screened in a graphic pattern, debossed cover, and pages that turn with the tactile satisfaction of watercolour paper. In the hand and in the reading, here is a new classic for the book lover's library.

    brings a corrupt version of the Avengers into the Marvel Universe, Bruce Banner puts together the pieces of the Illuminati and confronts Iron Man. The collision of the Avengers and the New Avengers is imminent! But as teammate faces teammate, the Time Gem suddenly reappears and takes the Avengers on a peril-filled journey into days-to-come.Collecting: Avengers 24-34

    Family issues, alien beings, miniature time machines, and a struggle against the deadly and enigmatic being known as Oblivion all play a part in this story that illustrates just how powerful a force of nature Iceman can be on his own!COLLECTING: ICEMAN (1984) 1-4, material from BIZARRE ADVENTURES 27

    The New Mutants lose one of their own! And after the Marauders slaughter the Morlocks, they take on the X-Men! Collecting: New Mutants (1983) #55-61, Uncanny X-Men #220-227, X-Factor (1986) #19-26, Captain America (1968) #339, Daredevil (1964) #252, Fantastic Four (1961) #312, Incredible Hulk (1968) #340, Power Pack (1984) #35

    The Supergirls is an entertaining and informative look at these modern-day icons, exploring how superheroines fare in American comics, and what it means for the culture when they do everything the superhero does, but in thongs and high heels.Has Wonder Woman hit the comic book glass ceiling? Is that the one opposition that even her Amazonian strength can’t defeat?Mike Madrid, a San Francisco based refugee from the world of advertising, is a lifelong fan of comic books and popular culture. His goal is to inform and entertain readers with a new look at modern-day icons. He’s the creator of the online site heaven4heroes, where comic book fantasies come to life.The Supergirls is a long overdue tribute to the fabulous fighting females whose beauty and bravery brighten the pages of your favorite comics.”—STAN LEE

    Marvel's short-lived superstar fought enemies both infamous and obscure, but it took his death to unveil the story of his life It's demons, depowerment and drama when the Defenders discover the true secret of Omega and his mysterious charge Plus, the death of a super-villain who, so far, is still dead When was the last time you saw that? Guest-starring Spider-Man (if you look closely enough) Collects Omega: The Unknown #1-10 and Defenders #76-77.

    Now trapped in hell, with the Spirit of Vengeance bonded to his immortal soul and weighing him down, Johnny may have finally found a way out. But at what cost?

    Seuss was drawing biting cartoons for adults that expressed his fierce opposition to anti-Semitism and fascism. An editorial cartoonist from 1941 to 1943 for PM magazine, a left-wing daily New York newspaper, Dr. Seuss launched a battle against dictatorial rule abroad and America First (an isolationist organization that argued against U.S. entry into World War II) with more than 400 cartoons urging the United States to fight against Adolf Hitler and his cohorts in fascism, Benito Mussolini, Pierre Laval, and Japan (he never depicted General Tojo Hideki, the wartime prime minister, or Togo Shigenori, the foreign minister). Dr. Seuss Goes to War, by Richard H. Minear, includes 200 of these cartoons, demonstrating the active role Dr. Seuss played in shaping and reflecting how America responded to World War II as events unfolded.As one of America's leading historians of Japan during World War II, Minear also offers insightful commentary on the historical and political significance of this immense body of work that, until now, has not been seriously considered as part of Dr. Seuss's extraordinary legacy.Born to a German-American family in Springfield, Massachusetts, in 1904, Theodor Geisel began his cartooning career at Dartmouth College, where he contributed to the humor magazine. After a run-in with college authorities for bootlegging liquor, he had to use a pseudonym to get his work published, choosing his middle name, Seuss, and adding "Dr." several years later when he dropped out of graduate school at Oxford University in England. He had never planned on setting poison political pen to paper until he realized his deep hatred of Italian fascism. The first editorial cartoon he drew depicts the editor of the fascist paper Il Giornale d'Italia wearing a fez (part of Italy's fascist uniform) and banging away at a giant steam typewriter while a winged Mussolini holds up the free end of the banner of paper emerging from the roll. He submitted it to a friend at PM, an outspoken political magazine that was "against people who push other people around," and began his two-year career with the magazine before joining the U.S. Army as a documentary filmmaker in 1943.Dr. Seuss's first caricature of Hitler appears in the May 1941 cartoon, "The head eats, the rest gets milked," portraying the dictator as the proprietor of "Consolidated World Dairy," merging 11 conquered nations into one cow. Hitler went on to become one of the main caricatures in Seuss's work for the next two years, depicted alone, among his generals and other Germans, and with his allies Benito Mussolini and Pierre Laval. He is also drawn alongside "Japan," which Dr. Seuss portrays quite offensively, with slanted, bespectacled eyes and a sneering grin. While Dr. Seuss was outspoken against antiblack racism in the United States, he held a virulent disdain for the Japanese and rendered sinister and, at times, slanderous caricatures of their wartime actions even before the bombing of Pearl Harbor. But Dr. Seuss's aggression wasn't solely reserved for the fascists abroad. He was also loudly critical of America's initial apathy toward the war, skewering isolationists like America First advocate Charles Lindbergh, the Chicago Tribune's Colonel Robert McCormick, Eleanor Medill Patterson of the Washington Times-Herald, and Joseph Patterson of the New York Daily News, whom he considered as evil as Hitler. He encouraged Americans to buy war savings bonds and stamps and to do everything they could to ensure victory over fascism.Minear provides historical background in Dr. Seuss Goes to War that not only serves to contextualize these cartoons but also deftly explains the highly problematic anti-Japanese and anticommunist stances held by both Dr. Seuss and PM magazine, which contradicted the leftist sentiments to which they both eagerly adhered. As Minear notes, Dr. Seuss eventually softened his feelings toward communism as Russia and the United States were united on the Allied front, but his stereotypical portrayals of Japanese and Japanese-Americans grew increasingly and undeniably racist as the war raged on, reflecting the troubling public opinion of American citizens. Minear does not attempt to ignore or redeem Dr. Seuss's hypocrisy; rather, he shows how these cartoons evoke the mood and the issues of the era. After Dr. Seuss left PM magazine, he never drew another editorial cartoon, though we find in these cartoons the genesis of his later characters Yertle the dictating turtle and the Cat in the Hat, who bears a striking resemblance to Uncle Sam. Dr. Seuss Goes to War is an astonishing collection of work that many of his devoted fans have not been able to see until now. But this book is also a comprehensive, thoughtfully researched, and exciting history lesson of the Second World War, by a writer who loves Dr. Seuss as much as those who grow up with his books do.

    Debuting as both enemy and ally of the Werewolf by Night, Moon Knight's three personalities equaled one eerie adventure after another by Moench, Miller and more! Earning enemies like the brutal Bushman and the macabre Morpheus early in his career, Moon Knight also teamed up with Spider-Man, the Thing, and others against well-known and forgotten villains alike! Spun by Cyclone! Caught by Crossfire! Plus: an early fight with the Purple Man alongside Luke Cage! Featuring Topaz from Witches and the original White Tiger! Includes black-and-white stories not reprinted in more than two decades!Collecting: Werewolf By Night 32-33; Marvel Spotlight 28-29; Spectacular Spider-Man 22-23; Marvel Two-In-One 52; Hulk Magazine 11-15, 17-18, 20-21; Marvel Preview 21; Moon Knight 1-10

    Howard reprint line by presenting all of the original 1970s and 1980s Marvel color comic books featuring Solomon Kane in one awesome volume! This graphic novel features the landmark stories "The Mark of Kane" and "Fangs of the Gorilla God," by Roy Thomas and Howard Chaykin, and the entire Sword of Solomon Kane mini-series, by Ralph Macchio and a host of talented artists — including Mike Mignola, Al Williamson, Bret Blevins, John Ridgeway, and others! From the French countryside to the Black Forest in Germany, from England to Africa, follow Robert E. Howard's solemn, driven Puritan, Solomon Kane, as he cuts a path of vengeance across the globe!

    These original stories from DETECTIVE COMICS #27-56, BATMAN #1-7, NEW YORK WORLD'S FAIR COMICS #2, WORLD'S BEST COMICS #1 and WORLD'S FINEST COMICS #2-3 include the origin of the Dark Knight, as well as the debuts of Robin, Commissioner Gordon, Professor Hugo Strange, The Joker, Catwoman and more! BATMAN: THE GOLDEN AGE OMNIBUS VOL. 1 features the work of such luminaries as Bob Kane, Bill Finger, Gardner Fox, Jerry Robinson and more!