The countdown has begun.First visible only as blips on a telescope image, the discovery of objects approaching from Jupiter orbit immediately sets humanity on edge. NASA doesn't even bother to deny the alien ships' existence. The popular Astral space app (broadcasting from the far side of the moon and accessible by anyone with internet) has already shown the populace what is coming. So the news has turned from evasion to triage, urging calm and offering the few facts they have: The objects are enormous, perfectly round spheres numbering in the dozens, maybe hundreds. They are on an approach vector for Earth. And they will arrive in six days. Fear simmers.Meyer Dempsey - mogul, wealthy entrepreneur, arrogant and always in charge - is in New York, on the phone with his ex-wife in LA when the news breaks. He can hear tension in the voices of reporters and experts chronicling all that's known and unknown. But even while those supposedly in charge restrain their own panic, Meyer finds he recognizes bits and pieces of what the world is facing. He's seen this in dreams - in visions of another place. He knows where he and his family must go. He has prepared … though he never knew until now what he'd been preparing for. He knows only they cannot hesitate. They must run to their safe haven in the Colorado mountains. Now. Before society shatters into chaos, and it all falls apart. Fear rises.Meyer has been taking steps for months, and has made preparations: a trove of supplies, a van stocked for the worst, a Gulfstream waiting at a small airstrip in Jersey. But he hasn't yet been able to take the final and most important step: moving the family to Colorado, where every contingency is covered. The networks stay on-air longer than expected, creating a farce of calm. But those with means have already begun to scramble as Meyer gathers his wife Piper and his two teenage children and begins their race toward that compound, toward safety. There is no time for hesitation, regret, or pity. Soon, pundits begin to ask questions hard enough to tip those who've thus far stayed calm out of their complacency, inciting chaos: What do the beings inside the ships want? What will they do when they arrive? And what if the scientists are wrong, and the spheres aren't decelerating? Will they strike the planet, raising clouds of extinction dust? Will they knock the Earth off its axis? Is this a prelude to an alien invasion? An alien war? An alien apocalypse? The first domino in the birth of a new alien empire? Fear erupts.Panic, once it breaches the thin crust of civilized society, spreads like a virus. Meyer knows only one thing, and it's a truth that has perched atop his mind like a psychic obsession: When the ships arrive, his family must be at the Colorado compound or all will be lost. The space fleet in itself doesn't matter. The disintegration on the surviving news outlets does not matter. Reports that Las Vegas has been set ablaze do not matter. The fate of humanity, in Meyer's eyes, doesn't matter.All that matters is Piper. Trevor. Delilah. And Meyer's ex-wife Heather, coming to the same destination from the west - a woman who remains his best friend, and his secret lover. Rioting spills into the highways as time ticks away. Unrest boils in both city and hinterlands. But Meyer's obsession to reach Vail is single-minded, guided with the focus of a far-seeing nightmare. Gangs can ground his plane, threaten his vehicles, and steal his belongings. But nothing will stand between Meyer's family and their haven … and Meyer will kill his way to Colorado if he has to. This relentless, page-turning tale of apocalyptic dawn is the first in the alien invasion series by masters of story Truant and Platt, authors of The Beam, Robot Proletariat, the Dream Engine series, and many more.

    As the world and cyberworlds come crashing down, bending perception and reality, a monster snowstorm cuts New York off from the world, becoming a wintry tomb where no one can be trusted, and nothing is what it seems...CyberStorm is a techno-thriller set in present-day New York City that will appeal to fans of Michael Chichton and Tom Clancy as well as devotees of William Gibson and Neal Stephenson. It is an exploration of the human condition as the cyberworld collides with our own, a compelling portrait of a possible future that is all too terrifyingly real.

    On the day of the launch of the first expedition to Mars, by giant cannon, he outdoes himself with an audacious attack. For young poet Orphan, trapped in the screaming audience, it seems his destiny is entwined with that of the shadowy terrorist, but how? Like a steam-powered take on V for Vendetta, rich with satire and slashed through with automatons, giant lizards, pirates, airships and wild adventure, The Bookman is the first of a series. (Description from Amazon.com)

    But when first mate Michelle Campion rouses, she discovers some of the sleepers will never wake.Answering Campion’s distress call, investigator Rasheed Fin is tasked with finding out who is responsible for these deaths. Soon a sinister mystery unfolds aboard the gigantic vessel, one that will have repercussions for the entire system—from the scheming politicians of Lagos station, to the colony planet Bloodroot, to other far-flung systems, and indeed to Earth itself.

    But when she activates it, reality warps, destroying the space station and everyone aboard. The AI Gods who rule the galaxy declare her work heretical, and Yasira is abducted by their agents. Instead of simply executing her, they offer mercy – if she’ll help them hunt down a bigger target: her own mysterious, vanished mentor. With her homeworld’s fate in the balance, Yasira must choose who to trust: the gods and their ruthless post-human angels, or the rebel scientist whose unorthodox mathematics could turn her world inside out.

    As a child, she lost her parents, her home, and her entire building in an airstrike. As an adult, she lives in a cramped hotel room with eight other people, all of them working multiple jobs to try to afford water and make ends meet. And the job she’s best at is streaming a popular VR war game. The best part of the game isn’t killing enemy combatants, though—it’s catching in-game glimpses of SpecOps operatives, celebrity supersoldiers grown and owned by Stellaxis, the corporation that runs the America she lives in.Until a chance encounter with a SpecOps operative in the game leads Mal to a horrifying discovery: the real-life operatives weren’t created by Stellaxis. They were kids, just like her, who lost everything in the war, and were stolen and augmented and tortured into becoming supersoldiers. The world worships them, but the world believes a lie.The company controls every part of their lives, and defying them puts everything at risk—her water ration, her livelihood, her connectivity, her friends, her life—but she can’t just sit on the knowledge. She has to do something—even if doing something will bring the wrath of the most powerful company in the world down upon her.

    But when a pair of fugitive terrorists gain access to the Ananke, Althea must draw upon her heart and soul for the strength to defend her beloved ship.   While one of the saboteurs remains at large somewhere on board, his captured partner—the enigmatic Ivan—may prove to be more dangerous. The perversely fascinating criminal whose silver tongue is his most effective weapon has long evaded the authorities’ most relentless surveillance—and kept the truth about his methods and motives well hidden.   As the ship’s systems begin to malfunction and the claustrophobic atmosphere is increasingly poisoned by distrust and suspicion, it falls to Althea to penetrate the prisoner’s layers of intrigue and deception before all is lost. But when the true nature of Ivan’s mission is exposed, it will change Althea forever—if it doesn’t kill her first.

    This volume, The Weapon Shops of Isher, includes the first three parts of the saga and introduces perhaps the most famous political slogan of science fiction: The Right to Buy Weapons is the Right to Be Free. Born at the height of Nazi conquest, the Isher stories suggested that an oppressive government could never completely subjugate its own citizens if they were well armed. The audience appeal was immediate and has endured long beyond other stories of alien invasion, global conflict and post war nuclear angst.

    For the wealthy, cheating death is the ultimate luxury. To anticloning militants, it’s an abomination against nature. For young Constance “Con” D’Arcy, who was gifted her own clone by her late aunt, it’s terrifying.After a routine monthly upload of her consciousness—stored for that inevitable transition—something goes wrong. When Con wakes up in the clinic, it’s eighteen months later. Her recent memories are missing. Her original, she’s told, is dead. If that’s true, what does that make her?The secrets of Con’s disorienting new life are buried deep. So are those of how and why she died. To uncover the truth, Con is retracing the last days she can recall, crossing paths with a detective who’s just as curious. On the run, she needs someone she can trust. Because only one thing has become clear: Con is being marked for murder—all over again.

    Morgan arrived on the scene. He unleashed Takeshi Kovacs–private eye, soldier of fortune, and all-purpose antihero–into the body-swapping, hard-boiled, urban jungle of tomorrow in Altered Carbon, Broken Angels, and Woken Furies, winning the Philip K. Dick Award in the process. In Market Forces, he launched corporate gladiator Chris Faulkner into the brave new business of war-for-profit. Now, in Thirteen, Morgan radically reshapes and recharges science fiction yet again, with a new and unforgettable hero in Carl Marsalis: hybrid, hired gun, and a man without a country . . . or a planet.Marsalis is one of a new breed. Literally. Genetically engineered by the U.S. government to embody the naked aggression and primal survival skills that centuries of civilization have erased from humankind, Thirteens were intended to be the ultimate military fighting force. The project was scuttled, however, when a fearful public branded the supersoldiers dangerous mutants, dooming the Thirteens to forced exile on Earth’s distant, desolate Mars colony. But Marsalis found a way to slip back–and into a lucrative living as a bounty hunter and hit man before a police sting landed him in prison–a fate worse than Mars, and much more dangerous.Luckily, his “enhanced” life also seems to be a charmed one. A new chance at freedom beckons, courtesy of the government. All Marsalis has to do is use his superior skills to bring in another fugitive. But this one is no common criminal. He’s another Thirteen–one who’s already shanghaied a space shuttle, butchered its crew, and left a trail of bodies in his wake on a bloody cross-country spree. And like his pursuer, he was bred to fight to the death. Still, there’s no question Marsalis will take the job. Though it will draw him deep into violence, treachery, corruption, and painful confrontation with himself, anything is better than remaining a prisoner. The real question is: can he remain sane–and alive–long enough to succeed?2007 1st Ed Del Rey 9 8 7 6 5 4 3 2 1

    After launch it mysteriously disappears. If it reaches civilian areas they'll be in big trouble. Carol Dawson, a journalist, is alerted by an unusual sight of whales in the Miami area & decides to write about it. Armed with equipment provided by her friend, Dr. Dale Michaels from the Miami Oceanographic Institute, she goes to investigate the rumors of a missing missile that could be behind the mysterious whale behavior. She hires the services of Nick Williams & Jefferson Troy, boat owners, so she can get to the Mexican Gulf to investigate. They find an unknown artifact. They have doubts about its nature, hoping it's part of a lost treasure. Old friends of Williams & Troy notice their discovery & want to steal it. In the story's background, the authors describe a submarine snake civilization on a planet called Canthor, & how they struggled to stay alive despite threats to their ecosystem. It's revealed that the artifact is actually a cradle that contains seeds with altered superhumans extracted from Earth millions of years ago & altered so they could live with other species--including the submarine snakes--on Earth. The spaceship that carries the cradle is manned by robots/cyborgs & has hidden itself on the ocean floor to make repairs. Dawson, Williams & Troy are asked to gather materials so the ship can be repaired & return to its mission. The ship...

    He didn't understand how he could communicate with the animals or why they were contacting him. But from the moment he began work at Kyger's pet emporium on Korwar he was enmeshed in a perilous intrigue... an intrigue that would leave more than one man dead, an entire government in jeopardy, and Horan himself both master and captive of the most extraordinary band of warriors his world had ever known.

    Revisions from the author's notes are included, allowing a deeper view into her world and a better understanding of her work. The Nebula Award–winning short story Love Is the Plan, the Plan Is Death, the Hugo Award–winning novella The Girl Who Was Plugged In, and the Hugo and Nebula Award–winning novella Houston, Houston, Do You Read? are included.The stories of Alice Sheldon, who wrote as James Tiptree Jr. ( Up the Walls of the World ) until her death in 1987, have been heretofore available mostly in out-of-print collections. Thus the 18 accomplished stories here will be welcomed by new readers and old fans. ''The Screwfly Solution'' describes a chilling, elegant answer to the population problem. In ''Love Is the Plan the Plan Is Death,'' the title tells the tale--species survival insured by imprinted drives--but the story's force is in its exquisite, lyrical prose and its suggestion that personal uniqueness is possible even within biological imperatives. ''The Girl Who Was Plugged In'' is a future boy-meets-girl story with a twist unexpected by the players. ''The Women Men Don't See '' displays Tiptree's keen insight and ability to depict singularity within the ordinary. In Hugo and Nebula award-winning ''Houston, Houston, Do You Read?'' astronauts flying by the sun slip forward 500 years and encounter a culture that successfully questions gender roles in ours.ContentsIntroduction by Michael SwanwickThe Last Flight of Doctor Ain (1969)The Screwfly Solution (1977)And I Awoke and Found Me Here on the Cold Hill’s Side (1972)The Girl Who Was Plugged In (1973)The Man Who Walked Home (1972)And I Have Come Upon This Place by Lost Ways (1972)The Women Men Don’t See (1973)Your Faces, O My Sisters! Your Faces Filled of Light! (1976)Houston, Houston, Do You Read? (1976)With Delicate Mad Hands (1981)A Momentary Taste of Being (1975)We Who Stole the Dream (1978)Her Smoke Rose Up Forever (1974)Love Is the Plan the Plan Is Death (1973)On the Last Afternoon (1972)She Waits for All Men Born (1976)Slow Music (1980)And So On, and So On (1971)

    The crew of the spaceship Nostromo wake from cryogenic sleep to distress signals from an unknown planet. One is attacked when they investigate a derelict alien craft. Safely on their way back to Sol, none foresee the real horror about to begin.

    Campbell classic about an antarctic research camp that discovers and thaws the ancient, frozen body of a crash-landed alien. The creature revives with terrifying results, shape-shifting to assume the exact form of animal and man, alike. Paranoia ensues as a band of frightened men work to discern friend from foe, and destroy the menace before it challenges all of humanity! The story, hailed as "one of the finest science fiction novellas ever written" by the SF Writers of America, is best known to fans as THE THING, as it was the basis of Howard Hawks' The Thing From Another World in 1951, and John Carpenter's The Thing in 1982. With a new Introduction by William F. Nolan, author of Logan's Run, and his never-before-published, suspenseful Screen Treatment written for Universal Studios in 1978, this is a must-have edition for scifi and horror fans!